{
"data": {
"id": 153715,
"accession_number": "1987.24",
"share_license_status": "CC0",
"tombstone": "The Woodcutters, 1845. William Henry Fox Talbot (British, 1800\u20131877). Salted paper print from calotype negative; image: 15.1 x 21 cm (5 15/16 x 8 1/4 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1987.24",
"current_location": null,
"title": "The Woodcutters",
"creation_date": "1845",
"creation_date_earliest": 1845,
"creation_date_latest": 1845,
"artists_tags": [
"male"
],
"culture": [
"England, 19th century"
],
"technique": "salted paper print from calotype negative",
"support_materials": [],
"department": "Photography",
"collection": "PH - British 19th Century",
"type": "Photograph",
"measurements": "Image: 15.1 x 21 cm (5 15/16 x 8 1/4 in.); Matted: 35.6 x 45.7 cm (14 x 18 in.)",
"dimensions": {
"image": {
"height": 0.151,
"width": 0.21
},
"matted": {
"height": 0.356,
"width": 0.457
}
},
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"inscriptions": [
{
"inscription": "Written in black ink on verso: \"LA 509 [crossed out] 559\"",
"inscription_translation": null,
"inscription_remark": null,
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}
],
"exhibitions": {
"current": [
{
"id": 310231,
"title": "The Year in Review for 1987",
"description": "The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).",
"opening_date": "1988-02-24T05:00:00"
},
{
"id": 311876,
"title": "Legacy of Light: Seven Masters in Depth",
"description": "Legacy of Light: Seven Masters in Depth. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20-February 2, 1996).",
"opening_date": "1996-11-20T05:00:00"
}
],
"legacy": [
{
"description": "CMA, February 24 - April 17, 1988: \"Year in Review 1987,\" CMA Bulletin, 75 (February 1988), p. 67, no. 92.",
"opening_date": "1988-02-24T00:00:00"
},
{
"description": "CMA, November 20,1996 - February 2, 1997: \"Legacy of Light: Seven Masters in Depth.\"",
"opening_date": "1997-02-02T00:00:00"
}
]
},
"provenance": [
{
"description": "Lacock Abbey",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79939861"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1987.24-the-woodcutters"
]
},
"citations": [
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 355",
"url": ""
}
],
"url": "https://clevelandart.org/art/1987.24",
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"alternate_images": [
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"creditline": "Andrew R. and Martha Holden Jennings Fund",
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"id": 994,
"description": "William Henry Fox Talbot (British, 1800\u20131877)",
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"biography": "William Henry Fox Talbot British, 1800-1877\r\n\r\nBorn in Melbury, Dorset, Fox Talbot was a gentleman of the 19th century who, like many others of his class, pursued leisure activities in the arts and sciences. He experimented with means for capturing permanently the elusive images formed on paper by the camera obscura, an instrument used as a drawing aid. After several years of varying results, Talbot successfully devised a process that chemically recorded the image made by light on a piece of paper. On February 21, 1839, one month after the announcement of Louis-Jacques-Mand\u00e9 Daguerre's photographic process, Talbot presented his experiments to the Royal Society in London.\r\n\tTalbot's process differed greatly from that of Daguerre. Unlike the daguerreotype's sharply detailed image, the calotype, or Talbotype, was softly blurred; yet because the positive image was made from a negative, it had the advantage of multiple reproduction. This formed the basis of conventional photography.\r\n\tA graduate of Trinity College, Cambridge, Talbot was a man of scholarly and scientific bent whose interests included optics and botany. Before his work in photography, he also had published on mathematics and linguistics. He later played an important role in the deciphering of Assyrian and other cuneiform inscriptions of interest to biblical scholars.\r\n\tTalbot was made a Fellow of the Royal Society at age 32. He is credited with the first photographic negative, which still exists, a view of a set of windows at his home, Lacock Abbey. He invented a form of engraving that was a forerunner of photogravure, as well as other innovations in the quickly growing art form for which he was largely responsible. Talbot's The Pencil of Nature (1844-46) and Sun Pictures in Scotland (1845) are two of the earliest photographically illustrated books. T.W.F.",
"name_in_original_language": null,
"birth_year": "1800",
"death_year": "1877",
"use_in_caption": true,
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"weight": 1
}
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"legal_status": "accessioned",
"accession_date": "1987-03-16T00:00:00",
"sortable_date": 1845,
"date_added_to_oa": null,
"date_text": "1845",
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"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
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"updated_at": "2026-03-27 00:02:00.738000"
}
}