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"tombstone": "Portrait of Christoph Willibald Gluck, c. 1775. Jean-Antoine Houdon (French, 1741\u20131828). Terracotta; overall: 49.5 x 40 x 28.5 cm (19 1/2 x 15 3/4 x 11 1/4 in.); with base: 64 x 39.3 x 28.1 cm (25 3/16 x 15 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1988.59",
"current_location": null,
"title": "Portrait of Christoph Willibald Gluck",
"creation_date": "c. 1775",
"creation_date_earliest": 1770,
"creation_date_latest": 1780,
"artists_tags": [
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"culture": [
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],
"technique": "terracotta",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "Sculpture",
"type": "Sculpture",
"measurements": "Overall: 49.5 x 40 x 28.5 cm (19 1/2 x 15 3/4 x 11 1/4 in.); with base: 64 x 39.3 x 28.1 cm (25 3/16 x 15 1/2 x 11 1/16 in.)",
"dimensions": {
"overall": {
"height": 0.495,
"height_inch": 19,
"height_inch_fraction": 0.5,
"width": 0.4,
"width_inch": 15,
"width_inch_fraction": 0.75,
"depth": 0.285,
"depth_inch": 11,
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"copyright": null,
"inscriptions": [
{
"inscription": "inscribed in plaster fill in back at bottom: Houdon FT 177[4?]. Since this inscription was clearly added after the terracotta was fired, it cannot be considered a signature.",
"inscription_translation": null,
"inscription_remark": null,
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"current": [
{
"id": 310246,
"title": "The Year in Review for 1988",
"description": "The Year in Review for 1988. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 1-May 14, 1989).",
"opening_date": "1989-03-01T05:00:00"
},
{
"id": 310251,
"title": "Rococo, Revolution, Restoration",
"description": "Rococo, Revolution, Restoration. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 11-September 24, 1989).",
"opening_date": "1989-07-11T04:00:00"
}
],
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},
"provenance": [
{
"description": "Possibly Ren\u00e9 Huyghe, 1906-1997 (Paris, France)",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
},
{
"description": "Michael Hall Fine Arts, Inc. (New York, New York), sold to the Cleveland Museum of Art, 1988.",
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"footnotes": null,
"date": null,
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}
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"description": "A well-known composer of the 1700s, Gluck reformed opera by bringing unprecedented simplicity and sincerity to his music and staging, qualities shared by Houdon\u2019s bust. This portrait, by depicting Gluck\u2019s pockmarked face, was perceived as a natural and truthful representation. Yet, he would never have appeared publicly with unkempt hair and an open collar, which constituted the standard for representing an artist.",
"external_resources": {
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"citations": [
{
"citation": "\"The Year in Review for 1988.\" The Bulletin of the Cleveland Museum of Art 76, no. 2 (1989): 30-75.",
"page_number": "p. 68, no. 20, repr. p. 30",
"url": "www.jstor.org/stable/25160061"
}
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"updated_at": "2026-05-29 07:58:37.290000"
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