id: 155286
accession number: 1990.109
share license status: Copyrighted
url: https://clevelandart.org/art/1990.109
updated: 2024-03-26 02:00:08.712000
Plas Newydd, Denbighshire (Jardin aux pays de Falles, Llangollen), 1943. Bill Brandt (British, 1904–1983). Gelatin silver print; image: 23 x 19.9 cm (9 1/16 x 7 13/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, John L. Severance Fund 1990.109 © Bill Brandt Archive/ Edwynn Houk Gallery
title: Plas Newydd, Denbighshire (Jardin aux pays de Falles, Llangollen)
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series:
series in original language:
creation date: 1943
creation date earliest: 1943
creation date latest: 1943
current location:
creditline: John L. Severance Fund
copyright: © Bill Brandt Archive/ Edwynn Houk Gallery
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culture: England, 20th century
technique: gelatin silver print
department: Photography
collection: PH - British 20th Century
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Bill Brandt (British, 1904–1983) - artist
Bill Brandt British, b. Germany, 1904-1983
Born Hermann Wilhelm Brandt in Hamburg, Germany, Bill Brandt became known for his social documentary photographs of the 1930s and his experimental series of nudes with distorted forms created in the 1940s-50s. Brandt, whose father was British, grew up in Germany and then spent six years in a Swiss tuberculosis sanatorium. In 1927 he continued his treatment in Vienna, where he underwent psychoanalysis. Following his recovery, he became an apprentice photographer in a portrait studio. From Vienna Brandt went to Paris, spending three months in 1929 as an assistant in Man Ray's studio. In 1931 he decided to move to England and work as a freelance photojournalist.
Once in England he began making photographs for a variety of magazines, including Weekly Illustrated, Picture Post, Minotaure, Verve, Lilliput, Life, and Harper's Bazaar. In 1936 he published his first book, The English at Home, which documented the various social types comprised by England's class system. During the 1930s he also traveled to the Midlands and northern England to photograph industrial towns during the depression. At the end of the decade, he produced his second book, A Night in London (1938), commissioned by Arts et Métiers Graphiques, the publishers of Brassaï's Paris de Nuit (1933). That same year Brandt's work was featured in his first exhibition at the Galerie du Chasseur d'Images in Paris. Two years later, at the beginning of World War II, he was hired by the Ministry of Information to photograph bomb shelters and in 1941 went to work for the National Buildings Record documenting historic buildings and monuments endangered by air raids.
After the war, Brandt turned to photographing the landscape and the female nude. For his ongoing nude studies he used a Kodak box camera with an antique wide-angle lens, which produced elongated and distorted images. Photographs from this series were included in his book Perspective of Nudes (1961). During the 1960s Brandt experimented with color photography and collage, and in 1969 was the subject of a major retrospective at the Museum of Modern Art, New York, followed by retrospectives at the Royal Photographic Society, Bath (1981), the Philadelphia Museum of Art (1985), and the Barbican Art Gallery, London (1993). M.M.
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measurements: Image: 23 x 19.9 cm (9 1/16 x 7 13/16 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)
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inscriptions:
inscription: Written in pencil on verso: "27"; in black felt pen: "Jardin aux pays de falles / Llangollen"; on label on verso: "Michel Tournier / 78460 Choisel-France / Tél 052-05-29"
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remark:
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CURRENT EXHIBITIONS
title: Trophies of the Hunt: Capturing Nature as Art
opening date: 2004-07-24T00:00:00
Trophies of the Hunt: Capturing Nature as Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 24-November 3, 2004).
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LEGACY EXHIBITIONS
* {'description': 'Cleveland, Ohio: The Cleveland Museum of Art; 7/24/04 - 11/3/04. "Trophies of the Hunt: Capturing Nature as Art". No exhibition catalogue.', 'opening_date': '2004-07-24T00:00:00'}
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PROVENANCE
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RELATED WORKS
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CITATIONS
"1990 Photography Acquisitions." The Bulletin of the Cleveland Museum of Art 78, no. 2 (1991): 46-59.
page number: Reproduced and Mentioned: p. 52
url: https://www.jstor.org/stable/25161315
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 108
url:
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IMAGES