id: 154507 accession number: 1989.15 share license status: CC0 url: https://clevelandart.org/art/1989.15 updated: 2023-03-14 12:01:36.739000 Jar (Hu), 202 BC-AD 9. China, probably Henan province, Western Han dynasty (202 BC-AD 9). Earthenware with slip and painted decoration; overall: 48.2 cm (19 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund 1989.15 title: Jar (Hu) title in original language: series: series in original language: creation date: 202 BC-AD 9 creation date earliest: -202 creation date latest: 9 current location: 241B Arts of Ancient China creditline: The Severance and Greta Millikin Purchase Fund copyright: --- culture: China, probably Henan province, Western Han dynasty (202 BC-AD 9) technique: earthenware with slip and painted decoration department: Chinese Art collection: China - Han Dynasty type: Ceramic find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 48.2 cm (19 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Year in Review for 1989 opening date: 1990-02-06T05:00:00 The Year in Review for 1989. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-April 15, 1990). title: Powerful Form and Potent Symbol: The Dragon in Asia opening date: 1990-07-24T04:00:00 Powerful Form and Potent Symbol: The Dragon in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 24-November 25, 1990). title: Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions opening date: 1994-10-18T04:00:00 Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 18-December 31, 1994). --- LEGACY EXHIBITIONS * 1994 CMA: Asian Autumn: "New Objects/New Insights: Cleveland's Recent Chinese Acquisitions," cat., Bull., vol. 81, no. 8 (October 1994) cat. no. 21, p. 347, pp. 303-307, repr.p. 304 --- PROVENANCE --- fun fact: digital description: wall description: Instead of depicting a real landscape, the artist focused on the rhythmic forces of nature and the movement of energy, using the scrolling form as a symbol common to all changes in nature: cloud vapors, waves, and mountains alike. Here a dragon hovers among sweeping scrolls. --- RELATED WORKS --- CITATIONS Wilson, J. Keith. "Powerful Form and Potent Symbol: The Dragon in Asia." The Bulletin of the Cleveland Museum of Art 77, no. 8 (1990): 286-323. page number: Reproduced: cover, p. 295, 315 url: https://www.jstor.org/stable/25161297 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1991. page number: Reproduced: p. 13 url: https://archive.org/details/CMAHandbook1991/page/n28 Wilson, J. Keith, and Anne E. Wardwell. "New Objects/New Insights: Cleveland's Recent Chinese Acquisitions." The Bulletin of the Cleveland Museum of Art 81, no. 8 (1994): 270-347. page number: Reproduced: p. 304; Mentioned: p. 303-07, 347 url: https://www.jstor.org/stable/25161465 Cunningham, Michael R. Masterworks of Asian art. Cleveland, Ohio: Cleveland Museum of Art, 1998. page number: Reproduced: p. 34 - 35 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1989.15/1989.15_web.jpg print: https://openaccess-cdn.clevelandart.org/1989.15/1989.15_print.jpg full: https://openaccess-cdn.clevelandart.org/1989.15/1989.15_full.tif