id: 153724
accession number: 1987.32
share license status: CC0
url: https://clevelandart.org/art/1987.32
updated: 2024-03-26 02:00:01.283000
Gooseberries on a Table, 1701. Adriaen Coorte (Dutch, 1660–1707). Oil on paper mounted on wood; framed: 45.5 x 38.5 x 4.5 cm (17 15/16 x 15 3/16 x 1 3/4 in.); unframed: 29.7 x 22.8 cm (11 11/16 x 9 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1987.32
title: Gooseberries on a Table
title in original language:
series:
series in original language:
creation date: 1701
creation date earliest: 1701
creation date latest: 1701
current location: 213 Dutch Painting
creditline: Leonard C. Hanna, Jr. Fund
copyright:
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culture: Netherlands, early 18th Century
technique: oil on paper mounted on wood
department: European Painting and Sculpture
collection: P - Netherlandish-Dutch
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Adriaen Coorte (Dutch, 1660–1707) - artist
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measurements: Framed: 45.5 x 38.5 x 4.5 cm (17 15/16 x 15 3/16 x 1 3/4 in.); Unframed: 29.7 x 22.8 cm (11 11/16 x 9 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Signed lower left: "A Coorte / 1701"
translation:
remark:
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CURRENT EXHIBITIONS
title: The Year in Review for 1987
opening date: 1988-02-24T05:00:00
The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).
title: Still-Life Paintings from the Netherlands, 1550-1720
opening date: 1999-10-31T00:00:00
Still-Life Paintings from the Netherlands, 1550-1720. Rijksmuseum, Amsterdam, Netherlands (June 19-September 19, 1999); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 31, 1999-January 9, 2000).
title: Small Wonders: Dutch Still Lifes by Adriaen Coorte
opening date: 2003-06-29T00:00:00
Small Wonders: Dutch Still Lifes by Adriaen Coorte. National Gallery of Art, Landover, MD (organizer) (June 29-September 28, 2003).
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LEGACY EXHIBITIONS
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PROVENANCE
Auguste Coster [d. 1907], Brussels
date: -1907
footnotes:
citations:
(Le Roy, Brussels, Coster sale, April 4-6, 1907, lot 69, possibly sold to Max Massot)
date: 1907
footnotes:
*
The painting is attributed to “A. Coorbe" [sic] and is entitled "Groseilles" in the sale catalogue.
citations:
Max Massot, Belgium, sold to P. de Boer
date: -1964
footnotes:
citations:
(Kunsthandel P. de Boer, Amsterdam, sold to Mrs. Wulf, The Hague)1
date: 1964
footnotes:
* Piet de Boer was an Amsterdam dealer who was a close contact of Hofer, Posse, Lohse, Miedl and other Nazi art agents. There is nothing in this painting's chain of ownership, however, to indicate any dubious World War II-era provenance, nor does the painting appear in any databases of Nazi-looted art or records pertaining to Nazi looting activities.
citations:
Mrs. Wulf, The Hague, exchanged with P. de Boer for a marine painting by J. van Diest
date: 1964-1975
footnotes:
citations:
(Kunsthandel P. de Boer, Amsterdam, sold to Johnny Oppenheimer)
date: 1975
footnotes:
citations:
Johnny Oppenheimer, Tönnersjö, Eldsberga, Sweden, consigned to Charles Roelofsz Gallery, Amsterdam1
date: 1975-1986
footnotes:
* Oppenheimer also consigned the painting to P. de Boer in 1984; however, it did not sell and remained in Oppenheimer's possession.
citations:
(Charles Roelofsz Gallery, Amsterdam)
date: 1986
footnotes:
citations:
(Sam Nijstad, The Hague, and K. Waterman Gallery, Amsterdam, sold to the Cleveland Museum of Art)
date: 1986
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1987-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Buvelot, Quentin. The still lifes of Adriaen Coorte (active c.1683-1707): with oeuvre catalogue. The Hague: Royal Picture Gallery Mauritshuis, 2008.
page number:
url:
Hilde de Boer-Venverloo, email to Victoria Sears Goldman, May 15, 2013, in CMA curatorial file.
page number:
url:
Hilde de Boer-Venverloo, email to Victoria Sears Goldman, May 15, 2013, in CMA curatorial file.
page number:
url:
Hilde de Boer-Venverloo, email to Victoria Sears Goldman, May 15, 2013, in CMA curatorial file.
page number:
url:
Hilde de Boer-Venverloo, email to Victoria Sears Goldman, May 15, 2013, in CMA curatorial file.
page number:
url:
Hilde de Boer-Venverloo, email to Victoria Sears Goldman, May 15, 2013, in CMA curatorial file.
page number:
url:
Hilde de Boer-Venverloo, email to Victoria Sears Goldman, May 15, 2013, in CMA curatorial file.
page number:
url:
Chong, Alan, W T. Kloek, and Celeste Brusati. Still-life Paintings from the Netherlands, 1550-1720. Zwolle: Waanders Publishers, 1999.
page number: Referenced: cat. no. 75, p. 277-278.
url:
Kloek, Wouter. "L'Age d'Or de la Nature Mortes Néerlandaise." L'Objet d'Art 337, no. 3 (June 1999): 28-40.
page number: Mentioned and reproduced: p. 30-31
url:
Wilmerding, John. Signs of the Artist: Signatures and Self-Expression in American Paintings. New Haven, CT: B Yale University Press, 2003.
page number: Reproduced: p. 22, fig. 18
url:
Sander, Jochen. The Magic of Things: Still-Life Painting, 1500-1800. Ostfildern, Germany: Hatje Cantz Verlag, 2008.
page number: Mentioned: p. 340; Reproduced: p. 347, fig. 76
url:
Grennan, Eamon. Matter of Fact. Saint Paul, Minn: Graywolf Press, 2008.
page number: Reproduced: cover
url:
Smith, Jeanette M. “Gooseberries on a Table.” JAMA: Journal of the American Medical Association 310, no. 10 (September 11, 2013): 1008-1009.
page number: Mentioned and reproduced: p. 1008-1009
url:
Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.
page number: Mentioned and reproduced: P. 192
url:
Van Niekerk, Marlene. Gesant van die mispels: gedigte by skilderye van Adriaen Coorte ca. 1659-1707. 2017.
page number: Reproduced: p. 14 & 60, no. 3
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1987.32/1987.32_web.jpg
print: https://openaccess-cdn.clevelandart.org/1987.32/1987.32_print.jpg
full: https://openaccess-cdn.clevelandart.org/1987.32/1987.32_full.tif