{
"data": {
"id": 154045,
"accession_number": "1988.164",
"share_license_status": "CC0",
"tombstone": "Rebel Works in front of Atlanta, Georgia, No. 5, 1865\u20131866. George N. Barnard (American, 1819\u20131902). Albumen print from wet collodion negative; image: 24.5 x 35.9 cm (9 5/8 x 14 1/8 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Thomas A. Mann, 1988.164",
"current_location": null,
"title": "Rebel Works in front of Atlanta, Georgia, No. 5",
"creation_date": "1865\u20131866",
"creation_date_earliest": 1865,
"creation_date_latest": 1866,
"artists_tags": [
"male"
],
"culture": [
"America"
],
"technique": "albumen print from wet collodion negative",
"support_materials": [],
"department": "Photography",
"collection": "Photography",
"type": "Photograph",
"measurements": "Image: 24.5 x 35.9 cm (9 5/8 x 14 1/8 in.); Matted: 50.8 x 61 cm (20 x 24 in.)",
"dimensions": {
"image": {
"height": 0.245,
"height_inch": 9,
"height_inch_fraction": 0.625,
"width": 0.359,
"width_inch": 14,
"width_inch_fraction": 0.125
},
"matted": {
"height": 0.508,
"height_inch": 20,
"height_inch_fraction": 0.0,
"width": 0.61,
"width_inch": 24,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 311444,
"title": "Object Lessons: Cleveland Creates an Art Museum",
"description": "Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991).",
"opening_date": "1991-06-07T04:00:00"
}
],
"legacy": [
{
"description": "London, P & D Colnaghi & Co., Ltd., October 27 - December 1, 1976: \"Photography: The First Eighty Years,\" exh. cat. no. 240, p. 145.",
"opening_date": "1976-10-27T00:00:00"
},
{
"description": "CMA, March 17 - May 14, 1989: \"Photographs: Recent Acquisitions,\" Gallery D.",
"opening_date": "1989-03-17T00:00:00"
},
{
"description": "CMA, June 7 - September 8, 1991: \"Object Lessons: Cleveland Creates an Art Museum.\"",
"opening_date": "1991-06-07T00:00:00"
}
]
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79940482"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1988.164-rebel-works-in-front"
]
},
"citations": [
{
"citation": "\u201cThe Year in Review for 1988.\u201d The Bulletin of the Cleveland Museum of Art 76, no. 2 (February 1989): 30\u201375.",
"page_number": "Reproduced: p. 60; Mentioned: p. 27, no. 30",
"url": "http://www.jstor.org/stable/25160061"
},
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 93",
"url": ""
}
],
"url": "https://clevelandart.org/art/1988.164",
"images": {
"annotation": null,
"web": {
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"width": "1260",
"height": "893",
"filesize": "825999",
"filename": "1988.164_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1988.164/1988.164_print.jpg",
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"full": {
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},
"alternate_images": [],
"creditline": "Gift of Mr. and Mrs. Thomas A. Mann",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 154045,
"creators": [
{
"id": 217,
"description": "George N. Barnard (American, 1819\u20131902)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "George N. Barnard American, 1819 - 1902\r\n\r\nBorn in Connecticut, in 1843 George Barnard opened one of America's first daguerreotype studios in Oswego, New York, shortly after the invention of photography. Ten years later, he produced a daguerreotype of the Ames Mill fire in Oswego (now in the collection of George Eastman House, Rochester). Considered the first news photograph, this image was reproduced as an engraving and circulated widely, gaining Barnard the public's attention.\r\n\tIn 1854 Barnard moved his studio to Syracuse, where he began to use the collodion process. By the time of the Civil War, he had been hired by Mathew Brady and soon met many other fellow photographers\u2014including Timothy O'Sullivan and Alexander Gardner, who also had adopted the wet plate process and whose work during these years paralleled Barnard's. Over the course of his career, he had several professional partners, including Alonzo C. Nichols and James F. Gibson.\r\n\tBarnard's Civil War work is probably his best known. In 1864 he was appointed official photographer for General William T. Sherman's march to the sea, a position that resulted in the 61 plates that constitute his Photographic Views of Sherman's Campaign (1866). A classic work of photographic reportage, its somewhat romantic style is quite distinct from that of his colleagues. After the war, Barnard operated a studio in Chicago, which was destroyed by the Great Fire of 1871 -- a scene that he photographed. He later worked briefly with George Eastman and from 1884-86 operated a studio in Painesville, Ohio, before his death in New York state. T.W.F.",
"name_in_original_language": null,
"birth_year": "1819",
"death_year": "1902",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1989-02-24T00:00:00",
"sortable_date": 1865,
"date_added_to_oa": null,
"date_text": "1865\u20131866",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-03 14:21:41.808000"
}
}