{
"data": {
"id": 152230,
"accession_number": "1985.116",
"share_license_status": "CC0",
"tombstone": "Fountain of the L'\u00c9cole Polytechnique, 1902. Eug\u00e8ne Atget (French, 1857\u20131927). Albumen print, gold toned; image: 17.6 x 21.5 cm (6 15/16 x 8 7/16 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund, 1985.116",
"current_location": null,
"title": "Fountain of the L'\u00c9cole Polytechnique",
"creation_date": "1902",
"creation_date_earliest": 1902,
"creation_date_latest": 1902,
"artists_tags": [
"male"
],
"culture": [
"France, 20th century"
],
"technique": "albumen print, gold toned",
"support_materials": [],
"department": "Photography",
"collection": "Photography",
"type": "Photograph",
"measurements": "Image: 17.6 x 21.5 cm (6 15/16 x 8 7/16 in.); Matted: 35.6 x 45.7 cm (14 x 18 in.)",
"dimensions": {
"image": {
"height": 0.176,
"height_inch": 6,
"height_inch_fraction": 0.9375,
"width": 0.215,
"width_inch": 8,
"width_inch_fraction": 0.4375
},
"matted": {
"height": 0.356,
"height_inch": 14,
"height_inch_fraction": 0.0,
"width": 0.457,
"width_inch": 18,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Written in pencil on verso: \"Fontaine Ecole Polytechnique 4469\"; in red pastel \"180\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [],
"legacy": [
{
"description": "CMA, February 12 - April 20, 1986: \"Year in Review 1985,\" CMA Bulletin, 73 (Feb. 1986) p. 64, no. 59, repr. p. 55.",
"opening_date": "1986-02-12T00:00:00"
},
{
"description": "CMA, July 21 - October 18, 1987: \"Fraternite: Artistic Relations betweeen France and America,\" Gallery A, no exhibition catalogue.",
"opening_date": "1987-07-21T00:00:00"
}
]
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79936331"
],
"internet_archive": []
},
"citations": [
{
"citation": "Turner, Evan H. \u201cThe Year in Review for 1985.\u201d The Bulletin of the Cleveland Museum of Art 73, no. 2 (February 1986): 26\u201371.",
"page_number": "Reproduced: p. 55; Mentioned: p. 64, no. 59",
"url": "http://www.jstor.org/stable/25159930"
},
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 87",
"url": ""
}
],
"url": "https://clevelandart.org/art/1985.116",
"images": {
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"width": "1100",
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"print": {
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"width": "3400",
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"alternate_images": [],
"creditline": "John L. Severance Fund",
"image_credit": null,
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"athena_id": 152230,
"creators": [
{
"id": 23,
"description": "Eug\u00e8ne Atget (French, 1857\u20131927)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Eug\u00e8ne Atget French, 1857-1927\r\n\r\nRelatively unknown to the public during his lifetime, Eug\u00e8ne Atget is today an icon -- one of the most celebrated and influential photographers of the 20th century. Born near Bordeaux, Atget first directed his efforts to painting and the stage before turning to photography shortly before 1890. He is best known for his documentary scenes of Paris and Versailles, but he photographed a number of other sites as well. Atget viewed his work as a historical and aesthetic record, regarding it as documentation for use by artists. Indeed, several artists are known to have painted from his images.\r\n\tUsing relatively unsophisticated, even outdated equipment, Atget achieved a view of French architecture and culture that is both personal and factual. Along with the rediscovery of the images of Mathew Brady in the early 20th century, the recognition of Atget's artistic accomplishments shortly before his death by Berenice Abbott, Man Ray, and others helped turn photographers away from the mannered style of pictorialism toward the visual and technical clarity of modernism. Marked by a selective and highly individual method, his is among the most widely shown, published, and recognized work in photography today. T.W.F.",
"name_in_original_language": null,
"birth_year": "1857",
"death_year": "1927",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1985-08-27T00:00:00",
"sortable_date": 1902,
"date_added_to_oa": null,
"date_text": "1902",
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"record_type": "object",
"conservation_statement": null,
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"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-03 14:21:05.378000"
}
}