{
"data": {
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"accession_number": "1989.76",
"share_license_status": "CC0",
"tombstone": "Prince Sh\u014dtoku at Age Two (Sh\u014dtoku Taishi) (\u8056\u5fb3\u592a\u5b50\u7acb\u50cf\uff08\u4e8c\u6b73\u50cf\uff09), early 1300s. Japan, Kamakura period (1185\u20131333). Wood with lacquer, color, and rock-crystal inlaid eyes; height: 68.6 cm (27 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. James Campbell Weir in memory of Dr. and Mrs. William Hawksley Weir, 1989.76",
"current_location": "235B Japanese",
"title": "Prince Sh\u014dtoku at Age Two (Sh\u014dtoku Taishi)",
"title_in_original_language": "\u8056\u5fb3\u592a\u5b50\u7acb\u50cf\uff08\u4e8c\u6b73\u50cf\uff09",
"creation_date": "early 1300s",
"creation_date_earliest": 1300,
"creation_date_latest": 1325,
"artists_tags": [],
"culture": [
"Japan, Kamakura period (1185\u20131333)"
],
"technique": "Wood with lacquer, color, and rock-crystal inlaid eyes",
"support_materials": [],
"department": "Japanese Art",
"collection": "Japanese Art",
"type": "Sculpture",
"measurements": "height: 68.6 cm (27 in.)",
"dimensions": {
"height": {
"height": 0.686
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 310333,
"title": "The Year in Review for 1989",
"description": "The Year in Review for 1989. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-April 15, 1990).",
"opening_date": "1990-02-06T05:00:00"
},
{
"id": 215140,
"title": "Intimate Rituals and Personal Devotions: Spiritual Art Through the Ages",
"description": "Intimate Rituals and Personal Devotions: Spiritual Art Through the Ages. Samuel P. Harn Museum of Art, Gainesville, FL (organizer) (July 16, 2000-January 14, 2001).",
"opening_date": "2000-07-16T00:00:00"
},
{
"id": 295705,
"title": "Japanese Gallery 235 Rotation - July 2017-January 2018",
"description": "Japanese Gallery 235 Rotation - July 2017-January 2018. The Cleveland Museum of Art (organizer) (July 15, 2017-January 2, 2018).",
"opening_date": "2017-07-15T04:00:00"
}
],
"legacy": [
{
"description": "Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (1992)",
"opening_date": "1992-01-01T00:00:00"
}
]
},
"provenance": [
{
"description": "Mr. James Campbell Weir [1908\u20131967]and Mrs. Margaret Leland Weir [1909\u20131992], Cleveland, OH, given to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "?\u20131989",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1989\u2013",
"sortorder": 3
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [
"1261.1986"
],
"did_you_know": "Sh\u014dtoku Taishi had several titles. One translates to \"the prince of the stable door\" because he was said to have been born in the imperial stables.",
"description": "Two-year old Prince Sh\u014dtoku (573?\u2013622?) places his palms together in a gesture called gassh\u014d. Sh\u014dtoku played a major role in the introduction of Buddhism to Japan, and devotees of the prince commissioned painted and sculpted images commemorating important moments of his life. At age two, the prince faced east and chanted the name of the Buddha without having been taught the practice. This sculpture captures the fantastic event foreshadowing his future acts.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q60758587"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1989.76-prince-shotoku-at-ag"
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},
"citations": [
{
"citation": "Turner, Evan H. \u201cThe Year in Review: Selections 1989.\u201d The Bulletin of the Cleveland Museum of Art, vol. 77, no. 2, 1990, pp. 38\u201378.",
"page_number": "Reproduced: no. 225, pp. 51, 79",
"url": "https://www.jstor.org/stable/25160106"
},
{
"citation": "Perkins, Larry David. Intimate Rituals and Personal Devotions: Spiritual Art Through the Ages. Gainesville, FL: University of Florida, Samuel P. Harn Museum of Art, 2000.",
"page_number": "Reproduced: fig. 35, pp. 30, 74",
"url": null
},
{
"citation": "Grossman, Nancy, James T. Ulak, Marjorie Williams, and Laurence Channing. Art of Japan: Masterpieces from the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art, 2005.",
"page_number": "Reproduced: p. 47",
"url": null
}
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"creditline": "Gift of Mr. and Mrs. James Campbell Weir in memory of Dr. and Mrs. William Hawksley Weir",
"image_credit": null,
"sketchfab_id": "78ae046fb1b5421fbd9684cae68fed03",
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"legal_status": "accessioned",
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"sortable_date": 1300,
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"date_text": "early 1300s",
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"conservation_statement": "The remaining fragmentary paint layers on this lacquered wood sculpture indicate that the garment was red, the skin was a pale color, and the hair was painted a different, as-yet unknown color. Visual examination shows that the wood sculpture was first covered with a textile layer adhered with lacquer, then additional layers of lacquer (some possibly mixed with other materials), before being painted. X-radiographs show that the body is carved from a solid piece of wood, with separate solid sections for the arms, attached with internal tenons. The head is also a separate section, cut into two pieces that are hollowed out on the interior, with a tenon that extends down into the neck. The hollow head allowed for the insertion of reverse-painted crystal eyes (gyokugan), held in place with a block of wood attached to the interior of the face with wooden pegs. There is likely a layer of a soft light-colored material such as paper directly behind the crystal lenses. A section of drapery behind the figure's feet is a replacement of an unknown date.",
"has_conservation_images": false,
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"impression": null,
"alternate_titles": [
"Shotoku Taishi as a Child"
],
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"updated_at": "2026-04-03 19:53:25.140000"
}
}