{
"data": {
"id": 154209,
"accession_number": "1988.28",
"share_license_status": "CC0",
"tombstone": "Copy of Raphael's Massacre of the Innocents, after 1510. Follower of Raphael (Italian, 1483\u20131520). Pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown ink; sheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); secondary support: 23.9 x 30.5 cm (9 7/16 x 12 in.). The Cleveland Museum of Art, John L. Severance Fund, 1988.28",
"current_location": null,
"title": "Copy of Raphael's Massacre of the Innocents",
"creation_date": "after 1510",
"creation_date_earliest": 1510,
"creation_date_latest": 1599,
"artists_tags": [
"male"
],
"culture": [
"Italy"
],
"technique": "pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown ink",
"support_materials": [
{
"description": "light brown laid paper, laid down on light brown laid paper",
"watermarks": []
}
],
"department": "Drawings",
"collection": "DR - Italian",
"type": "Drawing",
"measurements": "Sheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); Secondary Support: 23.9 x 30.5 cm (9 7/16 x 12 in.)",
"dimensions": {
"sheet": {
"height": 0.228,
"height_inch": 9,
"height_inch_fraction": 0.0,
"width": 0.301,
"width_inch": 11,
"width_inch_fraction": 0.875
},
"secondary support": {
"height": 0.239,
"height_inch": 9,
"height_inch_fraction": 0.4375,
"width": 0.305,
"width_inch": 12,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 310246,
"title": "The Year in Review for 1988",
"description": "The Year in Review for 1988. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 1-May 14, 1989).",
"opening_date": "1989-03-01T05:00:00"
},
{
"id": 310305,
"title": "Drawings: Discoveries in the Collection",
"description": "Drawings: Discoveries in the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 7-October 28, 1990).",
"opening_date": "1990-08-07T04:00:00"
},
{
"id": 193792,
"title": "Drawn to the Body: The Human Figure and the Graphic Arts, 1500-1900",
"description": "Drawn to the Body: The Human Figure and the Graphic Arts, 1500-1900. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 14-May 23, 1999).",
"opening_date": "1999-03-14T00:00:00"
}
],
"legacy": [
{
"description": "CMA, \"Year in Review for 1988\" (Mar. 1-May 14, 1989), cma Bulletin 76 (1989), p. 73 no. 172.",
"opening_date": "1989-03-01T00:00:00"
},
{
"description": "Cleveland, Ohio: The Cleveland Museum of Art; March 14 - May 23, 1999. \"Drawn to the Body: The Human Figure and the Graphic Arts, 1500 - 1900.\"",
"opening_date": "1999-03-14T00:00:00"
}
]
},
"provenance": [
{
"description": "Egidio Martini? (see Ferino Pagden in Studi su Raffaello, 1987, p. 66, fn. 16.) [Kate Ganz]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79940907"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1988.28-copy-of-raphael-s-ma"
]
},
"citations": [
{
"citation": "Raimondi, Marcantonio, Laura Aldovini, and Lucia Ghedin. L'idea incisa: la Strage degli innocenti di Raffaello nella matrice di Marcantonio Raimondi dei Musei civici di Pavia : storia e restauro. Roma : Gangemi editore SpA international, 2022.",
"page_number": "Mentioned and reproduced: pp. 29-30, no. 14",
"url": ""
}
],
"url": "https://clevelandart.org/art/1988.28",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1988.28/1988.28_web.jpg",
"width": "1124",
"height": "893",
"filesize": "828468",
"filename": "1988.28_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1988.28/1988.28_print.jpg",
"width": "3400",
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"filesize": "7746809",
"filename": "1988.28_print.jpg"
},
"full": {
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"width": "6001",
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},
"alternate_images": [],
"creditline": "John L. Severance Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 154209,
"creators": [
{
"id": 4584,
"description": "Raphael (Italian, 1483\u20131520)",
"extent": null,
"qualifier": "follower of",
"role": "artist",
"biography": "Raffaello Sanzio (Urbino, April 6, 1483-Rome, April 6, 1520), commonly known as Raphael, was one of the most admired Italian painters and architects on the High Renaissance. He was trained in his native city Urbino, a center of art and culture during the rule of the Duke Federico da Montefeltro. Around 1495, Raphael moved to Perugia and joined the master Pietro Perugino's workshop. He later sojourned to Siena, and then resided in Florence by the autumn of 1504. There, Raphael studied the works by Renaissance masters such as Leonardo da Vinci, Michelangelo, Fra Bartolomeo, and Masaccio. Raphael is best known for his paintings of Madonnas (from 1504 through 1507), and the frescoes that Pope Julio II commissioned to him in the Vatican Palace in Rome in 1514. The same year architect Donato Bramante died, and the pope appointed Raphael chief architect. Raphael's style was based on clarity of forms and harmonious compositions; after his death, his works were highly admired by both Mannerist and Baroque artists.",
"name_in_original_language": null,
"birth_year": "1483",
"death_year": "1520",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1988-04-07T00:00:00",
"sortable_date": 1510,
"date_added_to_oa": null,
"date_text": "after 1510",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-21 12:43:18.754000"
}
}