id:			156115
accession number:	1991.47.1
share license status:	CC0
url:			https://clevelandart.org/art/1991.47.1
updated:		2023-08-23 23:13:23.899000

Sake Flask, 1500s. Japan, Muromachi period (1392–1573). Black laquered wood with red lacquer; diameter: 24 cm (9 7/16 in.); overall: 30.5 cm (12 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1991.47.1

title:				Sake Flask
title in original language:	
series:				
series in original language:	
creation date:			1500s
creation date earliest:		1500
creation date latest:		1599
current location:		
creditline:			Purchase from the J. H. Wade Fund
copyright:			

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culture:	Japan, Muromachi period (1392–1573)
technique:	Black laquered wood with red lacquer
department:	Japanese Art
collection:	Japanese Art
type:		Lacquer
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Diameter: 24 cm (9 7/16 in.); Overall: 30.5 cm (12 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art
	opening date:   2011-03-27T00:00:00
	<i>The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).

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LEGACY EXHIBITIONS

* Cleveland Museum of Art, 1991: Notable Acquisitions.<br>Cleveland Museum of Art, 1991: The Triumph of Japanese Style: 16th-Century Art in Japan.

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PROVENANCE

	(Tajima Mitsuru, Tokyo, Japan, ?-1991, given to the Cleveland Museum of Art)
	date: ?-1991
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH, 1991-present
	date: 1991-
	footnotes: 	
	citations: 	


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fun fact:
The evocative imagery of brushed leaves and bunches of grapes suggest that the artist referred to a particular painting when decorating this vase.

digital description:
This flask contained rice wine, or sake. Its wood body was shaped by a lathe before black lacquer was applied to the surface. A red lacquer design of grapevines, an auspicious motif, covers the surface. With their numerous, long-lasting fruits, grapevines traditionally symbolized fertility and longevity in East Asia.

wall description:
The grape design painted on these wine flasks reflects the popularity of grapes and wine during the Muromachi period; Japanese Zen clerics enjoyed grapes during this period, and Ichu Tsuzo (1349– 1429) and Saiin Shunsho (1358–1422) wrote poems about their appreciation for other artists’ grape ink paintings. On these wine flasks, the vividly brushed leaves and bunches of grapes suggest that the artisan referred to a particular grape painting.
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RELATED WORKS

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CITATIONS

	Turner, Evan H., et al. “Notable Acquisitions.” <em>The Bulletin of the Cleveland Museum of Art</em>, vol. 78, no. 3, 1991, pp. 63–147.
	page number: 	Reproduced: p. 141
	url:		https://www.jstor.org/stable/25161319

	Cunningham, Michael R. <em>The Triumph of Japanese Style: 16th-Century Art in Japan</em>. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with the Indiana University Press, 1991.
	page number: 	Reproduced: p. 121
	url:		

	Sŏn, Sŭng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland, OH: Cleveland Museum of Art, 2011.
	page number: 	Reproduced: p. 76, cat. no. 74a
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1991.47.1/1991.47.1_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1991.47.1/1991.47.1_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1991.47.1/1991.47.1_full.tif