id: 154757 accession number: 1989.337 share license status: CC0 url: https://clevelandart.org/art/1989.337 updated: 2023-03-14 12:01:38.430000 Augury of the Crow (Vasakasajja Nayika), c. 1800. Northern India, Himachal Pradesh, Pahari Kingdom of Kangra. Color on paper; overall: 21.4 x 14.5 cm (8 7/16 x 5 11/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin 1989.337 title: Augury of the Crow (Vasakasajja Nayika) title in original language: series: series in original language: creation date: c. 1800 creation date earliest: 1790 creation date latest: 1810 current location: creditline: Bequest of Mrs. Severance A. Millikin copyright: --- culture: Northern India, Himachal Pradesh, Pahari Kingdom of Kangra technique: color on paper department: Indian and Southeast Asian Art collection: Indian Art type: Painting find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 21.4 x 14.5 cm (8 7/16 x 5 11/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Severance and Greta Millikin Collection opening date: 1990-07-05T04:00:00 The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990). title: Supernatural Love - Indian Gallery 242 Rotation opening date: 2019-04-01T04:00:00 Supernatural Love - Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (April 1-September 9, 2019). --- LEGACY EXHIBITIONS * 1962 - National Museum, New Delhi, "Kangra Paintings on Love," 1962.
1990 - The Cleveland Museum of Art: The Severance and Greta Milikin Collection (CMA, 1990), cat.# 155. --- PROVENANCE Raja of Lambagraon date: footnotes: citations: B. R. Sharma, New Delhi, 1967 date: footnotes: citations: Severance and Greta Millikin, Cleveland date: 1967 footnotes: citations: Raja of Lambagraon; (B. R. Sharma, New Delhi, 1967); Severance and Greta Millikin, Cleveland, 1967. date: footnotes: citations: --- fun fact: digital description: wall description: The heroine in the doorway is waiting for her husband to return, but he is delayed, and ominous monsoon clouds gather in the distance. The pomegranate tree in her garden has ripe fruits replete with seeds and bright red juices, suggestive of her fertility, but a crow is perched there. The sound of a crow’s voice is an unlucky omen, and this further compounds her anxiety.

Depictions of tense, relatable situations were made to elicit empathy in the viewer and emotions that heightened the pleasure of viewing and savoring paintings. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1989.337/1989.337_web.jpg print: https://openaccess-cdn.clevelandart.org/1989.337/1989.337_print.jpg full: https://openaccess-cdn.clevelandart.org/1989.337/1989.337_full.tif