{
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"accession_number": "1987.51",
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"tombstone": "Dr. Johann Henning Kjetil Hjardemaal, 1833. Christen K\u00f8bke (Danish, 1810\u20131848). Oil on fabric; framed: 45 x 37 x 7.5 cm (17 11/16 x 14 9/16 x 2 15/16 in.); unframed: 33.5 x 25.6 cm (13 3/16 x 10 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1987.51",
"current_location": null,
"title": "Dr. Johann Henning Kjetil Hjardemaal",
"creation_date": "1833",
"creation_date_earliest": 1833,
"creation_date_latest": 1833,
"artists_tags": [
"male"
],
"culture": [
"Denmark"
],
"technique": "oil on fabric",
"support_materials": [],
"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Framed: 45 x 37 x 7.5 cm (17 11/16 x 14 9/16 x 2 15/16 in.); Unframed: 33.5 x 25.6 cm (13 3/16 x 10 1/16 in.)",
"dimensions": {
"framed": {
"height": 0.45,
"height_inch": 17,
"height_inch_fraction": 0.6875,
"width": 0.37,
"width_inch": 14,
"width_inch_fraction": 0.5625,
"depth": 0.075,
"depth_inch": 2,
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},
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"inscriptions": [
{
"inscription": "Signed and dated in black paint bottom right corner: C K\u00f6bke 1833\r\n\r\n",
"inscription_translation": null,
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}
],
"exhibitions": {
"current": [
{
"id": 310231,
"title": "The Year in Review for 1987",
"description": "The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).",
"opening_date": "1988-02-24T05:00:00"
},
{
"id": 214586,
"title": "Christen K\u00f8bke, 1810-1848",
"description": "Christen K\u00f8bke, 1810-1848. Statens Museum for Kunst (organizer) (February 10-May 27, 1996).",
"opening_date": "1996-02-10T00:00:00"
}
],
"legacy": [
{
"description": "Los Angeles County Museum of Art; New York, Metropolitan Museum of Art; Copenhagen, Statens Museum for Kunst. The Golden Age of Danish Painting (1993-94), 9, 151 (no. 62), 153 (repr. in reverse). (The Copenhagen venue was added at a later date.)",
"opening_date": "1993-01-01T00:00:00"
},
{
"description": "Copenhagen, Statens Museum for Kunst. Christen K\u00f8bke 1810-1848 (1996), 356 (no. 59a, repr.).",
"opening_date": "1996-01-01T00:00:00"
}
]
},
"provenance": [
{
"description": "Family of the sitter, by descent to his great-grandson Nils Ehnbom, K\u00f6pingebro, Sweden. London sale, Sotheby's, 26 November 1986 (lot 4, repr.), Portrait of Dr. Johann Henning Kjetil Hjardemaal, \u00a350,600 to Artemis Fine Arts, Ltd., London. Purchased by the CMA through Eugene V. Thaw, New York, in 1987.",
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}
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"description": "The sitter (1812-1844) was born on the island of Saint Thomas, at that time a colony in the Danish West Indies. He was sent to Copenhagen to study medicine and later set up practice at Satrup in Schleswig, then part of Denmark. For health reasons, he returned with his wife to the Virgin Islands, where they both died in 1844.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60476003"
],
"internet_archive": [
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"citations": [
{
"citation": "Turner, Evan H. \u201cThe Year in Review for 1987.\u201d The Bulletin of the Cleveland Museum of Art 75, no. 2 (February 1988): 30\u201371.",
"page_number": "Reproduced: p. 41; Mentioned: p. 65, no. 23",
"url": "http://www.jstor.org/stable/25160017"
},
{
"citation": "Lurie, Ann Tzeutschler. \u201cFerdinand Georg Waldm\u00fcller in the Cleveland Museum of Art: Portrait of Crescentia, Countess Zichy (later Countess Sz\u00e9chenyi) with a Parrot and a Camellia in a Mountainous Landscape.\u201d The Bulletin of the Cleveland Museum of Art 81, no. 1 (1994): 3-17.",
"page_number": "Mentioned: p. 16",
"url": "https://www.jstor.org/stable/25161437"
},
{
"citation": "Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.",
"page_number": "Mentioned and reproduced: P. 382-383, Vol. II, no. 133",
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}
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"creditline": "Mr. and Mrs. William H. Marlatt Fund",
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"id": 2807,
"description": "Christen K\u00f8bke (Danish, 1810\u20131848)",
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"biography": "Christen K\u00f8bke was only twelve years old when he entered the Copenhagen Academy in 1822. He was first taught by landscape and portrait painter Christian August Lorentzen (1746-1828) and subsequently by Christoffer Wilhelm Eckersberg (1783-1853). The latter rigorously reformed art education at the academy, stressing study after nature and live models. Even after K\u00f8bke left the academy in 1832, he continued working with Eckersberg, becoming his friend. Eckersberg's involvement with the study of perspective and light strongly influenced K\u00f8bke's work. Until 1833 K\u00f8bke lived in the Copenhagen Citadel, where his father was a baker. Inspired by his surroundings, K\u00f8bke produced his first major paintings, such as The North Gate of the Citadel (1834, Ny Carlsberg Glyptothek, Copenhagen). The family moved not too far from the capital to the countryside near Blegdammen. There K\u00f8bke created some of his famous lake views, generally painted in the studio after many outdoors drawing and sketching sessions. Frederiksborg Castle was another important subject, and he drew and painted it many times, showing his great ability in rendering varied light and atmospheric conditions. In 1838 K\u00f8bke traveled via Dresden and Munich to Italy, where he visited Venice, Rome, and finally Naples. He studied Roman antiquities and wall paintings and used his sketches upon his return to Denmark in 1840. With his View of Marina Piccola on Capri (private collection), he tried to become a member of the Royal Academy in 1846, but the work was not accepted. He had unwillingly moved back to Copenhagen in 1845 and worked as a decorative painter in order to improve his difficult financial situation. As such, he was involved with the painted decorations of the Bertel Thorvaldsen museum. Thorvaldsen had collected the work of many of his contemporaries; however, he had never bought a work by K\u00f8bke. This illustrates the lack of recognition of K\u00f8bke's work during his lifetime. Soon after his death from pneumonia at the age of thirty-seven, K\u00f8bke was almost forgotten. At the end of the nineteenth century, this situation gradually changed, and today K\u00f8bke is regarded as one of the most important figures in Danish nineteenth-century painting.",
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"updated_at": "2026-06-03 11:06:04.265000"
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