id: 155336
accession number: 1990.113
share license status: Copyrighted
url: https://clevelandart.org/art/1990.113
updated: 2024-03-26 02:00:08.784000
Vaulted Ceiling, Mont-Saint-Michel, France, 1982. William Clift (American, b. 1944). Platinum/palladium print; image: 12.1 x 9.5 cm (4 3/4 x 3 3/4 in.); paper: 14.8 x 11.4 cm (5 13/16 x 4 1/2 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Anonymous Gift 1990.113 © 1982 William Clift
title: Vaulted Ceiling, Mont-Saint-Michel, France
title in original language:
series:
series in original language:
creation date: 1982
creation date earliest: 1982
creation date latest: 1982
current location:
creditline: Anonymous Gift
copyright: © 1982 William Clift
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culture: America, 20th century
technique: platinum/palladium print
department: Photography
collection: PH - American 1951-Present
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* William Clift (American, b. 1944) - artist
William Clift American, 1944- Throughout his career, William Brooks Clift III has photographed the land and architecture as quiet yet complex subjects filled with cultural and spiritual metaphor. Celebrating the nuances of light and composition in his images, which are primarily black and white, he is a careful and thoughtful technician. He digests, rather than dramatizes, his subjects, often spending several years exploring a theme before completing it. Born in Boston, Clift first took an interest in photography at age 10, building his own darkroom. As a teenager, he attended a workshop with Paul Caponigro. Beginning in 1962, Clift spent eight years specializing in architectural subjects, commissioned on a freelance basis by various organizations -- including the Massachusetts Council on the Arts for an extensive documentation of Old Boston City Hall (1970). He moved to Santa Fe in 1971 and began to photograph the landscape that continues to inspire his work. He has been awarded fellowships from the National Endowment for the Arts (1972, 1979) and the John Simon Guggenheim Memorial Foundation (1973, 1980). Returning to Boston in 1975, Clift photographed the architecture of Beacon Hill. During 1975-76 he worked for the Joseph Seagram and Son's bicentennial project on American county courthouses. In 1977 he traveled to France to take pictures of Mont-Saint-Michel and began an ongoing project picturing the sculpture of Juan Hamilton. Commissions followed from AT&T for their American Images project (1978) and from the Reader's Digest Association (1985-86) to photograph the Hudson River Highlands with Steven Shore, who eventually discontinued the endeavor. A one-person exhibition of Clift's work, Certain Places, was on view at the Art Institute of Chicago and the Amon Carter Museum, Fort Worth (1987). That same year he received the Governor's Award for Excellence and Achievement in the Arts in New Mexico and began a color project with Polaroid materials, making family pictures that were exhibited in the Equitable Gallery, New York (1992). He has produced and distributed two books, Certain Places (1987) and A Hudson Landscape (1994). Clift continues to photograph the mountain and desert landscape throughout the southwestern United States. He lives in Santa Fe. A.W.
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measurements: Image: 12.1 x 9.5 cm (4 3/4 x 3 3/4 in.); Paper: 14.8 x 11.4 cm (5 13/16 x 4 1/2 in.); Matted: 45.7 x 35.6 cm (18 x 14 in.)
state of the work:
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inscriptions:
inscription: Written in black felt pen on verso: "Vaulted Ceiling, Mont St. Michel, France, 1982 © William Clift 1982 / Print No. 4, of a limited edition of 10 numbered prints and / 5 lettered artist copies, Printed at this size in platinum/palladium"
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remark:
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CURRENT EXHIBITIONS
title: The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art
opening date: 2006-06-09T00:00:00
The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).
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LEGACY EXHIBITIONS
* {'description': 'MOCA Cleveland (6/9/2006 - 8/20/2006): "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", no. 118, p. 123, repr. p. 46.', 'opening_date': '2006-06-09T00:00:00'}
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PROVENANCE
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RELATED WORKS
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CITATIONS
"1990 Photography Acquisitions." The Bulletin of the Cleveland Museum of Art 78, no. 2 (1991): 46-59.
page number: Reproduced and Mentioned: p. 56-57
url: https://www.jstor.org/stable/25161315
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 128
url:
Sims, Lowery Stokes. The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2006.
page number: Mentioned and reproduced: P. 46, no. 118
url:
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IMAGES