id:			155371
accession number:	1990.12
share license status:	Copyrighted
url:			https://clevelandart.org/art/1990.12
updated:		2019-11-18 11:48:25.872000

Prophet, 1912. Emil Nolde (German, 1876-1956). Woodcut; The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1990.12

title:				Prophet
title in original language:	
series:				
series in original language:	
creation date:			1912
creation date earliest:		1912
creation date latest:		1912
current location:		
creditline:			Andrew R. and Martha Holden Jennings Fund
copyright:			

---

culture:	Germany, 20th century
technique:	woodcut
department:	Prints
collection:	PR - Woodcut
type:		Print
find spot:	
catalogue raisonne: Schiefler and Mosel 110

---

CREATORS

* Emil Nolde (German, 1876-1956)  - artist

---

measurements: 
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

	title:		Notable Acquisitions
	opening date:   1991-06-07T04:00:00
	<i>Notable Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 15, 1991).

	title:		Graphic Discontent: German Expressionism on Paper
	opening date:   2018-01-14T05:00:00
	<i>Graphic Discontent: German Expressionism on Paper</i>. The Cleveland Museum of Art (organizer) (January 14-May 27, 2018).

---

LEGACY EXHIBITIONS

* Cleveland, Ohio:  The Cleveland Museum of Art; August 17-November 9, 2003.  "Against the Grain:  Woodcuts from the Collection".  No exhbition catalogue.<br><br>The Cleveland Museum of Art; Jan. 14, 2018-May 27, 2018. "Graphic Discontent: German Expressionism on Paper."

---

PROVENANCE

---

fun fact: 


digital description: 


wall description: 
Emil Nolde began making religious-themed prints after suffering from a severe illness in 1909. This image of a prophet presents a gaunt, ascetic type with an elongated face and high cheekbones. The block was heavily inked and printed by hand. To create the texture on the hollow cheeks, the block was printed without ink, which embossed the paper. The contemporary critic Gustav Schiefler wrote of this image: “Everything: beard, hair, background lines, appear in him to be reflected from an inner fire.”
---

RELATED WORKS

---

CITATIONS

---

IMAGES