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"tombstone": "Ten Bamboo Studio Painting and Calligraphy Handbook (Shizhuzhai shuhua pu): Bamboo (\u5341\u7af9\u9f4b\u66f8\u756b\u8b5c), 1633. Hu Zhengyan (Chinese, c. 1584\u20131674). Woodblock-printed book; ink and colors on paper; first edition; open and extended: 23.7 x 27.9 cm (9 5/16 x 11 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1984.45.2.12",
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"title": "Ten Bamboo Studio Painting and Calligraphy Handbook (Shizhuzhai shuhua pu): Bamboo",
"title_in_original_language": "\u5341\u7af9\u9f4b\u66f8\u756b\u8b5c",
"creation_date": "1633",
"creation_date_earliest": 1633,
"creation_date_latest": 1633,
"artists_tags": [
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"culture": [
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],
"technique": "Woodblock-printed book; ink and colors on paper; first edition",
"support_materials": [],
"department": "Chinese Art",
"collection": "China - Qing Dynasty",
"type": "Print",
"measurements": "Open and extended: 23.7 x 27.9 cm (9 5/16 x 11 in.)",
"dimensions": {
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"height_inch": 9,
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"description": "CMA 1985: \"Year in Review 1984,\" Bull., 72 (April 1985), p. 207, no. 177",
"opening_date": "1985-04-01T00:00:00"
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{
"description": "S\u00f6ren Edgren, Tsuen-hsuin Tsien, Wang Fang-yu, and Wan-go H. C. Weng, Chinese Rare Books in American Collections (exh. cat., China House Gallery, New York, October 20., 1984-January 27, 1985), cat. 35",
"opening_date": "1985-01-27T00:00:00"
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{
"description": "\"Wooblock Illustration in Imperial China,\" Allen Memorial Art Museum, March 7-April 30, 1989",
"opening_date": "1989-03-07T00:00:00"
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"provenance": [
{
"description": "(Donald J. Wineman, New York, NY, sold to the Cleveland Museum of Art)",
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"footnotes": null,
"date": "?\u20131984",
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{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"footnotes": null,
"date": "1984\u2013",
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"description": "Color printing reached a level of perfection in the early 1600s, as seen in this Ten Bamboo Studio Collection of Calligraphy and Painting and the Mustard Seed Garden Manual of Painting (printed 1679 and 1701). The painterly quality, precision in registering (aligning) the woodblocks, and harmonious colors made them the most successful color print editions in Chinese history. Both editions were printed and compiled in Nanjing, spread nationwide, and had a great impact on the arts in Japan and Korea.",
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"citation": "Edgren, So\u0308ren, Tsuen-hsuin Tsien, Fangyu Wang, and Wango H. C. Weng. Chinese Rare Books in American Collections. New York: China House Gallery, China Institute in America, 1984.",
"page_number": "cat. no. 35",
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{
"citation": "Turner, Evan H. \u201cThe Year in Review for 1984.\u201d The Bulletin of the Cleveland Museum of Art, vol. 72, no. 2, 1985, pp. 163\u2013207.",
"page_number": "Mentioned: p. 207, no. 177",
"url": "https://www.jstor.org/stable/25159897"
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{
"citation": "Wilson, J. Keith. \"The Fine Art of Drinking: The Chinese Silversmith Zhu Bishan and His Sculptural Cups.\" The Bulletin of the Cleveland Museum of Art 81, no. 10 (December 1994): 380\u2013401.",
"page_number": "Reproduced: p. 391, fig. 15; Mentioned: pp. 391, 400, no. 43",
"url": ""
},
{
"citation": "Griswold, William, Xiaofei Tian, Richard Von Glahn, Feng Zhao, S. J. Vainker, Masaaki Itakura, Jiang Wu, et al. China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta. Edited by Clarissa von Spee. Cleveland, OH: The Cleveland Museum of Art, 2023.",
"page_number": "Mentioned and Reproduced: p. 340, no. 179",
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