{
    "data": {
        "id": 156183,
        "accession_number": "1992.1",
        "share_license_status": "CC0",
        "tombstone": "Summer Mountains (after Dong Yuan [active c. 937\u201375]), 1290\u20131354. Attributed to Huang Gongwang (Chinese, 1269\u20131354). Hanging scroll; ink and slight color on silk; image: 131.7 x 55.6 cm (51 7/8 x 21 7/8 in.); overall: 257.4 x 71.2 cm (101 5/16 x 28 1/16 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Bequest, by exchange, and Mr. and Mrs. William H. Marlatt Fund, 1992.1",
        "current_location": null,
        "title": "Summer Mountains (after Dong Yuan [active c. 937\u201375])",
        "creation_date": "1290\u20131354",
        "creation_date_earliest": 1290,
        "creation_date_latest": 1354,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Yuan dynasty (1271-1368)"
        ],
        "technique": "hanging scroll; ink and slight color on silk",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Hanging scroll",
        "type": "Painting",
        "measurements": "Image: 131.7 x 55.6 cm (51 7/8 x 21 7/8 in.); Overall: 257.4 x 71.2 cm (101 5/16 x 28 1/16 in.)",
        "dimensions": {
            "image": {
                "height": 1.317,
                "width": 0.556
            },
            "overall": {
                "height": 2.574,
                "width": 0.712
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "",
                "inscription_translation": "Yifeng dao ren [Huang Gongwang] [painted this] in imitation of Beiyuan's [Dong Yuan's] \"[missing character] Mountains\"",
                "inscription_remark": null,
                "sortorder": 1
            },
            {
                "inscription": null,
                "inscription_translation": "On the 16th, in 1599, I traded Cao Fenzhi for this. Now, in 1600, also on the 16th, I have rehung the scroll to study it. Qichang.",
                "inscription_remark": "Inscription formerly on the paintings' mounting by Dong Qichang \u8463\u5176\u660c (1555\u20131636)",
                "sortorder": 2
            },
            {
                "inscription": "\u3010\u5370\u3011\u4e00\u5cf0\u9053\u4eba",
                "inscription_translation": "Seal of the artist: \"Yifeng dao ren\"",
                "inscription_remark": null,
                "sortorder": 3
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 311552,
                    "title": "Selected Acquisitions",
                    "description": "<i>Selected Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 9-April 11, 1993).",
                    "opening_date": "1993-02-09T05:00:00"
                },
                {
                    "id": 311620,
                    "title": "Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions",
                    "description": "<i>Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 18-December 31, 1994).",
                    "opening_date": "1994-10-18T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Mr. Wei (of Dongyi?)",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on seal on painting, see fig. 45c, p. 337</div>"
                ],
                "date": "1400s?",
                "sortorder": 1
            },
            {
                "description": "Cao Renzhi, to Dong Qichang",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on an inscription by Dong Qichang.</div>"
                ],
                "date": "late 1500s",
                "sortorder": 2
            },
            {
                "description": "Dong Qichang \u8463\u5176\u660c  [1555\u20131636]",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Inscription formerly on the paintings' mounting, see pp. 336\u2013337, and p. 341, footnote 14.</div>"
                ],
                "date": "1599\u2013?",
                "sortorder": 3
            },
            {
                "description": "Wang Shimin \u738b\u6642\u654f [1592\u20131680]",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on copy of painting illustrated in album in Wang Shimin's collection, fig. 46, p. 339.</div>"
                ],
                "date": null,
                "sortorder": 4
            },
            {
                "description": "Geng Zhaozhong [1640\u20131686]",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on seals on painting, see fig. 45d-i, p. 337</div>"
                ],
                "date": null,
                "sortorder": 5
            },
            {
                "description": "Geng Jiazuo [1600s]",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on seal on painting, see fig. 45j, p. 337</div>"
                ],
                "date": "1600s",
                "sortorder": 6
            },
            {
                "description": "An Qi \u5b89\u5c90 [1683\u20131717]",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on seal on painting, see fig. 45k, p. 337</div>"
                ],
                "date": null,
                "sortorder": 7
            },
            {
                "description": "\"Descendant of Wang Hongxu\"",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on seal on painting, see fig. 45L, p. 337</div>"
                ],
                "date": "1700s?",
                "sortorder": 8
            },
            {
                "description": "Wang Baotian [1700s?\u20131800s?]",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1.&nbsp;<br>Ownership history based on seal on painting, see fig. 45m, p. 337</div>"
                ],
                "date": "1700s?\u20131800s?",
                "sortorder": 9
            },
            {
                "description": "Pei JIngfu [1855\u20131926]",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Provenance given by J. Keith Wilson in \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994), p. 336, Table 1, and p. 341, footnote 13.&nbsp;<br>Ownership history based on record in catalogue.</div>"
                ],
                "date": null,
                "sortorder": 10
            },
            {
                "description": "(James J. Freeman, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": [],
                "date": "?\u20131992",
                "sortorder": 11
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1992\u2013",
                "sortorder": 12
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "The wet hills and moist, rich atmosphere evoke the southern Chinese summer, characterized by monsoon rains and lush growth.",
        "description": "This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones. This technique recalls one of the suggestions included in a collection of the artist's writings known as Secrets of Landscape Painting: The most difficult thing in painting is using the ink. The artist begins by using dilute ink and builds it up to the point where it begins to look right, then uses dense, black ink, applied fairly dry, and washes of deeper-toned ink. This technique distinguishes the fields from the paths, the far from the near. Huang Gongwang may have learned this technique from observing nature through the eyes of an earlier master, Dong Yuan, a painter whose style he shared.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60476782"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1992.1-summer-mountains-aft"
            ]
        },
        "citations": [
            {
                "citation": "Turner, Evan H. \"The Year in Review for 1992.\" <em>The Bulletin of the Cleveland Museum of Art</em> 80, no. 2 (February 1993): 38\u201379.",
                "page_number": "Reproduced: p. 38; Mentioned: pp. 42\u201343, 77",
                "url": "https://www.jstor.org/stable/25161388"
            },
            {
                "citation": "\"1993 Annual Report.\" <em>The Bulletin of the Cleveland Museum of Art</em> 81, no. 6 (July 1994): 143\u2013218.",
                "page_number": "Mentioned: p. 155",
                "url": "https://www.jstor.org/stable/25161457"
            },
            {
                "citation": "Wilson, J. Keith, and Anne E. Wardwell. \"New Objects/New Insights: Cleveland's Recent Chinese Acquisitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>81, no. 8 (October 1994): 270\u2013347.",
                "page_number": "Reproduced: p. 334, 336\u2013337; Mentioned: pp. 333\u2013341, 347",
                "url": "https://www.jstor.org/stable/25161465"
            },
            {
                "citation": "Vanderstappen, Harrie A. \"<em>Summer Mountains after Dong Yuan</em> and Hong Gongwang.\" <em>Monumenta Serica</em>. <em>Journal of Oriental Studies</em>, no. 42 (December 1994), pp. 309\u2013328\u000f.",
                "page_number": "",
                "url": "http://www.jstor.org/stable/40727021"
            },
            {
                "citation": "Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. <em>Masterworks of Asian Art</em>. Cleveland, OH: The Cleveland Museum of Art, 1998.",
                "page_number": "Mentioned and Reproduced: pp. 72\u201373",
                "url": ""
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