id: 154507
accession number: 1989.15
share license status: CC0
url: https://clevelandart.org/art/1989.15
updated: 2023-03-14 12:01:36.739000
Jar (Hu), 202 BC-AD 9. China, probably Henan province, Western Han dynasty (202 BC-AD 9). Earthenware with slip and painted decoration; overall: 48.2 cm (19 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund 1989.15
title: Jar (Hu)
title in original language:
series:
series in original language:
creation date: 202 BC-AD 9
creation date earliest: -202
creation date latest: 9
current location: 241B Arts of Ancient China
creditline: The Severance and Greta Millikin Purchase Fund
copyright:
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culture: China, probably Henan province, Western Han dynasty (202 BC-AD 9)
technique: earthenware with slip and painted decoration
department: Chinese Art
collection: China - Han Dynasty
type: Ceramic
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 48.2 cm (19 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The Year in Review for 1989
opening date: 1990-02-06T05:00:00
The Year in Review for 1989. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-April 15, 1990).
title: Powerful Form and Potent Symbol: The Dragon in Asia
opening date: 1990-07-24T04:00:00
Powerful Form and Potent Symbol: The Dragon in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 24-November 25, 1990).
title: Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions
opening date: 1994-10-18T04:00:00
Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 18-December 31, 1994).
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LEGACY EXHIBITIONS
* 1994 CMA: Asian Autumn: "New Objects/New Insights: Cleveland's Recent Chinese Acquisitions," cat., Bull., vol. 81, no. 8 (October 1994) cat. no. 21, p. 347, pp. 303-307, repr.p. 304
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PROVENANCE
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fun fact:
digital description:
wall description:
Instead of depicting a real landscape, the artist focused on the rhythmic forces of nature and the movement of energy, using the scrolling form as a symbol common to all changes in nature: cloud vapors, waves, and mountains alike. Here a dragon hovers among sweeping scrolls.
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RELATED WORKS
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CITATIONS
Wilson, J. Keith. "Powerful Form and Potent Symbol: The Dragon in Asia." The Bulletin of the Cleveland Museum of Art 77, no. 8 (1990): 286-323.
page number: Reproduced: cover, p. 295, 315
url: https://www.jstor.org/stable/25161297
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1991.
page number: Reproduced: p. 13
url: https://archive.org/details/CMAHandbook1991/page/n28
Wilson, J. Keith, and Anne E. Wardwell. "New Objects/New Insights: Cleveland's Recent Chinese Acquisitions." The Bulletin of the Cleveland Museum of Art 81, no. 8 (1994): 270-347.
page number: Reproduced: p. 304; Mentioned: p. 303-07, 347
url: https://www.jstor.org/stable/25161465
Cunningham, Michael R. Masterworks of Asian art. Cleveland, Ohio: Cleveland Museum of Art, 1998.
page number: Reproduced: p. 34 - 35
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1989.15/1989.15_web.jpg
print: https://openaccess-cdn.clevelandart.org/1989.15/1989.15_print.jpg
full: https://openaccess-cdn.clevelandart.org/1989.15/1989.15_full.tif