id: 154767 accession number: 1989.344 share license status: CC0 url: https://clevelandart.org/art/1989.344 updated: 2023-05-27 11:01:43.985000 Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquin, c. 1760. Northwestern India, Rajasthan, Kota. Gum tempera and gold on paper; overall: 28.3 x 39.2 cm (11 1/8 x 15 7/16 in.); with borders: 31.6 x 42.7 cm (12 7/16 x 16 13/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin 1989.344 title: Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquin title in original language: series: series in original language: creation date: c. 1760 creation date earliest: 1755 creation date latest: 1765 current location: creditline: Bequest of Mrs. Severance A. Millikin copyright: --- culture: Northwestern India, Rajasthan, Kota technique: Gum tempera and gold on paper department: Indian and Southeast Asian Art collection: Indian Art type: Painting find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 28.3 x 39.2 cm (11 1/8 x 15 7/16 in.); with borders: 31.6 x 42.7 cm (12 7/16 x 16 13/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Severance and Greta Millikin Collection opening date: 1990-07-05T04:00:00 The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990). title: Indian Gallery 242 Rotation – April-November 2018 opening date: 2018-04-02T04:00:00 Indian Gallery 242 Rotation – April-November 2018. The Cleveland Museum of Art (organizer) (April 2-November 18, 2018). --- LEGACY EXHIBITIONS * 1990 - Cleveland Museum of Art, The Severance and Greta Millikin Collection, July 5 - September 2, 1990, cat. no. 165. --- PROVENANCE B. R. Sharma, New Delhi, 1969 date: footnotes: citations: Severance and Greta Millikin, Cleveland. date: footnotes: citations: (B. R. Sharma, New Delhi, 1969); Severance and Greta Millikin, Cleveland. date: footnotes: citations: --- fun fact: digital description: wall description: The king sits in his litter with a sun and moon disk behind his head, emphasizing the light of divine sanction for his rule. His power and grandeur seem to inspire his attendants to stride with effortless enthusiasm. Symbols of royalty abound in his retinue: cavaliers on horseback, spear bearers, soldiers with swords and daggers, attendants with peacock-feather fans, and archers carrying bows draped in red and quivers full of arrows.

The small kingdom of Kota achieved independence in 1624, and its rulers, called rao (king) or maharao (great king) in the local dialect of Rajasthani, supported an atelier of artists at their court. Kota artists were known for dynamic and idealized portrayals of their rulers engaged in activities thatemphasized the king’s supreme status. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1989.344/1989.344_web.jpg print: https://openaccess-cdn.clevelandart.org/1989.344/1989.344_print.jpg full: https://openaccess-cdn.clevelandart.org/1989.344/1989.344_full.tif