{
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        "accession_number": "1992.115",
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        "tombstone": "The Parable of the Tribute Money, c. 1580\u20131600. Master of the Egmont Albums (Netherlandish, 1480-1620). Pen and brown ink, traces of pen and black ink and black chalk, on paper; framing lines in brown ink; sheet: 27.2 x 35.4 cm (10 11/16 x 13 15/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1992.115",
        "current_location": null,
        "title": "The Parable of the Tribute Money",
        "creation_date": "c. 1580\u20131600",
        "creation_date_earliest": 1580,
        "creation_date_latest": 1600,
        "artists_tags": [
            "gender unknown"
        ],
        "culture": [
            "Netherlands, late 16th Century"
        ],
        "technique": "Pen and brown ink, traces of pen and black ink and black chalk, on paper; framing lines in brown ink",
        "support_materials": [
            {
                "description": "cream(3) laid paper",
                "watermarks": []
            }
        ],
        "department": "Drawings",
        "collection": "DR - Dutch",
        "type": "Drawing",
        "measurements": "Sheet: 27.2 x 35.4 cm (10 11/16 x 13 15/16 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.272,
                "height_inch": 10,
                "height_inch_fraction": 0.6875,
                "width": 0.354,
                "width_inch": 13,
                "width_inch_fraction": 0.9375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "falsely signed, lower right, in brown ink: Hans van Aken fecit. [abraded, visible under UV] ; VERSO, right center, in graphite: 259 ; lower left, in graphite: 641 M. 244 / (1V7) ; lower left, in graphite: PMG ; lower right, in graphite: 2063 [circled] ; lower right, in graphite: [illegible] [partially erased] ; lower right, in graphite: [illegible] [partially erased] ; lower right, in graphite: 239. ; lower right, in graphite: 53 [crossed out]",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 311552,
                    "title": "Selected Acquisitions",
                    "description": "<i>Selected Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 9-April 11, 1993).",
                    "opening_date": "1993-02-09T05:00:00"
                },
                {
                    "id": 440585,
                    "title": "Tales of the City: Drawing in the Netherlands from Bosch to Bruegel",
                    "description": "<i>Tales of the City: Drawing in the Netherlands from Bosch to Bruegel</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (October 9, 2022-January 8, 2023).",
                    "opening_date": "2022-10-09T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Private collection, Germany (unidentified collector's mark: PMG (not in Lugt)",
                "citations": [],
                "footnotes": null,
                "date": "?-1992",
                "sortorder": null
            },
            {
                "description": "with Thomas Le Claire Kunsthandel, Hamburg, 1992",
                "citations": [],
                "footnotes": null,
                "date": "1992",
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1992",
                "sortorder": 3
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "The pose of the kneeling man and the decoration of the door surround in this drawing are both based on details in a woodcut made earlier in the century by the German artist Albrecht D\u00fcrer.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "The New Testament parable of the tribute money addresses the division between worldly and divine power. Here, the artist depicted Christ in the center of a civic square with one hand pointing toward a king wearing a crown and an ermine robe and the other toward God above. Encouraged by Christ\u2019s words to show each authority its due, the crowd shows deference to both the king and God via facial expression, pose, and gesture. Parables were enduringly popular on prints, stained glass, and decorative objects for their relevance to the issues and choices made by everyday citizens.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79945371"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1992.115-the-parable-of-the-t"
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        },
        "citations": [
            {
                "citation": "Thomas Le Claire Kunsthandel <em>VIII: Master Drawings 1500-1900,</em> exh. cat. by Thomas Le Claire (New York, 1992).",
                "page_number": "cat. no. 8",
                "url": ""
            },
            {
                "citation": "Turner, Evan. \"The Year in Review for 1992.\" <em>Bulletin of the Cleveland Museum of Art</em> 80, no. 2 (February 1993): 38-79.",
                "page_number": "Mentioned: p.73, no. 249",
                "url": "http://www.jstor.org/stable/25161388"
            },
            {
                "citation": "Dunbar, Burton L., and Edward J. Olszewski (Beraldi). <em>Drawings in Midwestern Collections: A Corpus.</em> Columbia: University of Missouri Press, 1996.",
                "page_number": "53-54, no. 32",
                "url": ""
            },
            {
                "citation": "Peters, Emily J., Laura Ritter, William Griswold, Klaus Albrecht Schro\u0308der, and Koenraad Jonckheere. Tales of the City: Drawing in the Netherlands from Bosch to Bruegel. Cleveland, OH : Cleveland Museum of Art, 2022.",
                "page_number": "Mentioned and reproduced: pp. 251-252, no. 79",
                "url": ""
            }
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                "description": "Master of the Egmont Albums (Netherlandish, 1480-1620)",
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        "alternate_titles": [
            "The Parable of the Tribute Money: Render to Caesar What Belongs to Caesar and to God What Belongs to God"
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        "updated_at": "2026-05-29 08:07:49.772000"
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}