{
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"tombstone": "Listening to the Wind in the Pines, 1400s. Ikky\u016b S\u014djun (Japanese, 1394\u20131481). Hanging scroll; ink on paper; painting only: 76.8 x 32 cm (30 1/4 x 12 5/8 in.); including mounting: 153.7 x 38.1 cm (60 1/2 x 15 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1985.89",
"current_location": null,
"title": "Listening to the Wind in the Pines",
"creation_date": "1400s",
"creation_date_earliest": 1420,
"creation_date_latest": 1481,
"artists_tags": [
"male"
],
"culture": [
"Japan, Muromachi period (1392\u20131573)"
],
"technique": "hanging scroll; ink on paper",
"support_materials": [],
"department": "Japanese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Painting only: 76.8 x 32 cm (30 1/4 x 12 5/8 in.); Including mounting: 153.7 x 38.1 cm (60 1/2 x 15 in.)",
"dimensions": {
"painting only": {
"height": 0.768,
"height_inch": 30,
"height_inch_fraction": 0.25,
"width": 0.32,
"width_inch": 12,
"width_inch_fraction": 0.625
},
"including mounting": {
"height": 1.537,
"height_inch": 60,
"height_inch_fraction": 0.5,
"width": 0.381,
"width_inch": 15,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
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"copyright": null,
"inscriptions": [
{
"inscription": "\u5c71\u5c45\u50e7\u8074\u677e\u98a8/\u4f55\u9808\u81e8\u6e08\u5fb3\u5c71\u7985\u4e00\u7b87\u4f4f\u5c71/\u4e09\u5341\u5e74\u516c\u6848\u5de5\u592b\u4e86\u7562\u5f8c/\u9577\u677e\u98a8\u9759\u7f77\u53c2\u7720 (transcribed by Trevor Menders with Zheng Xiaoying 2017, revised by Osvaldo Mercuri 2021)",
"inscription_translation": "Why must the Zen of Rinzai (Linji Yixuan) and Tokusan (Deshan Xuanjian) reside in a single temple for thirty years?\nOnce he's solved his k\u014dan, (the monk) ends his practice and falls asleep in the quietness of the wind among the tall pines. \n(translated by Osvaldo Mercuri)",
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "\u7d2b\u91ce\u9f8d\u5bf6\u9580\u5ba2\u4e1c\u6d77\u7d14\u4e00\u4f11\u8001\u548c\u5c1a\u756b\u3068\u8a69\u4e00\u7b46",
"inscription_translation": "Poem and painting brushed by venerable master Ikky\u016b of Japan (the Eastern Sea), guest of Murasakino (eastern precincts of Daitokuji) at Ry\u016bh\u014dmon (Daitokuji)",
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "\u843d\u6b3e\u3000\u4e00\u4f11",
"inscription_translation": "Seal: Ikky\u016b",
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 309910,
"title": "The Year in Review for 1985",
"description": "The Year in Review for 1985. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-April 20, 1986).",
"opening_date": "1986-02-12T05:00:00"
},
{
"id": 310041,
"title": "Mountains, Rocks, and Water: Landscape Painting in Asia",
"description": "Mountains, Rocks, and Water: Landscape Painting in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-December 13, 1987).",
"opening_date": "1987-10-02T04:00:00"
},
{
"id": 300223,
"title": "Japanese Gallery 235 Rotation",
"description": "Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 2-July 9, 2018).",
"opening_date": "2018-01-02T05:00:00"
}
],
"legacy": [
{
"description": "Main Asian Rotation (Gallery 121). The Cleveland Museum of Art, Cleveland, OH (March 12-July 13, 2004).",
"opening_date": "2004-03-12T00:00:00"
}
]
},
"provenance": [
{
"description": "(Yabumoto K\u014dz\u014d, Amagasaki, Hy\u014dgo Prefecture, Japan, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131985",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1985\u2013",
"sortorder": 2
}
],
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"did_you_know": "The word mountain, appearing in the title to the poem on this painting, can also refer to a temple.",
"early_education_description": null,
"artlens_description": null,
"description": "A monk sits in contemplation below an overhang covered with pine. The poem, titled \"Monk in the Mountains Listening to the Wind in the Pines,\" refers to two Chinese Chan (Zen) Buddhist monks active in the ninth century. It may be translated as follows:
Why must the Zen of Rinzai (Linji Yixuan) and Tokusan (Deshan Xuanjian) reside in a single temple for thirty years?
Once he's solved his k\u014dan, (the monk) ends his practice and falls asleep in the quietness of the wind among the tall pines. (translated by Osvaldo Mercuri)
According to an inscription following the poem, both painting and verse were done by an eminent Japanese Buddhist monk known for revitalizing the Kyoto temple Daitokuji.",
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"citations": [
{
"citation": "Nakagawa Kazumasa \u4e2d\u5ddd\u4e00\u653f. Bokuseki Ikkyu\u0304 So\u0304jun \u58a8\u8e5f\u4e00\u4f11\u5b97\u7d14. To\u0304kyo\u0304: Chu\u0304o\u0304 Ko\u0304ronsha, 1986.",
"page_number": "",
"url": ""
},
{
"citation": "Turner, Evan H. \u201cThe Year in Review for 1985.\u201d The Bulletin of the Cleveland Museum of Art 73, no. 2 (1986): 26\u201371.",
"page_number": "Mentioned and Reproduced: no. 182, pp. 43 and 69",
"url": "http://www.jstor.org/stable/25159930"
},
{
"citation": "Grossman, Nancy, James T. Ulak, Marjorie Williams, and Laurence Channing. Art of Japan: Masterpieces from the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2005.",
"page_number": "Mentioned and Reproduced: p. 56",
"url": ""
}
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