{
"data": {
"id": 153325,
"accession_number": "1986.37",
"share_license_status": "CC0",
"tombstone": "Ypres, Belgium, c. 1855\u20131862. And Auguste-Rosalie Bisson (French, 1826\u20131900), Louis-Auguste Bisson (French, 1814\u20131876). Albumen print from wet collodion negative; image: 32.4 x 43 cm (12 3/4 x 16 15/16 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, John L. Severance Fund, 1986.37",
"current_location": null,
"title": "Ypres, Belgium",
"creation_date": "c. 1855\u20131862",
"creation_date_earliest": 1855,
"creation_date_latest": 1862,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "albumen print from wet collodion negative",
"support_materials": [],
"department": "Photography",
"collection": "Photography",
"type": "Photograph",
"measurements": "Image: 32.4 x 43 cm (12 3/4 x 16 15/16 in.); Matted: 50.8 x 61 cm (20 x 24 in.)",
"dimensions": {
"image": {
"height": 0.324,
"height_inch": 12,
"height_inch_fraction": 0.75,
"width": 0.43,
"width_inch": 16,
"width_inch_fraction": 0.9375
},
"matted": {
"height": 0.508,
"height_inch": 20,
"height_inch_fraction": 0.0,
"width": 0.61,
"width_inch": 24,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Written in pencil on recto of mount: \"Ypres (Belgium)\"; \"27\"; \"10 [circled]\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 310034,
"title": "Year in Review for 1986",
"description": "Year in Review for 1986. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 4-March 15, 1987).",
"opening_date": "1987-02-04T05:00:00"
}
],
"legacy": [
{
"description": "CMA, February 4 - March 15, 1987: \"Year in Review 1986,\" CMA Bulletin, 74 (February 1987), p. 63, no. 57.",
"opening_date": "1987-02-04T00:00:00"
}
]
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79939077"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1986.37-ypres-belgium"
]
},
"citations": [
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 99",
"url": ""
}
],
"url": "https://clevelandart.org/art/1986.37",
"images": {
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"width": "1195",
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},
"print": {
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},
"full": {
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}
},
"alternate_images": [],
"creditline": "John L. Severance Fund",
"image_credit": null,
"sketchfab_id": null,
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"gallery_donor_text": null,
"athena_id": 153325,
"creators": [
{
"id": 244,
"description": "Auguste-Rosalie Bisson (French, 1826\u20131900)",
"extent": null,
"qualifier": "and",
"role": "artist",
"biography": "Bisson Fr\u00e8res Louis-Auguste Bisson French, 1814-1876; and Auguste-Rosalie Bisson French, 1826-1900 Bisson Fr\u00e8res -- consisting of brothers Louis-Auguste and Auguste-Rosalie Bisson, also known as the Bissons \u00e2in\u00e9 and jeune (older and younger) -- was one of the most celebrated and widely known French photographic studios and publishing houses of the 19th century. Begun by their father, a heraldic painter, the Bissons' first studio opened in Paris in 1841, shortly after the invention of the daguerreotype. Louis-Auguste, a student of architecture and chemistry, learned photography directly from Louis-Jacques-Mand\u00e9 Daguerre and went on to advance the medium through a number of inventions and techniques, contributions for which the brothers received considerable praise. He retired from the business in 1865. Auguste-Rosalie, perhaps the better known of the two, was responsible for some of their more spectacular photographic successes, including the first closeup views of the peaks of Mt. Blanc (1861). Among the Bissons' many accomplishments and honors were a set of 900 daguerreotypes of the members of the French National Assembly, which were later published in lithographic copies; their appointment as official photographers to Napol\u00e9on III and Pope Pius IX; their role as founding members of the Soci\u00e9t\u00e9 fran\u00e7aise de photographie; and their numerous and much-admired series of landscape, architectural, and portrait photographs. After his brother's retirement, Auguste-Rosalie continued to work in photography, including a voyage to Egypt in 1869 and views of the Siege of Paris in 1871. As late as 1900, the year of his death, he patented a heliochrome process for the printing of photographs in color with ink. T.W.F.",
"name_in_original_language": null,
"birth_year": "1826",
"death_year": "1900",
"use_in_caption": true,
"include_extent": false,
"weight": 1
},
{
"id": 241,
"description": "Louis-Auguste Bisson (French, 1814\u20131876)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Bisson Fr\u00e8res\r\n\r\nLouis-Auguste Bisson French, 1814 - 1876; and Auguste-Rosalie Bisson French, 1826 - 1900\r\n\r\nBisson Fr\u00e8res -- consisting of brothers Louis-Auguste and Auguste-Rosalie Bisson, also known as the Bissons \u00e2in\u00e9 and jeune (older and younger) -- was one of the most celebrated and widely known French photographic studios and publishing houses of the 19th century. Begun by their father, a heraldic painter, the Bissons' first studio opened in Paris in 1841, shortly after the invention of the daguerreotype.\r\n\tLouis-Auguste, a student of architecture and chemistry, learned photography directly from Louis-Jacques-Mand\u00e9 Daguerre and went on to advance the medium through a number of inventions and techniques, contributions for which the brothers received considerable praise. He retired from the business in 1865. Auguste-Rosalie, perhaps the better known of the two, was responsible for some of their more spectacular photographic successes, including the first closeup views of the peaks of Mt. Blanc (1861).\r\n\tAmong the Bissons' many accomplishments and honors were a set of 900 daguerreotypes of the members of the French National Assembly, which were later published in lithographic copies; their appointment as official photographers to Napol\u00e9on III and Pope Pius IX; their role as founding members of the Soci\u00e9t\u00e9 fran\u00e7aise de photographie; and their numerous and much-admired series of landscape, architectural, and portrait photographs. After his brother's retirement, Auguste-Rosalie continued to work in photography, including a voyage to Egypt in 1869 and views of the Siege of Paris in 1871. As late as 1900, the year of his death, he patented a heliochrome process for the printing of photographs in color with ink. T.W.F.",
"name_in_original_language": null,
"birth_year": "1814",
"death_year": "1876",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1986-08-06T00:00:00",
"sortable_date": 1855,
"date_added_to_oa": null,
"date_text": "c. 1855\u20131862",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-03 14:21:27.453000"
}
}