id:			153600
accession number:	1987.133
share license status:	CC0
url:			https://clevelandart.org/art/1987.133
updated:		2024-03-26 02:00:00.563000

Arch of Constantine, Rome, c. 1858. James Anderson (British, 1813–1877). Albumen print from wet collodion negative; image: 27.7 x 36.5 cm (10 7/8 x 14 3/8 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, John L. Severance Fund 1987.133

title:				Arch of Constantine, Rome
title in original language:	
series:				
series in original language:	
creation date:			c. 1858
creation date earliest:		1853
creation date latest:		1863
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	England, 19th century
technique:	albumen print from wet collodion negative
department:	Photography
collection:	Photography
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* James Anderson (British, 1813–1877)  - artist
James Anderson (Isaac Atkinson) England, 1813-1877, active in Rome

Born in Cumberland, England, Issac Atkinson developed an early interest in art, taking up painting and watercolor before moving to Paris for further study. In 1838 he settled in Rome, where he established a business making small bronzes and sculptures under the name James Anderson. His imitations of antique works were much in demand as souvenirs for travelers making the grand tour of the Continent.
	In 1849 Anderson began working in photography and opened a studio in 1853. Focusing on architecture and art, he specialized in images of interest to the public, especially tourists. Anderson's background in art and his skill in photography soon established him as a leader in this competitive field. He published his first catalog in 1859. At his death in 1877, he left a prosperous studio whose thousands of negatives were reprinted and sold by his Italian wife, their sons, and their descendants until well after World War II.
	Although Anderson's work was commercial in origin, its quality was indisputably high. His love of Rome, its culture, and its art was apparent both in his life and his photographs. T.W.F.
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measurements: Image: 27.7 x 36.5 cm (10 7/8 x 14 3/8 in.); Matted: 55.9 x 66 cm (22 x 26 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Written in pencil on recto: "Bogen des Constantin, zu Ehren des Sieges über den Maxentius (Rafael [?]) 312 erichtet, über der Triumphalstrasse, welche heir in die Via Sacra einmündete.  Die Reliefs sind meistentheils zusammengetragen, so z. B. [zum Beispiel] vom Forum Trafans, überhaupt aus dieser classischen Zeit. Die Darstellungen, welche aus Constantins Zeit angefertigt sind, erscheinen roh und geistlos."
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		The Year in Review for 1987
	opening date:   1988-02-24T05:00:00
	<i>The Year in Review for 1987</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).

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LEGACY EXHIBITIONS

* {'description': 'CMA, February 24 - April 17, 1988: "Year in Review 1987," CMA Bulletin, 75 (February 1988), p. 66, no. 32.', 'opening_date': '1988-02-24T00:00:00'}

* {'description': 'CMA, June 29 - August 26, 1990: "The World Seen Anew: English and French Photographs of the 1850\'s," Gallery D, no exhibition catalogue.', 'opening_date': '1990-06-29T00:00:00'}

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PROVENANCE

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fun fact:


digital description:


wall description:

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RELATED WORKS

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CITATIONS

	Cleveland Museum of Art, Tom E Hinson. <em>Catalogue of Photography</em>. Cleveland, OH: Cleveland Museum of Art, 1996.
	page number: 	Reproduced: P. 85
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1987.133/1987.133_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1987.133/1987.133_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1987.133/1987.133_full.tif