id:			153722
accession number:	1987.30
share license status:	CC0
url:			https://clevelandart.org/art/1987.30
updated:		2024-03-26 02:00:01.269000

Lord Elcho (1818-1914), 1865. Julia Margaret Cameron (British, 1815–1879). Albumen print from wet collodion negative; image: 25.3 x 19.9 cm (9 15/16 x 7 13/16 in.); matted: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1987.30

title:				Lord Elcho (1818-1914)
title in original language:	
series:				
series in original language:	
creation date:			1865
creation date earliest:		1865
creation date latest:		1865
current location:		
creditline:			Andrew R. and Martha Holden Jennings Fund
copyright:			

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culture:	England, 19th century
technique:	albumen print from wet collodion negative
department:	Photography
collection:	Photography
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Julia Margaret Cameron (British, 1815–1879)  - artist
Julia Margaret Cameron British, 1815-1879

Born in Calcutta to a French mother and an English father employed by the East India Company, Julia Margaret Cameron was a key figure in the development of photography both in Britain and abroad. She was sent, under the care of her grandmother, to France for her education. Marriage to jurist Charles Hay Cameron took her back to India in 1838, and to England in 1848, where in 1860 the family finally settled on the Isle of Wight. Three years later Cameron received her first camera, a gift from her daughter, as a way to pass the time while her husband was away on an extended trip to Ceylon.
	For the next 15 years, Cameron's passion for photography, and her fortunate position among Britain's cultural elite, allowed her to produce a series of portraits, allegories, and illustrations that are among the most admired and influential of photographic images. Frequently marked by a loose, soft style, her portraits of well-known figures, such as Sir John Herschel, Thomas Carlyle, and Ellen Terry, reveal her subject's character in an unusually forceful manner. Her allegories and tableaux often include neighbors and friends like Lord Tennyson and her artistic mentor, the Pre-Raphaelite painter G. F. Watts. In 1874 she illustrated Tennyson's popular long poem Idylls of the King.
	In 1875, after the death of her daughter, Cameron returned to Ceylon with her husband, joining their five sons. There she continued to photograph until her death in 1879. A later generation was introduced to Cameron's work by Alfred Stieglitz, who reproduced a selection from it in Camera Work. T.W.F.
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measurements: Image: 25.3 x 19.9 cm (9 15/16 x 7 13/16 in.); Matted: 61 x 50.8 cm (24 x 20 in.)
state of the work:	
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support materials:


inscriptions:

	inscription:	Written in black ink on recto of mount: "Julia Margaret Cameron [signed]"; in pencil on recto: "Lord Elcho"; in pencil on verso of mount: "Vaughen [crossed out with pencil]/for"; "JR4 [?] 14"
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		The Year in Review for 1987
	opening date:   1988-02-24T05:00:00
	<i>The Year in Review for 1987</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).

	title:		Legacy of Light: Seven Masters in Depth
	opening date:   1996-11-20T05:00:00
	<i>Legacy of Light: Seven Masters in Depth</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20-February 2, 1996).

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LEGACY EXHIBITIONS

* {'description': 'CMA, February 24 - April 17, 1988: "Year in Review 1987," CMA Bulletin, 75 (February 1988), p. 66, no. 46.', 'opening_date': '1988-02-24T00:00:00'}

* {'description': 'CMA, November 20,1996 - February 2, 1997: "Legacy of Light: Seven Masters in Depth."', 'opening_date': '1997-02-02T00:00:00'}

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PROVENANCE

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RELATED WORKS

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CITATIONS

	Cleveland Museum of Art, Tom E Hinson. <em>Catalogue of Photography</em>. Cleveland, OH: Cleveland Museum of Art, 1996.
	page number: 	Reproduced: P. 118
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1987.30/1987.30_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1987.30/1987.30_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1987.30/1987.30_full.tif