id: 154962 accession number: 1989.52 share license status: CC0 url: https://clevelandart.org/art/1989.52 updated: 2022-01-04 17:07:28.244000 Cader Idris, with the Mawddach River, c. 1774. Richard Wilson (British, 1714-1782). Oil on canvas; framed: 105.5 x 120.5 x 7 cm (41 9/16 x 47 7/16 x 2 3/4 in.); unframed: 89.8 x 105.5 cm (35 3/8 x 41 9/16 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1989.52 title: Cader Idris, with the Mawddach River title in original language: series: series in original language: creation date: c. 1774 creation date earliest: 1769 creation date latest: 1779 current location: creditline: Leonard C. Hanna, Jr. Fund copyright: --- culture: England, 18th century technique: oil on canvas department: European Painting and Sculpture collection: P - British before 1800 type: Painting find spot: catalogue raisonne: --- CREATORS * Richard Wilson (British, 1714-1782) - artist --- measurements: Framed: 105.5 x 120.5 x 7 cm (41 9/16 x 47 7/16 x 2 3/4 in.); Unframed: 89.8 x 105.5 cm (35 3/8 x 41 9/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Notable Acquisitions opening date: 1991-06-07T04:00:00 Notable Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 15, 1991). title: CMA @ Oberlin (second rotation) opening date: 2006-04-03T00:00:00 CMA @ Oberlin (second rotation). Allen Memorial Art Museum, Oberlin, OH (April 3-June 5, 2006). --- LEGACY EXHIBITIONS * CMA, June 7-September 15, 1991: "Notable Acquisitions", CMA Bulletin, 78 (June, 1991), p. 78, repr, color.

Denver, CO, The Denver Art Museum, December 11, 1993-February 6, 1994: "Gently, Rural, and Subline: English Landscape Paintings and Watercolors, 1750-1850," cat. #

Allen Memorial Art Museum, Oberlin College (4/3/2006 - 6/5/2006): "CMA @ Oberlin (second rotation)" --- PROVENANCE Michael Grazebrook (sale: Christie's, London, 21 June, 1890, no. 131) date: footnotes: citations: F. Worsely-Taylor (1892, by descent to Miss Dorothea Worsley-Taylor, Christie's, London sale 15 March, 1978, no. 113) date: footnotes: citations: Leggatts for Private Collection date: footnotes: citations: (Agnews, London) date: footnotes: citations: Michael Grazebrook (sale: Christie's, London, 21 June, 1890, no. 131); F. Worsely-Taylor (1892, by descent to Miss Dorothea Worsley-Taylor, Christie's, London sale 15 March, 1978, no. 113); (Leggatts for Private Collection); (Agnews, London). date: footnotes: citations: --- fun fact: digital description: wall description: In the distance the peak of Cader Idris is shown, while riders in the foreground descend toward the river Mawddach. Although almost all of Wilson's earlier pictures of Wales suggest some association with that country's heroic past, here the emphasis is on the pleasing beauty of the land. Another version of this picture is in the Walker Art Gallery in Liverpool. Richard Wilson was the first major British artist to specialize in landscape, a focus he pursued intently after a visit to Italy in 1750-6. The countryside around Rome, with its rich associations of ancient grandeur, inspired him to look at landscape as a source of poetry. Back in England his Italian landscapes, which appealed to his patrons (mostly English noblemen) were a great success. He then applied a similar approach to his English and Welsh scenes, treating them as vehicles for ideas and emotions. --- RELATED WORKS --- CITATIONS Robertson, Bruce. "Notable Acquisitions." The Bulletin of the Cleveland Museum of Art 78, no. 3 (1991): 63-147. page number: Reproduced and Mentioned: p. 78 url: https://www.jstor.org/stable/25161319 Baetjer, Katharine, and Michael Rosenthal. Glorious Nature: British Landscape Painting, 1750-1850. New York, NY: Hudson Hills Press, 1993. page number: Mentioned: p. 100; Reproduced: p. 101 url: Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, OH: Cleveland Museum of Art, 1993. page number: Reproduced: p. 260 url: Kidson, Alex. Earlier British Paintings in the Walker Art Gallery and Sudley House. Liverpool, United Kingdom: Liverpool University Press, 2012. page number: Reproduced: p. 271, fig. 112 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1989.52/1989.52_web.jpg print: https://openaccess-cdn.clevelandart.org/1989.52/1989.52_print.jpg full: https://openaccess-cdn.clevelandart.org/1989.52/1989.52_full.tif