{
    "data": {
        "id": 152268,
        "accession_number": "1985.148",
        "share_license_status": "CC0",
        "tombstone": "The Judgment of Paris, c. 1510\u201320. South Netherlands, 16th century. Silver-stained glass roundel; diameter: 22.3 cm (8 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1985.148",
        "current_location": "112 Northern Renaissance",
        "title": "The Judgment of Paris",
        "creation_date": "c. 1510\u201320",
        "creation_date_earliest": 1505,
        "creation_date_latest": 1525,
        "artists_tags": [],
        "culture": [
            "South Netherlands, 16th century"
        ],
        "technique": "silver-stained glass roundel",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Gothic",
        "type": "Glass",
        "measurements": "Diameter: 22.3 cm (8 3/4 in.)",
        "dimensions": {
            "diameter": {
                "width": 0.223
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [],
            "legacy": [
                {
                    "description": "<em>Form and Light: 400 Years of European Glass.</em> Michael Ward, Inc., New York, NY; Michael Ward, Inc., New York, NY (1985).",
                    "opening_date": null
                }
            ]
        },
        "provenance": [
            {
                "description": "(Michael Ward and Co., New York).",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "The bright yellow tones in stained glass are made using a solution of silver oxide.",
        "description": "Hermes awakens the shepherd Paris to hand him the golden apple, which he is to present to the most beautiful of the three goddesses: Venus (foreground), Juno, or Minerva. The panel was produced by means of a compound of silver oxide, which, when applied to the glass and then fired in a kiln, turned into a translucent yellow stain. The culminating effects of different pigments and shadings required subsequent firings.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60751169"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1985.148-the-judgment-of-pari"
            ]
        },
        "citations": [
            {
                "citation": "Michael Ward, Inc. In <em>Form and Light: 400 Years of European Glass</em>. New York: Michael Ward, Inc., 1985.",
                "page_number": "cat. no. 2",
                "url": ""
            },
            {
                "citation": "Husband, Timothy and Madeline Harrison Caviness. <em>Stained Glass before 1700 in American Collections: Silver-Stained Roundels and Unipartite Panels</em> (Corpus Vitrearum Checklist IV. Washington, D.C., Hanover [N.H.]: National Gallery of Art; Distributed by the University Press of New England, 1991.",
                "page_number": "p. 201, repr.",
                "url": ""
            },
            {
                "citation": "Husband, Timothy, Ellen Konowitz, Zsuzsanna van Ruyven-Zeman, and Metropolitan Museum of Art (New York, N.Y.). <em>The Luminous Image: Painted Glass Roundels in the Lowlands, 1480-1560.</em> New York: Metropolitan Museum of Art, 1995.",
                "page_number": "cat. no. 60, p. 132 repr.",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1985.148",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1985.148/1985.148_web.jpg",
                "width": "914",
                "height": "893",
                "filesize": "169295",
                "filename": "1985.148_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1985.148/1985.148_print.jpg",
                "width": "3400",
                "height": "3323",
                "filesize": "1950754",
                "filename": "1985.148_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1985.148/1985.148_full.tif",
                "width": "5567",
                "height": "5442",
                "filesize": "90915752",
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        },
        "alternate_images": [],
        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": "Lucia Smith Nash Gallery",
        "athena_id": 152268,
        "creators": [],
        "legal_status": "accessioned",
        "accession_date": "1985-11-13T00:00:00",
        "sortable_date": 1505,
        "date_added_to_oa": null,
        "date_text": "c. 1510\u201320",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-03-27 00:09:17.722000"
    }
}