id: 154757
accession number: 1989.337
share license status: CC0
url: https://clevelandart.org/art/1989.337
updated: 2023-03-14 12:01:38.430000
Augury of the Crow (Vasakasajja Nayika), c. 1800. Northern India, Himachal Pradesh, Pahari Kingdom of Kangra. Color on paper; overall: 21.4 x 14.5 cm (8 7/16 x 5 11/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin 1989.337
title: Augury of the Crow (Vasakasajja Nayika)
title in original language:
series:
series in original language:
creation date: c. 1800
creation date earliest: 1790
creation date latest: 1810
current location:
creditline: Bequest of Mrs. Severance A. Millikin
copyright:
---
culture: Northern India, Himachal Pradesh, Pahari Kingdom of Kangra
technique: color on paper
department: Indian and Southeast Asian Art
collection: Indian Art
type: Painting
find spot:
catalogue raisonne:
---
CREATORS
---
measurements: Overall: 21.4 x 14.5 cm (8 7/16 x 5 11/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
---
CURRENT EXHIBITIONS
title: The Severance and Greta Millikin Collection
opening date: 1990-07-05T04:00:00
The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990).
title: Supernatural Love - Indian Gallery 242 Rotation
opening date: 2019-04-01T04:00:00
Supernatural Love - Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (April 1-September 9, 2019).
---
LEGACY EXHIBITIONS
* 1962 - National Museum, New Delhi, "Kangra Paintings on Love," 1962.
1990 - The Cleveland Museum of Art: The Severance and Greta Milikin Collection (CMA, 1990), cat.# 155.
---
PROVENANCE
Raja of Lambagraon
date:
footnotes:
citations:
B. R. Sharma, New Delhi, 1967
date:
footnotes:
citations:
Severance and Greta Millikin, Cleveland
date: 1967
footnotes:
citations:
Raja of Lambagraon; (B. R. Sharma, New Delhi, 1967); Severance and Greta Millikin, Cleveland, 1967.
date:
footnotes:
citations:
---
fun fact:
digital description:
wall description:
The heroine in the doorway is waiting for her
husband to return, but he is delayed, and ominous
monsoon clouds gather in the distance. The
pomegranate tree in her garden has ripe fruits
replete with seeds and bright red juices, suggestive
of her fertility, but a crow is perched there. The
sound of a crow’s voice is an unlucky omen, and
this further compounds her anxiety.
Depictions of tense, relatable situations were made
to elicit empathy in the viewer and emotions that
heightened the pleasure of viewing and savoring
paintings.
---
RELATED WORKS
---
CITATIONS
---
IMAGES
web: https://openaccess-cdn.clevelandart.org/1989.337/1989.337_web.jpg
print: https://openaccess-cdn.clevelandart.org/1989.337/1989.337_print.jpg
full: https://openaccess-cdn.clevelandart.org/1989.337/1989.337_full.tif