{
    "data": {
        "id": 154674,
        "accession_number": "1989.27",
        "share_license_status": "CC0",
        "tombstone": "View of the Small Grotto toward the Deer Pond, Bois de Boulogne, 1858. Charles Marville (French, 1813\u20131879). Albumen print from wet collodion negative; image: 25.1 x 36.4 cm (9 7/8 x 14 5/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, James Parmelee Fund, 1989.27",
        "current_location": null,
        "title": "View of the Small Grotto toward the Deer Pond, Bois de Boulogne",
        "creation_date": "1858",
        "creation_date_earliest": 1858,
        "creation_date_latest": 1858,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "albumen print from wet collodion negative",
        "support_materials": [],
        "department": "Photography",
        "collection": "Photography",
        "type": "Photograph",
        "measurements": "Image: 25.1 x 36.4 cm (9 7/8 x 14 5/16 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.)",
        "dimensions": {
            "image": {
                "height": 0.251,
                "width": 0.364
            },
            "matted": {
                "height": 0.406,
                "width": 0.508
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Written in pencil [erased] on recto: \"No 46\"; written in pencil on verso: \"F2 [crossed out] / H2 / L2\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 310333,
                    "title": "The Year in Review for 1989",
                    "description": "<i>The Year in Review for 1989</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-April 15, 1990).",
                    "opening_date": "1990-02-06T05:00:00"
                },
                {
                    "id": 186948,
                    "title": "Pioneers of Landscape Photography from the Museum's Collection",
                    "description": "<i>Pioneers of Landscape Photography from the Museum's Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 12, 2000-January 3, 2001).",
                    "opening_date": "2000-08-12T00:00:00"
                },
                {
                    "id": 178867,
                    "title": "Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art",
                    "description": "<i>Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-June 16, 2005).",
                    "opening_date": "2005-02-26T00:00:00"
                },
                {
                    "id": 197576,
                    "title": "France at the Dawn of Photography",
                    "description": "<i>France at the Dawn of Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 4, 2009-January 24, 2010).",
                    "opening_date": "2009-10-04T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "CMA, Feb. 6 - April 15, 1990, \"Year in Review 1989,\" CMA Bulletin, 77 (Feb. 1990), p. 68, no. 46.",
                    "opening_date": "1990-02-06T00:00:00"
                },
                {
                    "description": "Cleveland, Ohio:  The Cleveland Museum of Art; August 12, 2000 - January 3, 2001.  \"Pioneers of Landscape Photography from the Museum's Collection.\"",
                    "opening_date": "2000-08-12T00:00:00"
                },
                {
                    "description": "Cleveland, Ohio:  The Cleveland Museum of Art; February 26 - June 16, 2005 . \"Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art\".",
                    "opening_date": "2005-02-26T00:00:00"
                },
                {
                    "description": "The Cleveland Museum of Art (10/04/2009 - 01/24/2010); \"France at the Dawn of Photography\"",
                    "opening_date": "2009-10-04T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "(Charles Isaacs Photographs, Inc.), New York, NY",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "March 27, 1989",
                "sortorder": 2
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "description": "Although better known for his architectural photographs of Paris, Marville also produced magical landscapes like this image. Carefully composed, the asymmetrical composition presents a picturesque scene of a waterfall flowing from a mound of boulders in the Bois de Boulogne, a forest annexed as a Parisian city park in 1852. The sunlight filtering through the foliage creates a remarkable range of tonal and textural detail, along with lively abstract patterns of light and shadow. Trained as a painter, lithographer, and engraver, Marville took up photography around 1850. He was named official photographer of Paris in 1862 and documented the buildings and neighborhoods ultimately destroyed when the boulevards and open spaces of modern Paris were built in the late 19th century.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60780858"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1989.27-view-of-the-small-gr"
            ]
        },
        "citations": [
            {
                "citation": "Cleveland Museum of Art, Tom E Hinson. <em>Catalogue of Photography</em>. Cleveland, OH: Cleveland Museum of Art, 1996.",
                "page_number": "Reproduced: P. 232",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1989.27",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1989.27/1989.27_web.jpg",
                "width": "1263",
                "height": "861",
                "filesize": "938044",
                "filename": "1989.27_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1989.27/1989.27_print.jpg",
                "width": "3400",
                "height": "2319",
                "filesize": "5371405",
                "filename": "1989.27_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1989.27/1989.27_full.tif",
                "width": "5999",
                "height": "4092",
                "filesize": "73677608",
                "filename": "1989.27_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "James Parmelee Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 154674,
        "creators": [
            {
                "id": 635,
                "description": "Charles Marville (French, 1813\u20131879)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "At the invitation of the city of Paris, photographer Charles Marville was among the first to document the ancient quarters of his birthplace. His views, taken in the late 1850s, were intended to record the many buildings and neighborhoods ultimately destroyed by Baron Georges-Eug\u00e8ne Haussmann's urban planning project that would create the boulevards and open spaces of modern Paris. While Marville's survey of the city, extensive and thorough in scope, prefigured other important efforts of its kind, it is distinguished by its emotional accessibility. His work beautifully reveals a Paris that has long disappeared. Originally trained as a painter and illustrator, Marville worked with both calotype and glass plate negatives. He photographed in France, Italy, Germany, and Algeria, becoming most well known for his architectural imagery but also producing acclaimed landscapes and studies of trees. Many of Marville's early views, often considered his best, were included in the albums of Louis-D\u00e9sir\u00e9 Blanquart-\u00c9vrard before the printer's establishment in Lille closed in 1855. Named official photographer of Paris in 1862, Marville also served as photographer to the Imperial Museum of the Louvre and to King Vittorio Emmanuelle of Italy. T.W.F.",
                "name_in_original_language": null,
                "birth_year": "1813",
                "death_year": "1879",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1989-03-27T00:00:00",
        "sortable_date": 1858,
        "date_added_to_oa": null,
        "date_text": "1858",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-03-27 00:10:23.315000"
    }
}