id: 151961
accession number: 1984.34
share license status: Copyrighted
url: https://clevelandart.org/art/1984.34
updated: 2024-03-26 01:59:53.819000
Lathe, Akeley Shop, New York, 1923. Paul Strand (American, 1890–1976). Gelatin silver print; image: 24.4 x 19.3 cm (9 5/8 x 7 5/8 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1984.34 © Aperture Foundation, Inc., Paul Strand Archive
title: Lathe, Akeley Shop, New York
title in original language:
series:
series in original language:
creation date: 1923
creation date earliest: 1923
creation date latest: 1923
current location:
creditline: Leonard C. Hanna, Jr. Fund
copyright: © Aperture Foundation, Inc., Paul Strand Archive
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culture: America, 20th century
technique: gelatin silver print
department: Photography
collection: PH - American 1900-1950
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Paul Strand (American, 1890–1976) - artist
Paul Strand American, 1890-1976
Paul Strand (born in New York City) was an influential advocate of the straight approach in creative photography. While a student at the Ethical Culture School in New York, Strand studied photography with Lewis Hine (1907-8). In 1908 he joined the Camera Club of New York and three years later traveled through Europe, making softly focused, manipulated photographs in the popular pictorial style. In the fall of 1911 Strand established himself as a freelance commercial photographer in New York and two years later began visiting the exhibitions of modern art at Alfred Stieglitz's Photo-Secession galleries.
Between 1914-17, stimulated by his contact with Stieglitz and avant-garde American and European art, Strand abandoned pictorialism for images that expressed an interest in formal concerns and the dynamism of contemporary urban life. He experimented with abstraction and movement and candid portraiture of people on the street. Excited by Strand's innovative work, Stieglitz exhibited his pictures at "291" in 1916 and featured them in the final two issues of Camera Work (October 1916; June 1917). In 1917 Strand expressed his belief in a pure photographic aesthetic, stressing the objectivity of the medium and its ability to produce "a range of almost infinite tonal values which lie beyond the skill of the human hand."
The following year Strand served as an x-ray technician in the Army Medical Corps. After his year of service, he returned to New York and in 1920 collaborated with painter/photographer Charles Sheeler on the avant-garde film Manhatta (originally titled New York the Magnificent). Throughout the 1920s Strand made his living as a filmmaker, only occasionally making photographs. He pursued both film and creative photography in the 1930s and early 1940s; by 1945, however, when his images were featured in a one-person exhibition at the Museum of Modern Art, New York, still photography had once more become his primary focus. After visiting France in 1950 he decided to settle there, and over the following two decades traveled and photographed in Europe and Africa.
Strand's work has been widely exhibited. Retrospectives have been mounted by the Museum of Modern Art, New York (1945), the Philadelphia Museum of Art (1971, and tour), and the Metropolitan Museum of Art, New York (1973), and numerous traveling exhibitions have been organized, including Paul Strand: An American Vision by the National Gallery of Art, Washington, D.C. (1990). He was named an Honorary Member of the American Society of Magazine Photographers (1963) and a Fellow of the American Academy of Arts and Sciences (1973). M.M.
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measurements: Image: 24.4 x 19.3 cm (9 5/8 x 7 5/8 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)
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inscriptions:
inscription: Written in pencil on verso: "EW-MAC-250 / FII"; "#69-C"; photo glued on back of mount
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remark:
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CURRENT EXHIBITIONS
title: The Precisionist Aesthetic in American Art
opening date: 1989-01-24T05:00:00
The Precisionist Aesthetic in American Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-April 9, 1989).
title: Legacy of Light: Seven Masters in Depth
opening date: 1996-11-20T05:00:00
Legacy of Light: Seven Masters in Depth. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20-February 2, 1996).
title: Industry and Photography: Selections from the Permanent Collection
opening date: 1997-11-16T00:00:00
Industry and Photography: Selections from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1997-March 1, 1998).
title: The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art
opening date: 2006-06-09T00:00:00
The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).
title: Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art
opening date: 2007-06-24T00:00:00
Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007).
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LEGACY EXHIBITIONS
* {'description': 'CMA, January 24 - April 9, 1989: The Precisionist Aesthetic in American Art."', 'opening_date': '1989-01-24T00:00:00'}
* {'description': 'CMA, November 20,1996 - February 2, 1997: "Legacy of Light: Seven Masters in Depth."', 'opening_date': '1997-02-02T00:00:00'}
* {'description': 'Cleveland, Ohio: The Cleveland Museum of Art; 11/16/97 - 3/1/98. "Industry and Photography: Selections from the Permanent Collection."', 'opening_date': '1997-11-16T00:00:00'}
* {'description': 'MOCA Cleveland (6/9/2006 - 8/20/2006): "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", no. 67, p. 119, repr. p. 71.', 'opening_date': '2006-06-09T00:00:00'}
* {'description': 'The Cleveland Museum of Art (6/24/07 - 9/16/07); "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art", no exhibition catalogue.', 'opening_date': '2007-06-24T00:00:00'}
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PROVENANCE
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 341
url:
Sims, Lowery Stokes. The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2006.
page number: Mentioned and reproduced: P. 71, no. 67
url:
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IMAGES