id: 152838 accession number: 1985.76 share license status: Copyrighted url: https://clevelandart.org/art/1985.76 updated: 2024-03-26 01:59:57.921000 Terminal Tower, Cleveland, 1928. Margaret Bourke-White (American, 1904–1971). Gelatin silver print; image: 33.5 x 25.7 cm (13 3/16 x 10 1/8 in.); paper: 34.4 x 26.1 cm (13 9/16 x 10 1/4 in.); matted: 71.1 x 55.9 cm (28 x 22 in.). The Cleveland Museum of Art, Gift of Max and Betty Ratner 1985.76 © Estate of Margaret Bourke-White / Licensed by VAGA at Artists Rights Society (ARS), NY title: Terminal Tower, Cleveland title in original language: series: series in original language: creation date: 1928 creation date earliest: 1928 creation date latest: 1928 current location: creditline: Gift of Max and Betty Ratner copyright: © Estate of Margaret Bourke-White / Licensed by VAGA at Artists Rights Society (ARS), NY --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1900-1950 type: Photograph find spot: catalogue raisonne: --- CREATORS * Margaret Bourke-White (American, 1904–1971) - artist Margaret Bourke-White American, 1904-1971 Margaret Bourke-White was a preeminent photojournalist who gained fame for her striking images published in Fortune and Life magazines in the 1930s-50s. In 1922, while at Columbia University Teachers College in her native New York City, Bourke-White studied photography with Clarence White. She attended several other colleges before graduating from Cornell University (1927), then moved to Cleveland. The city's industrial landscape was influential in the development of Bourke-White's photographic style. One of her images from this period, Romance of Steel, was a first-place winner in the Cleveland Museum of Art's 1928 May Show, a regional juried exhibition. The following year Bourke-White moved back to New York to work for Henry Luce's new business magazine, Fortune. In 1934 she was sent by the magazine to cover the drought in the Midwest, an assignment she credited with awakening her social conscience. Three years later she collaborated with writer Erskine Caldwell on You Have Seen Their Faces, an acclaimed study of the plight of rural Southerners during the Great Depression. Bourke-White's long association with Life began in 1936 when she joined the magazine as one of its first staff photographers. When it premiered on November 23, 1936, her photographs of Fort Peck Dam in Montana were featured on the cover and in the lead story. During her career, Bourke-White covered many major world events: the Great Depression, World War II, the partitioning of India, and the Korean War. She continued to photograph throughout the 1950s, publishing her images in magazines and in a number of books, including Eyes on Russia (1931), North of the Danube, with Erskine Caldwell (1939), Say, Is This the U.S.A.?, with Erskine Caldwell (1941), Shooting the Russian War (1942), Dear Fatherland, Rest Quietly (1946), Halfway to Freedom: A Report on the New India (1949), and Portrait of Myself (her autobiography, 1963). M.M. --- measurements: Image: 33.5 x 25.7 cm (13 3/16 x 10 1/8 in.); Paper: 34.4 x 26.1 cm (13 9/16 x 10 1/4 in.); Matted: 71.1 x 55.9 cm (28 x 22 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Year in Review for 1985 opening date: 1986-02-12T05:00:00 The Year in Review for 1985. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-April 20, 1986). title: Progressive Vision: Downtown Cleveland 1903-1930 opening date: 1986-06-10T04:00:00 Progressive Vision: Downtown Cleveland 1903-1930. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 10-July 27, 1986). title: Fraternite: Artistic Relations Between France and America opening date: 1987-07-21T04:00:00 Fraternite: Artistic Relations Between France and America. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 21-October 18, 1987). title: American Cities: The Artist's View opening date: 1989-10-17T04:00:00 American Cities: The Artist's View. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 17, 1989-January 7, 1990). title: Object Lessons: Cleveland Creates an Art Museum opening date: 1991-06-07T04:00:00 Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991). title: Legacy of Light: Master Photographs from the Cleveland Museum of Art opening date: 1996-11-24T05:00:00 Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997). title: Shadows and Dreams: Pictorialist Photography in America opening date: 2015-09-05T00:00:00 Shadows and Dreams: Pictorialist Photography in America. The Cleveland Museum of Art (organizer) (September 5, 2015-January 17, 2016). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Turner, Evan H. "The Year in Review for 1985." The Bulletin of the Cleveland Museum of Art 73, no. 2 (1986): 26-71. page number: p. 64, no. 64, repr. p. 26 url: www.jstor.org/stable/25159930 Cleveland Museum of Art, and Tom E. Hinson. Catalogue of Photography. [Cleveland, OH]: The Museum, 1996. page number: p. 38-39 url: Witchey, Holly Rarick, and Andrew T. Chakalis. Progressive Vision: The Planning of Downtown Cleveland, 1903-1930. Cleveland, Ohio: Cleveland Museum of Art in cooperation with Indiana University Press, 1986. page number: cat. no. 106, p. 9 url: --- IMAGES