id: 153736 accession number: 1987.40.1 share license status: CC0 url: https://clevelandart.org/art/1987.40.1 updated: 2023-03-14 12:01:33.003000 Winter and Summer Flowers, c. 1600. Kaihō Yūshō (Japanese, 1533–1615). One of a pair of six-panel folding screens; ink, color, and gold on paper; image: 157 x 357.6 cm (61 13/16 x 140 13/16 in.); overall: 169.6 x 370.2 cm (66 3/4 x 145 3/4 in.); panel: 169.6 x 61.7 cm (66 3/4 x 24 5/16 in.); with frame: 173.2 x 373.8 cm (68 3/16 x 147 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1987.40.1 title: Winter and Summer Flowers title in original language: 冬夏花図屏風 series: series in original language: creation date: c. 1600 creation date earliest: 1595 creation date latest: 1605 current location: creditline: John L. Severance Fund copyright: --- culture: Japan, Momoyama period (1573-1615) technique: One of a pair of six-panel folding screens; ink, color, and gold on paper department: Japanese Art collection: ASIAN - Folding screen type: Painting find spot: catalogue raisonne: --- CREATORS * Kaihō Yūshō (Japanese, 1533–1615) - artist --- measurements: Image: 157 x 357.6 cm (61 13/16 x 140 13/16 in.); Overall: 169.6 x 370.2 cm (66 3/4 x 145 3/4 in.); Panel: 169.6 x 61.7 cm (66 3/4 x 24 5/16 in.); with frame: 173.2 x 373.8 cm (68 3/16 x 147 3/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Year in Review for 1987 opening date: 1988-02-24T05:00:00 The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988). title: Autumn Grasses: Arts of the Momoyama Period (1573-1615) opening date: 1988-10-04T04:00:00 Autumn Grasses: Arts of the Momoyama Period (1573-1615). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 4-December 11, 1988). title: The Triumph of Japanese Style: 16th Century Art in Japan opening date: 1991-10-19T04:00:00 The Triumph of Japanese Style: 16th Century Art in Japan. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 19-December 1, 1991). title: The Legacy of Japanese Art opening date: 1996-10-01T00:00:00 The Legacy of Japanese Art. Chiba City Museum of Art (organizer) (October 1-November 10, 1996). title: Monet & Japan opening date: 2001-03-10T00:00:00 Monet & Japan. National Gallery of Australia, Canberra ACT 2601, Australia (organizer) (March 10-June 11, 2001). title: Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art opening date: 2014-01-15T00:00:00 Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). title: Japanese art rotation opening date: 2019-08-19T04:00:00 Japanese art rotation. The Cleveland Museum of Art (organizer) (August 19, 2019-January 5, 2020). --- LEGACY EXHIBITIONS * The Cleveland Museum of Art, Main Asian Rotation (Gallery 121).The Cleveland Museum of Art, Cleveland, OH (March 12, 2004-July 13, 2004). --- PROVENANCE (Eastern Fine Arts, New York, NY, ?-1987, sold to the Cleveland Museum of Art) date: ?-1987 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH, 1987-present date: 1987- footnotes: citations: --- fun fact: The pine and bamboo are defined by ink wash, but the flowers take form through color within contour lines. digital description: White camellias bloom behind a large pine in the right screen and blue morning glories creep through bamboo in the left screen of this composition. The mountains and bridge suggest a continuous landscape, but the paintings actually juxtapose flowers of winter and summer, with time progressing from right to left. Kaihō Yūshō painted similar landscapes for Zen temples in Kyoto. wall description: Kaihō Yūshō is considered one of the three individualist master painters of the Momoyama era. He executed numerous byōbu and fusama-e (sliding door panel paintings) for Kyoto's most prestigious Zen monasteries. These byōbu are noteworthy for their joining of patently Chinese subject matter (the aged pine) with Japanese imagery (morning glory) and themes (the seasons and human travel) in one composition. --- RELATED WORKS --- CITATIONS Chiba-shi Bijutsukan. Shugyoku no Nihon bijutsu: Hosomi korekushon no zenbō to Bosuton, Kurīburando, Sakkurā no wadaisaku : kaikan isshūnen kinen. Chiba-shi: Chiba-shi Bijutsukan, 1996. page number: Reproduced: cat. no. 140, p. 166 url: Monet, Claude, and David Bromfield. Monet & Japan. Canberra: National Gallery of Australia, 2001. page number: Reproduced: cat. no. 121 url: Cunningham, Michael. "Two Exhibitions of Japanese Painting." Orientations, vol 32, number 6 (June 2001): pp. 63-68. page number: Reproduced: pp. 66-67, fig. 6 url: Cuningham, Michael R. Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2001. page number: Reproduced: pp. 22-23 url: Admired from afar: masterworks of Japanese painting from the Cleveland Museum of Art [クリーブランド美術館展 : 名画でたどる日本の美 Kurīburando Bijutsukan ten: meiga de tadoru Nihon no bi ]. Tokyo: Tōkyō Kokuritsu Hakubutsukan, 2014 page number: Reproduced: cat. no. 30, 94 and 95 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1987.40.1/1987.40.1_web.jpg print: https://openaccess-cdn.clevelandart.org/1987.40.1/1987.40.1_print.jpg full: https://openaccess-cdn.clevelandart.org/1987.40.1/1987.40.1_full.tif