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"tombstone": "Animal Locomotion: Emptying a Bucket of Water, 1887. Eadweard J. Muybridge (American, 1830\u20131904). Collotype; image: 22.5 x 34 cm (8 7/8 x 13 3/8 in.); paper: 47.4 x 60.4 cm (18 11/16 x 23 3/4 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Gift of Laurence Miller Gallery, New York, in honor of Evan H. Turner, 1992.220",
"current_location": null,
"title": "Emptying a Bucket of Water",
"series": "Animal Locomotion",
"creation_date": "1887",
"creation_date_earliest": 1887,
"creation_date_latest": 1887,
"artists_tags": [
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"culture": [
"America"
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"technique": "collotype",
"support_materials": [],
"department": "Photography",
"collection": "PH - American 19th Century",
"type": "Photograph",
"measurements": "Image: 22.5 x 34 cm (8 7/8 x 13 3/8 in.); Paper: 47.4 x 60.4 cm (18 11/16 x 23 3/4 in.); Matted: 50.8 x 61 cm (20 x 24 in.)",
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"id": 311486,
"title": "Signs of Affection: Gifts Honoring the Museum's 75th Anniversary",
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{
"id": 181802,
"title": "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art",
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{
"id": 194095,
"title": "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art",
"description": "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007).",
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{
"id": 455214,
"title": "Photographs in Ink",
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"description": "CMA, October 27, 1992 - January 3, 1993: \"Signs of Affection: Gifts Honoring the Museum's Seventy-Fifth Anniversary,\" CMA Bulletin, 80 (February 1993), p. 69, no. 116.",
"opening_date": "1992-10-27T00:00:00"
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{
"description": "\"CMA Annual Report, 1992\" (Cleveland, CMA, 1993) p. 228 repr.",
"opening_date": "1992-01-01T00:00:00"
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"description": "MOCA Cleveland (6/9/2006 - 8/20/2006): \"The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art\", no. 45, p. 118, repr. p. 60.",
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"description": "Eadweard J. Muybridge initially used horses to capture motion as separate slices of time faster than the human eye could perceive them, then moved on to study other animal and human movements. Everyday activities, like emptying a bucket of water, were broken down and sequenced back-to-back. This series was commissioned by the University of Pennsylvania and intended to diagnose dysfunction in human movement by allowing each consecutive action to be studied in isolation. The university\u2019s desire for distribution called for the use of collotype. The process had been recently improved to the point where editions of up to 1,000 were possible, making it an attractive option for publishers.",
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"citation": "Muybridge, Eadweard. Muybridge's Complete Human and Animal Locomotion: All 781 Plates from the 1887 Animal Locomotion by Eadweard Muybridge. 1979.",
"page_number": "pl. 403",
"url": null
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{
"citation": "Turner, Evan H. \u201cThe Year in Review for 1992.\u201d The Bulletin of the Cleveland Museum of Art 80, no. 2 (February 1993): 38\u201379.",
"page_number": "Mentioned: p. 69",
"url": "http://www.jstor.org/stable/25161388"
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{
"citation": "\"1992 Annual Report.\" The Bulletin of the Cleveland Museum of Art 80, no. 6 (1993): 215-295.",
"page_number": "Reproduced: p. 228",
"url": "https://www.jstor.org/stable/25161418"
},
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 250",
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}
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"description": "Eadweard J. Muybridge (American, 1830\u20131904)",
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"biography": "Eadweard J. Muybridge (Edward James Muggeridge) American, b. England, 1830-1904\r\n\r\nAround 1852 Edward James Muggeridge, born in Kingston-on-Thames in Surrey, immigrated to California and by 1856 had established himself in the book business in San Francisco. He learned the art of photography in 1867, possibly from his friend Silas Selleck. Soon after, he emerged as the \"artist-photographer\" Eadweard Muybridge. Also known as \"Helios,\" the proprietor of a mobile photo wagon called the Flying Studio, he became associated with Selleck's cosmopolitan gallery.\r\n\tMuybridge was one of the best early western landscape photographers. His work included a coastal survey for the U.S. government, as well as topographical, landscape, and portrait photographs made from Alaska to Central America. His large wet plate views of Yosemite rank with those of Carleton Watkins as among the finest ever taken, and his multiprint panoramas of San Francisco are highly prized.\r\n\tIn 1872 Muybridge began the experimental study that occupied him for the remainder of his life and for which he is best known. It stemmed from a commission by former California governor Leland Stanford, Jr., who asked him to capture photographically the movement of a galloping horse. Muybridge quickly became a renowned lecturer and authority on the photography of motion, developing one of the first camera shutters in 1869 and the zoogyroscope (an early machine for projecting pictures that appeared to move) in 1880. His work contributed to the development of the motion picture.\r\n\tMuybridge continued his investigations for three years at the University of Pennsylvania (1883-86) and in 1887 published the result of some 15 years of accumulated research in the 11 volumes of his immense study, Animal Locomotion, which consisted of 19,347 negatives. Muybridge's own stride was broken temporarily by his trial in 1874 for the murder of his wife's lover, a charge that he acknowledged but of which he was acquitted. T.W.F.",
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"updated_at": "2026-03-26 23:59:07.638000"
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