id: 152366 accession number: 1985.210 share license status: Copyrighted url: https://clevelandart.org/art/1985.210 updated: 2024-03-26 01:59:55.391000 Court Houses: Rotunda, Old St. Louis County Courthouse, St. Louis, Missouri, 1976. William Clift (American, b. 1944). Gelatin silver print; image: 43.9 x 34.2 cm (17 5/16 x 13 7/16 in.); matted: 71.1 x 61 cm (28 x 24 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Thomas A. Mann 1985.210 © William Clift title: Rotunda, Old St. Louis County Courthouse, St. Louis, Missouri title in original language: series: Court Houses series in original language: creation date: 1976 creation date earliest: 1976 creation date latest: 1976 current location: creditline: Gift of Mr. and Mrs. Thomas A. Mann copyright: © William Clift --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1951-Present type: Photograph find spot: catalogue raisonne: --- CREATORS * William Clift (American, b. 1944) - artist William Clift American, 1944- Throughout his career, William Brooks Clift III has photographed the land and architecture as quiet yet complex subjects filled with cultural and spiritual metaphor. Celebrating the nuances of light and composition in his images, which are primarily black and white, he is a careful and thoughtful technician. He digests, rather than dramatizes, his subjects, often spending several years exploring a theme before completing it. Born in Boston, Clift first took an interest in photography at age 10, building his own darkroom. As a teenager, he attended a workshop with Paul Caponigro. Beginning in 1962, Clift spent eight years specializing in architectural subjects, commissioned on a freelance basis by various organizations -- including the Massachusetts Council on the Arts for an extensive documentation of Old Boston City Hall (1970). He moved to Santa Fe in 1971 and began to photograph the landscape that continues to inspire his work. He has been awarded fellowships from the National Endowment for the Arts (1972, 1979) and the John Simon Guggenheim Memorial Foundation (1973, 1980). Returning to Boston in 1975, Clift photographed the architecture of Beacon Hill. During 1975-76 he worked for the Joseph Seagram and Son's bicentennial project on American county courthouses. In 1977 he traveled to France to take pictures of Mont-Saint-Michel and began an ongoing project picturing the sculpture of Juan Hamilton. Commissions followed from AT&T for their American Images project (1978) and from the Reader's Digest Association (1985-86) to photograph the Hudson River Highlands with Steven Shore, who eventually discontinued the endeavor. A one-person exhibition of Clift's work, Certain Places, was on view at the Art Institute of Chicago and the Amon Carter Museum, Fort Worth (1987). That same year he received the Governor's Award for Excellence and Achievement in the Arts in New Mexico and began a color project with Polaroid materials, making family pictures that were exhibited in the Equitable Gallery, New York (1992). He has produced and distributed two books, Certain Places (1987) and A Hudson Landscape (1994). Clift continues to photograph the mountain and desert landscape throughout the southwestern United States. He lives in Santa Fe. A.W. --- measurements: Image: 43.9 x 34.2 cm (17 5/16 x 13 7/16 in.); Matted: 71.1 x 61 cm (28 x 24 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in pencil on recto: "William Clift [signed]" translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * {'description': 'CMA, February 12 - April 20, 1986: "Year in Review 1985," CMA Bulletin, 73 (February 1986), p. 65, no. 86.', 'opening_date': '1986-02-12T00:00:00'} --- PROVENANCE Mr. and Mrs. Thomas A. Mann date: footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: April 2, 1986 footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. page number: Reproduced: P. 127 url: --- IMAGES