id: 155642 accession number: 1990.82 share license status: CC0 url: https://clevelandart.org/art/1990.82 updated: 2023-03-22 10:01:03.339000 Taima Mandala, early 1300s. Japan, Kamakura period (1185-1333). Hanging scroll; ink, color, and gold on silk; image: 135.6 x 140.3 cm (53 3/8 x 55 1/4 in.); overall: 170.5 x 203.2 cm (67 1/8 x 80 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 1990.82 title: Taima Mandala title in original language: 当麻曼荼羅図 series: series in original language: creation date: early 1300s creation date earliest: 1300 creation date latest: 1333 current location: creditline: Severance and Greta Millikin Purchase Fund copyright: --- culture: Japan, Kamakura period (1185-1333) technique: hanging scroll; ink, color, and gold on silk department: Japanese Art collection: ASIAN - Hanging scroll type: Painting find spot: catalogue raisonne: --- CREATORS --- measurements: Image: 135.6 x 140.3 cm (53 3/8 x 55 1/4 in.); Overall: 170.5 x 203.2 cm (67 1/8 x 80 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Notable Acquisitions opening date: 1991-06-07T04:00:00 Notable Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 15, 1991). title: Japanese Gallery 235 Rotation opening date: 2020-01-24T05:00:00 Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 24-October 11, 2020). --- LEGACY EXHIBITIONS * Japanese Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (June 16-October 16, 1998). * Japanese Rotation (Gallery 236). The Cleveland Museum of Art, Cleveland, OH (December 23, 2013-July 21, 2014). --- PROVENANCE (Neston Ltd., Kowloon, Hong Kong, sold to the Cleveland Museum of Art) date: ?-1990 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1990- footnotes: citations: --- fun fact: digital description: wall description: This painting is a copy after an 8th-century woven mandala belonging to the temple Taimadera. The composition is based on a sacred text that describes the Buddha Shakyamuni’s explanation of Amida’s Pure Land to Queen Vaidehi, as well as his instructions to her on visual meditation upon the Pure Land. The Pure Land appears at the center of the painting. To the left is the story of Queen Vaidehi’s encounter with Shakyamuni, and to the right are the scenes she is given to visualize. The bottom illustrates the nine levels of birth that can be attained in the Pure Land. --- RELATED WORKS --- CITATIONS Cunningham, Michael R. "Notable Acquisitions." The Bulletin of the Cleveland Museum of Art 78, no. 3 (1991): 63-147. page number: Reproduced and Mentioned: p. 139 url: https://www.jstor.org/stable/25161319 Grotennuis, Elizabeth Ten. "Visions of a Transcendent Realm: Pure Land Images in the Cleveland Museum of Art." The Bulletin of the Cleveland Museum of Art 78, no. 7 (1991): 274-300. page number: Reproduced: cover, p. 275-85; Mentioned: p. 274-287 url: https://www.jstor.org/stable/25161334 Cunningham, Michael R. Masterworks of Asian art. Cleveland, Ohio: Cleveland Museum of Art, 1998. page number: Reproduced: p. 200 - 201 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1990.82/1990.82_web.jpg print: https://openaccess-cdn.clevelandart.org/1990.82/1990.82_print.jpg full: https://openaccess-cdn.clevelandart.org/1990.82/1990.82_full.tif