id: 154631 accession number: 1989.237 share license status: CC0 url: https://clevelandart.org/art/1989.237 updated: 2024-03-26 02:00:05.586000 Young Woman Seated, last fourth 18th century or first fourth 19th century. Pierre-Paul Prud'hon (French, 1758–1823). Oil; framing lines in graphite; sheet: 16.9 x 13.3 cm (6 5/8 x 5 1/4 in.); image: 13.4 x 9.7 cm (5 1/4 x 3 13/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin 1989.237 title: Young Woman Seated title in original language: series: series in original language: creation date: last fourth 18th century or first fourth 19th century creation date earliest: 1758 creation date latest: 1823 current location: creditline: Bequest of Mrs. Severance A. Millikin copyright: --- culture: France, late 18th-early 19th Century technique: oil; framing lines in graphite department: Drawings collection: DR - French type: Drawing find spot: catalogue raisonne: --- CREATORS * Pierre-Paul Prud'hon (French, 1758–1823) - artist Pierre-Paul Prud'hon studied at the Dijon School of Art under François Devosge (1732-1811), founder and director of one of the most prominent art schools in France. In 1776 Prud'hon met the Baron de Joursanvault, a follower of Jean-Jacques Rousseau and an art lover, who became his first patron. At the age of twenty-two Prud'hon left for Paris, where he attended the Académie Royale and was introduced to Jean-Baptiste Greuze (1725-1805) and Jean-Georges Wille (1715-1808), an important engraver and collector. Soon after he returned to Dijon in 1784, he won the Prix de Rome and left for Italy, where he would spend four decisive years. He studied the works of Raphael (1483-1520), Leonardo da Vinci (1452--1519), and Correggio (ca. 1489/94-1534) as well as antique sculptures. He was influenced by the artists Anton Raphael Mengs (1728-1779), Antonio Canova (1757-1822), and Angelica Kauffmann (1741-1807) rather than his own countrymen, the pupils of David (q.v.). When he returned to Paris in 1788, Prud'hon endorsed the revolutionary ideals. He attended the meetings of David's Club des Arts and made drawings with political overtones that were to be engraved. After Robespierre's execution, Prud'hon was forced to live in exile in the Franche-Comté (1794-96), where he painted several portraits and made book illustrations. Upon his return to Paris he was elected to the Institut de France and received private and public commissions for decorative projects, including, for example, the ceilings in the Greek sculpture rooms of the Louvre and designs for the celebrations of the emperor's coronation and his marriage to Marie-Louise of Austria. During the First Empire (1805-15) he became equally respected for his imperial portraits and was appointed drawing instructor of the new empress. During the Bourbon restoration (1815-23) he still received several public commissions, even though he did not sympathize with the regime. In 1802 Prud'hon's wife had to be institutionalized, leaving him to care for their five children. He would be supported in this task by his pupil, Constance Mayer (1774-1821), who not only became his mistress but also his first artistic collaborator. (Prud'hon often made the preparatory drawings for her paintings.) His last years were plagued with many problems, and Mayer's suicide in 1821 affected him tremendously. He would survive her only briefly, dying two years later in 1823. --- measurements: Sheet: 16.9 x 13.3 cm (6 5/8 x 5 1/4 in.); Image: 13.4 x 9.7 cm (5 1/4 x 3 13/16 in.) state of the work: edition of the work: support materials: description: brown laid? paper watermarks: inscriptions: --- CURRENT EXHIBITIONS title: The Severance and Greta Millikin Collection opening date: 1990-07-05T04:00:00 The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990). --- LEGACY EXHIBITIONS * {'description': 'none in departmental file or wp file', 'opening_date': None} --- PROVENANCE Savarte date: footnotes: citations: Galerie de Bayser & Strolin date: footnotes: citations: Severance and Greta Millikin, Cleveland date: 1965 footnotes: citations: all according to departmental card: Savarte (not stamped, not in Lugt). [Galerie de Bayser & Strolin]. Severance and Greta Millikin, Cleveland, 1965 date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1989.237/1989.237_web.jpg print: https://openaccess-cdn.clevelandart.org/1989.237/1989.237_print.jpg full: https://openaccess-cdn.clevelandart.org/1989.237/1989.237_full.tif