{
"data": {
"id": 155819,
"accession_number": "1991.133",
"share_license_status": "CC0",
"tombstone": "Portrait of Hugh Hope, c. 1810. Henry Raeburn (Scottish, 1756\u20131823). Oil on canvas; framed: 94.5 x 82 x 8 cm (37 3/16 x 32 5/16 x 3 1/8 in.); unframed: 75 x 61 cm (29 1/2 x 24 in.). The Cleveland Museum of Art, Gift in honor of Jane Taft Ingalls on the occasion of the Museum's Seventy-fifth Anniversary, 1991.133",
"current_location": "203B British Painting and Decorative Arts",
"title": "Portrait of Hugh Hope",
"creation_date": "c. 1810",
"creation_date_earliest": 1805,
"creation_date_latest": 1815,
"artists_tags": [
"male"
],
"culture": [
"Scotland"
],
"technique": "oil on canvas",
"support_materials": [],
"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Framed: 94.5 x 82 x 8 cm (37 3/16 x 32 5/16 x 3 1/8 in.); Unframed: 75 x 61 cm (29 1/2 x 24 in.)",
"dimensions": {
"framed": {
"height": 0.945,
"width": 0.82,
"depth": 0.08
},
"unframed": {
"height": 0.75,
"width": 0.61
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 311486,
"title": "Signs of Affection: Gifts Honoring the Museum's 75th Anniversary",
"description": "Signs of Affection: Gifts Honoring the Museum's 75th Anniversary. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27, 1992-January 3, 1993).",
"opening_date": "1992-10-27T05:00:00"
},
{
"id": 306699,
"title": "British Gallery Reinstallation (June 2020)",
"description": "British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer).",
"opening_date": "2020-06-30T04:00:00"
}
],
"legacy": [
{
"description": "English Decorative Arts. The Cleveland Museum of Art, Cleveland, OH (1980).",
"opening_date": "1980-01-01T00:00:00"
}
]
},
"provenance": [
{
"description": "the sitter (1782-1822)",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": null
},
{
"description": "by inheritance to Sir Alexander Hope, Pinkie House, Scotland (sale: Sotheby's, London, 16 May, 1928, Lot B)",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": null
},
{
"description": "I. D. Levy (1930)",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": null
},
{
"description": "(Knoedler)",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": null
},
{
"description": "Jane Taft Ingalls [1874-1962], Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1945",
"sortorder": null
},
{
"description": "David S. Ingalls, Sr. [1899-1985], Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1945-1985",
"sortorder": null
},
{
"description": "Francis W. Ingalls",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": null
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1991-",
"sortorder": 8
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [
"1742.1945",
"2051.1947",
"945.1980"
],
"did_you_know": "Sir Henry Raeburn was the portrait painter for King George IV of Scotland.",
"description": "Henry Raeburn created this likeness of fellow Edinburgh native Hugh Hope before Hope departed for India, where he worked as a civil servant for the renowned East India Company (a British joint-stock company founded in 1600 to trade in the Indian Ocean). This painting hung in the drawing room of Hope\u2019s estate, Pinkie House in Scotland, until 1928. Although greatly influenced by his English predecessor Joshua Reynolds, Raeburn worked in a looser style, more like the work of his younger contemporary Thomas Lawrence. This portrait is painted directly on the canvas without any preliminary drawing, giving it an informal, spontaneous air.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60476601"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1991.133-portrait-of-hugh-hop"
]
},
"citations": [
{
"citation": "Turner, Evan H. \"The Year in Review for 1992.\" The Bulletin of the Cleveland Museum of Art 80, no. 2 (1993): 38-79.",
"page_number": "Reproduced: p. 58; Mentioned: p. 66",
"url": "https://www.jstor.org/stable/25161388"
},
{
"citation": "Herries, Amanda. Henry Raeburn: The Mirror of Scotland. Kirkcudbright, Scotland: Kirkcudbright 2000 Ltd., 2024.",
"page_number": "Reproduced: p. 2",
"url": ""
}
],
"url": "https://clevelandart.org/art/1991.133",
"images": {
"annotation": null,
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"alternate_images": [
{
"date_created": "2007-02-08T16:27:05",
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"creditline": "Gift in honor of Jane Taft Ingalls on the occasion of the Museum's Seventy-fifth Anniversary",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": "Ellen and Bruce Mavec Gallery",
"athena_id": 155819,
"creators": [
{
"id": 2611,
"description": "Henry Raeburn (Scottish, 1756\u20131823)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": null,
"name_in_original_language": null,
"birth_year": "1756",
"death_year": "1823",
"use_in_caption": true,
"include_extent": false,
"weight": 1
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],
"legal_status": "accessioned",
"accession_date": "1991-09-23T00:00:00",
"sortable_date": 1805,
"date_added_to_oa": null,
"date_text": "c. 1810",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": true,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-03-27 00:06:12.583000"
}
}