id: 155053
accession number: 1989.69
share license status: CC0
url: https://clevelandart.org/art/1989.69
updated: 2022-07-12 09:01:20.951000
Vessel, 300s BC. Japan, Yayoi period (c. 300s BC–AD 200s). Earthenware; height: 34 cm (13 3/8 in.); diameter: 33 cm (13 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund 1989.69
title: Vessel
title in original language: 弥生土器壺
series:
series in original language:
creation date: 300s BC
creation date earliest: -400
creation date latest: -300
current location: 235A Japanese
creditline: Edward L. Whittemore Fund
copyright:
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culture: Japan, Yayoi period (c. 300s BC–AD 200s)
technique: Earthenware
department: Japanese Art
collection: Japanese Art
type: Ceramic
find spot:
catalogue raisonne:
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CREATORS
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measurements: height: 34 cm (13 3/8 in.); Diameter: 33 cm (13 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The Year in Review for 1989
opening date: 1990-02-06T05:00:00
The Year in Review for 1989. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-April 15, 1990).
title: Asian Autumn: Early Ceramics from Japan and Korea
opening date: 1995-09-19T04:00:00
Asian Autumn: Early Ceramics from Japan and Korea. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 3, 1995).
title: Japanese Gallery 235 Rotation
opening date: 2018-01-02T05:00:00
Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 2-July 9, 2018).
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LEGACY EXHIBITIONS
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PROVENANCE
(Masaharu Nagano, Tokyo, Japan, sold to the Cleveland Museum of Art)
date: ?-1989
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1989-
footnotes:
citations:
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fun fact:
Yayoi ceramics, like this example, were likely made by laying one coil of clay on top of another to form the body of the vessel.
digital description:
wall description:
Pottery existed for thousands of years in Japan before the Yayoi period, but the development of wet rice agriculture and permanent settlements by previously nomadic communities changed its form significantly. Yayoi period pots were aimed more at long-term storage than those from prior millennia. Their smooth, unadorned surfaces and round shapes also reflect the style of contemporaneous works from the Korean peninsula, indicating the strong ties between Japanese communities and Korean kingdoms at the time.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1989.69/1989.69_web.jpg
print: https://openaccess-cdn.clevelandart.org/1989.69/1989.69_print.jpg
full: https://openaccess-cdn.clevelandart.org/1989.69/1989.69_full.tif