{
    "data": {
        "id": 153612,
        "accession_number": "1987.142",
        "share_license_status": "CC0",
        "tombstone": "The Idolatry of Solomon, 1622\u201323. Pietro da Cortona (Italian, 1596\u20131669). Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink; sheet: 24.8 x 43.3 cm (9 3/4 x 17 1/16 in.); secondary support: 25.5 x 44.1 cm (10 1/16 x 17 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.142",
        "current_location": null,
        "title": "The Idolatry of Solomon",
        "creation_date": "1622\u201323",
        "creation_date_earliest": 1622,
        "creation_date_latest": 1623,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy"
        ],
        "technique": "Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink",
        "support_materials": [
            {
                "description": "brown laid paper, laid down on cream(3) laid paper",
                "watermarks": []
            }
        ],
        "department": "Drawings",
        "collection": "DR - Italian",
        "type": "Drawing",
        "measurements": "Sheet: 24.8 x 43.3 cm (9 3/4 x 17 1/16 in.); Secondary Support: 25.5 x 44.1 cm (10 1/16 x 17 3/8 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.248,
                "height_inch": 9,
                "height_inch_fraction": 0.75,
                "width": 0.433,
                "width_inch": 17,
                "width_inch_fraction": 0.0625
            },
            "secondary support": {
                "height": 0.255,
                "height_inch": 10,
                "height_inch_fraction": 0.0625,
                "width": 0.441,
                "width_inch": 17,
                "width_inch_fraction": 0.375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "verso of secondary support, upper center, in graphite: 44; center, in blue ballpoint: Maria Elvira Celia Mendez de Bernasconi [underlined] / 1977; center, in graphite: Paolo Farinato; center, in graphite: [illegible]; lower left, in graphite: [illegible, partially masked]",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 310231,
                    "title": "The Year in Review for 1987",
                    "description": "<i>The Year in Review for 1987</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).",
                    "opening_date": "1988-02-24T05:00:00"
                },
                {
                    "id": 311462,
                    "title": "Concept, Dogma and Feeling: Italian Drawings 1550-1650",
                    "description": "<i>Concept, Dogma and Feeling: Italian Drawings 1550-1650</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 20, 1991).",
                    "opening_date": "1991-08-27T04:00:00"
                },
                {
                    "id": 192019,
                    "title": "Master Drawings from the Cleveland Museum of Art",
                    "description": "<i>Master Drawings from the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002).",
                    "opening_date": "2000-08-27T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Capitaine C. Prayer (1826-1900), Milan (Lugt 2044)",
                "citations": [],
                "footnotes": [],
                "date": "ca. 1900",
                "sortorder": 1
            },
            {
                "description": "de Bernasconi family, Buenas Aires",
                "citations": [],
                "footnotes": [],
                "date": "ca. 1900",
                "sortorder": 2
            },
            {
                "description": "by descent to Mari\u00e0 Elvira Celia M\u00e9ndez de Bernasconi (1927-2005), Buenos Aires (Lugt 5374)",
                "citations": [],
                "footnotes": [],
                "date": "?-1987",
                "sortorder": 3
            },
            {
                "description": "Christie's London, 1 April 1987, no. 66.",
                "citations": [],
                "footnotes": null,
                "date": "1987",
                "sortorder": 4
            },
            {
                "description": "with Kate Ganz, Ltd, London",
                "citations": [],
                "footnotes": null,
                "date": "1987",
                "sortorder": 5
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1987-",
                "sortorder": 6
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "Pietro da Cortona completed this drawing and the six frescoes related to it for a prominent patron and palazzo in Rome when he was just 27 years old.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Pietro da Cortona was one of the most successful and active fresco painters in Rome in the mid-1600s. This drawing is a preparatory sheet\u2014highly worked-up with many different mediums\u2014for one of the artist's six frescoes portraying the story of Solomon commissioned by the Roman nobleman Asdrubale Mattei (1556-1638) for the gallery of his Palazzo Mattei di Giove. Reflecting the artist's as well as his patron's interest in classical antiquity, Cortona combined a classical relief-like composition with specific references to Roman objects and architectural elements in the composition. The subject represents a foolish episode from Solomon's life, when he was lured into the worship of idols by the \"foreign\" women with whom he kept company.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79939562"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1987.142-the-idolatry-of-solo"
            ]
        },
        "citations": [
            {
                "citation": "Christie, Manson &amp; Woods. <em>Fine Old Master Drawings</em>. London: 1987.",
                "page_number": "Mentioned: p. 45, under n. 66; Reproduced: p.44, n. 66",
                "url": null
            },
            {
                "citation": "\"Museum Acquisitions.\" <em>Drawing </em>10, no. 1 (May-June 1988): 17-18.",
                "page_number": "Mentioned and reproduced: p. 17",
                "url": null
            },
            {
                "citation": "\"The Year in Review for 1987.\" <em>The Bulletin of the Cleveland Museum of Art</em> 75, no. 2 (February 1988): 31-71.",
                "page_number": "Mentioned: p. 68, n. 120",
                "url": null
            },
            {
                "citation": "Merz, J\u00f6rg Martin. <em>Pietro da Cortona: Der Aufstieg zum f\u00fchrenden Maler im barocken Rom</em>. T\u00fcbingen: Ernst Wasmuth, 1991.",
                "page_number": "Mentioned: pp. 25, 45, 69-71, 145; Reproduced: n. 99",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art</em>. Cleveland, OH: The Cleveland Museum of Art, 1991.",
                "page_number": "Reproduced: p. 88",
                "url": "https://archive.org/details/CMAHandbook1991"
            },
            {
                "citation": "DeGrazia, Diane and Carter E. Foster. <em>Master Drawings from the Cleveland Museum of Art.</em> Cleveland, OH: Cleveland Museum of Art in association with Rizzoli International Publications, New York, 2000.",
                "page_number": "Mentioned: pp. 10, 50-51, 285; Reproduced: p. 51, n. 15",
                "url": null
            }
        ],
        "url": "https://clevelandart.org/art/1987.142",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1987.142/1987.142_web.jpg",
                "width": "1263",
                "height": "744",
                "filesize": "189018",
                "filename": "1987.142_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1987.142/1987.142_print.jpg",
                "width": "3400",
                "height": "2002",
                "filesize": "1484180",
                "filename": "1987.142_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1987.142/1987.142_full.tif",
                "width": "7700",
                "height": "4534",
                "filesize": "104757456",
                "filename": "1987.142_full.tif"
            }
        },
        "alternate_images": [
            {
                "web": {
                    "url": "https://openaccess-cdn.clevelandart.org/1987.142/1987.142_alt0_web.jpg",
                    "width": "1263",
                    "height": "720",
                    "filesize": "659651"
                },
                "print": {
                    "url": "https://openaccess-cdn.clevelandart.org/1987.142/1987.142_alt0_print.jpg",
                    "width": "2048",
                    "height": "1167",
                    "filesize": "1778877"
                },
                "full": {
                    "url": "https://openaccess-cdn.clevelandart.org/1987.142/1987.142_alt0_full.tif",
                    "width": "2048",
                    "height": "1167",
                    "filesize": "7172564"
                },
                "annotation": ""
            }
        ],
        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 153612,
        "creators": [
            {
                "id": 1224,
                "description": "Pietro da Cortona (Italian, 1596\u20131669)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1596",
                "death_year": "1669",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1987-11-18T00:00:00",
        "sortable_date": 1622,
        "date_added_to_oa": null,
        "date_text": "1622\u201323",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-09-09 19:14:07.209000"
    }
}