id: 155997
accession number: 1991.280
share license status: Copyrighted
url: https://clevelandart.org/art/1991.280
updated: 2024-03-26 02:00:11.932000
Ludlum Steel Company, 1928 – 1931. Margaret Bourke-White (American, 1904–1971). Gelatin silver print; image: 33 x 23.8 cm (13 x 9 3/8 in.); paper: 33.3 x 24.1 cm (13 1/8 x 9 1/2 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, John L. Severance Fund 1991.280 © Estate of Margaret Bourke-White / Licensed by VAGA at Artists Rights Society (ARS), NY
title: Ludlum Steel Company
title in original language:
series:
series in original language:
creation date: 1928 – 1931
creation date earliest: 1928
creation date latest: 1931
current location:
creditline: John L. Severance Fund
copyright: © Estate of Margaret Bourke-White / Licensed by VAGA at Artists Rights Society (ARS), NY
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culture: America, 20th century
technique: gelatin silver print
department: Photography
collection: PH - American 1900-1950
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Margaret Bourke-White (American, 1904–1971) - artist
Margaret Bourke-White American, 1904-1971 Margaret Bourke-White was a preeminent photojournalist who gained fame for her striking images published in Fortune and Life magazines in the 1930s-50s. In 1922, while at Columbia University Teachers College in her native New York City, Bourke-White studied photography with Clarence White. She attended several other colleges before graduating from Cornell University (1927), then moved to Cleveland. The city's industrial landscape was influential in the development of Bourke-White's photographic style. One of her images from this period, Romance of Steel, was a first-place winner in the Cleveland Museum of Art's 1928 May Show, a regional juried exhibition. The following year Bourke-White moved back to New York to work for Henry Luce's new business magazine, Fortune. In 1934 she was sent by the magazine to cover the drought in the Midwest, an assignment she credited with awakening her social conscience. Three years later she collaborated with writer Erskine Caldwell on You Have Seen Their Faces, an acclaimed study of the plight of rural Southerners during the Great Depression. Bourke-White's long association with Life began in 1936 when she joined the magazine as one of its first staff photographers. When it premiered on November 23, 1936, her photographs of Fort Peck Dam in Montana were featured on the cover and in the lead story. During her career, Bourke-White covered many major world events: the Great Depression, World War II, the partitioning of India, and the Korean War. She continued to photograph throughout the 1950s, publishing her images in magazines and in a number of books, including Eyes on Russia (1931), North of the Danube, with Erskine Caldwell (1939), Say, Is This the U.S.A.?, with Erskine Caldwell (1941), Shooting the Russian War (1942), Dear Fatherland, Rest Quietly (1946), Halfway to Freedom: A Report on the New India (1949), and Portrait of Myself (her autobiography, 1963). M.M.
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measurements: Image: 33 x 23.8 cm (13 x 9 3/8 in.); Paper: 33.3 x 24.1 cm (13 1/8 x 9 1/2 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)
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inscriptions:
inscription: Label on verso: "LUDLUM STEEL COMPANY"
translation:
remark:
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CURRENT EXHIBITIONS
title: Industry and Photography: Selections from the Permanent Collection
opening date: 1997-11-16T00:00:00
Industry and Photography: Selections from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1997-March 1, 1998).
title: Made in U.S.A., l'art américain, 1908-1943, entre nationalisme et internationalisme [FRAME]
opening date: 2001-10-05T00:00:00
Made in U.S.A., l'art américain, 1908-1943, entre nationalisme et internationalisme [FRAME]. Musée des Beaux-Arts de Bordeaux, F-33000 Bordeaux, France (organizer) (October 5-December 31, 2001); Musée Fabre, Montpellier, France (April 10-June 25, 2002).
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LEGACY EXHIBITIONS
* {'description': 'Cleveland, Ohio: The Cleveland Museum of Art; 11/16/97 - 3/1/98. "Industry and Photography: Selections from the Permanent Collection."', 'opening_date': '1997-11-16T00:00:00'}
* {'description': 'Musée des Beaux-Arts de Bordeaux (October 5-December 31, 2001); Musée Fabre, Montpellier (April 10-June 25, 2002). "Made in U.S.A., l\'art américain, 1908-1943, entre nationalisme et internationalisme," exh. cat. color repr. p. 186.', 'opening_date': '2001-10-05T00:00:00'}
* {'description': 'Musée des Beaux-Arts de Bordeaux (October 10-December 31, 2001); Musée des Beaux-Arts de Rennes (January 18- March 31, 2002); Musée Fabre, Montpellier (April 12-June 23, 2002). "American Art: 1908-1947, from Winslow Homer to Jackson Pollock," exh. cat. repr. p. 186.', 'opening_date': '2001-10-10T00:00:00'}
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PROVENANCE
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digital description:
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 103
url:
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IMAGES