id: 156101 accession number: 1991.35 share license status: CC0 url: https://clevelandart.org/art/1991.35 updated: 2024-03-26 02:00:12.483000 Notre-Dame, Paris, 1852–53. Édouard Baldus (French, 1813–1889). Salted paper print from wet collodion negative; image: 29.5 x 44.7 cm (11 5/8 x 17 5/8 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Edwin R. and Harriet Pelton Perkins Memorial Fund 1991.35 title: Notre-Dame, Paris title in original language: series: series in original language: creation date: 1852–53 creation date earliest: 1852 creation date latest: 1853 current location: creditline: Edwin R. and Harriet Pelton Perkins Memorial Fund copyright: --- culture: France, 19th century technique: salted paper print from wet collodion negative department: Photography collection: PH - French 19th Century type: Photograph find spot: catalogue raisonne: --- CREATORS * Édouard Baldus (French, 1813–1889) - artist Édouard Baldus French, b. Prussia, 1813 - 1889 The large and regal prints made by Édouard-Denis Baldus are widely agreed to be among the finest photographic images ever produced. After serving as an artillery officer in the Prussian army, Baldus left his native country for France during the 1830s to become a painter. He exhibited his paintings of religious subjects, portraits, and genre scenes in the Paris Salons from 1841 - 51 and was naturalized as a French citizen in 1849, the same year his interests turned to photography. Combining his training in painting with an inquisitive, inventive technical expertise, Baldus produced a body of work of exceptional quality and interest. His subjects included architecture, landscape, and engineering feats. In 1851 the Commission des monuments historiques selected him for the Missions héliographique—a government project that sponsored the photographing of endangered classical and medieval architecture in France. For this important series Baldus produced views of Burgundy, Provence, and the Dauphiné, and the following year he completed a commission for the Ministry of the Interior. In 1855 he began his photography of railroads, some of his most distinctive work. A copy of his album recording the line between Paris and Boulogne was presented to Queen Victoria. He also documented the flooding of the Rhone, as well as construction of the new Louvre and other Paris views. A founding member of the Société héliographique and a member of the Société française de photographie (1857), Baldus exhibited his photographs widely in London, Amsterdam, Edinburgh, Brussels, and Paris and won numerous medals of award. A master printer, he produced combination prints in the early 1850s, frequently retouching his images with pencil and ink. His best work appears most often in specially assembled albums -- such as Les principaux Monuments de la France reproduits en héliogravure par E. Baldus, published in 1875 from plates drawn from earlier negatives. Today, his work continues to be much sought after and to set a standard by which other photographers are judged. T.W.F. --- measurements: Image: 29.5 x 44.7 cm (11 5/8 x 17 5/8 in.); Matted: 50.8 x 61 cm (20 x 24 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Notable Acquisitions opening date: 1991-06-07T04:00:00 Notable Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 15, 1991). title: Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art opening date: 2005-02-26T00:00:00 Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-June 16, 2005). title: Impressionist France: Visions of Nation from Le Gray to Monet opening date: 2013-10-19T00:00:00 Impressionist France: Visions of Nation from Le Gray to Monet. The Nelson-Atkins Museum of Art, Kansas City, MO (organizer) (October 19, 2013-February 9, 2014). --- LEGACY EXHIBITIONS * {'description': 'Ecole Nationale Superieure des Beaux-Arts, October 27 - December 6, 1982: "La Photographie Comme Modele," p. 63, no. 61.', 'opening_date': '1982-10-27T00:00:00'} * {'description': 'CMA, June 7 - September 15, 1991: "Notable Acquisitions," CMA Bulletin, 78 (June 1991), p. 92, repr.', 'opening_date': '1991-06-07T00:00:00'} * {'description': 'Cleveland, Ohio: The Cleveland Museum of Art; February 26 - June 16, 2005 . "Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art".', 'opening_date': '2005-02-26T00:00:00'} * {'description': 'The Nelson-Atkins Museum of Art, Kansas City, MO (10/19/2013 - 2/9/2014): "Impressionist France: Visions of Nation from Le Gray to Monet"', 'opening_date': '2013-10-19T00:00:00'} --- PROVENANCE Alain Paviot, Paris date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Hinson, Tom E. "Notable Acquisitions." The Bulletin of the Cleveland Museum of Art 78, no. 3 (1991): 63-147. page number: Reproduced and Mentioned: p. 92 url: https://www.jstor.org/stable/25161319 Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. page number: Reproduced: P. 91 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1991.35/1991.35_web.jpg print: https://openaccess-cdn.clevelandart.org/1991.35/1991.35_print.jpg full: https://openaccess-cdn.clevelandart.org/1991.35/1991.35_full.tif