id: 154048 accession number: 1988.167 share license status: CC0 url: https://clevelandart.org/art/1988.167 updated: 2024-03-26 02:00:02.720000 Untitled (The Forest of Fontainebleau), c. 1874. Constant Alexandre Famin (French, 1827–1888). Albumen print, coated, from wet collodion negative; image: 17.2 x 23.7 cm (6 3/4 x 9 5/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund 1988.167 title: Untitled (The Forest of Fontainebleau) title in original language: series: series in original language: creation date: c. 1874 creation date earliest: 1869 creation date latest: 1879 current location: creditline: John L. Severance Fund copyright: --- culture: France, 19th century technique: albumen print, coated, from wet collodion negative department: Photography collection: Photography type: Photograph find spot: catalogue raisonne: --- CREATORS * Constant Alexandre Famin (French, 1827–1888) - artist Charles Famin French, 1809 -? The identity of Charles Famin is not entirely clear, although it is known he worked in a Paris studio. He has been confused with a painter of the same name, and his work shares similarities of subject and approach with his contemporary Achille Quinet. From his known body of work, however, it is clear that Famin produced a number of nature studies depicting both woodlands and rural scenes that featured animals or children. These were probably intended as artists' aids. Famin, whose prints first appeared in 1863, was among the second generation of photographers to work in Fontainebleau and its environs. His images, although sometimes characterized as more sensitive and delicate than those of Quinet, often lack the inquisitive originality of Eugène Cuvelier and other pioneers in the Barbizon genre. Indeed, by the time of Famin, the forest was beginning to risk overdevelopment due to its popularization through tourism and art, with many areas, rock formations, and even individual trees known to the public by endearing, somewhat superficial names. Famin is also believed to have produced architectural photography in Paris and Bourges, as well as a set of recently discovered stereoviews. T.W.F. --- measurements: Image: 17.2 x 23.7 cm (6 3/4 x 9 5/16 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art opening date: 2005-02-26T00:00:00 Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-June 16, 2005). title: France at the Dawn of Photography opening date: 2009-10-04T00:00:00 France at the Dawn of Photography. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 4, 2009-January 24, 2010). --- LEGACY EXHIBITIONS * {'description': 'Photographs: Recent Acquisitions. The Cleveland Museum of Art, Cleveland, OH, Gallery D (March 17-May 14, 1989).', 'opening_date': '1989-03-17T00:00:00'} * {'description': 'The Camera. The Cleveland Museum of Art, Cleveland, OH (July 10-August 19, 1990).', 'opening_date': '1990-07-10T00:00:00'} --- PROVENANCE Paul Cava, Philadelphia, PA date: footnotes: citations: (Charles Isaacs Photographs, Inc.), New York, NY, sold to The Cleveland Museum of Art, Cleveland, OH date: ?-1989 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: June 29, 1989- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. page number: Reproduced: P. 152 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1988.167/1988.167_web.jpg print: https://openaccess-cdn.clevelandart.org/1988.167/1988.167_print.jpg full: https://openaccess-cdn.clevelandart.org/1988.167/1988.167_full.tif