id: 156534
accession number: 1992.244
share license status: CC0
url: https://clevelandart.org/art/1992.244
updated: 2024-03-26 02:00:14.598000
The Ramesseum, Thebes, 1869. Adolphe Braun (French, 1812–1877). Albumen print from wet collodion negative; image: 19.7 x 24.8 cm (7 3/4 x 9 3/4 in.); framed: 53.7 x 64.1 cm (21 1/8 x 25 1/4 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Seventy-fifth anniversary gift of Dr. and Mrs. Jerald S. Brodkey in honor of Brenda and Evan Turner 1992.244
title: The Ramesseum, Thebes
title in original language:
series:
series in original language:
creation date: 1869
creation date earliest: 1869
creation date latest: 1869
current location:
creditline: Seventy-fifth anniversary gift of Dr. and Mrs. Jerald S. Brodkey in honor of Brenda and Evan Turner
copyright:
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culture: France, 19th century
technique: albumen print from wet collodion negative
department: Photography
collection: Photography
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Adolphe Braun (French, 1812–1877) - artist
Adolphe Braun French, 1812-1877
Adolphe Braun, a French textile designer born in Besançon and trained in Paris, opened his own studio in Dornach, Alsace, before becoming involved in photography in the early 1850s. He produced several early floral textile designs that were published as lithographs. In 1853 Braun began work on a large album of some 300 photographic still-life studies of flowers, intended as aids for artists in the field of decorative arts. The work met with such success at the 1855 Exposition Universelle in Paris that he left the field of design for photography. Braun's carefully executed still lifes are considered to be among the finest ever done.
From the mid-1850s on, Braun's firm, Adolphe Braun et Cie., later headed by his son Gaston (1845–1928), became one of the world's largest studios and publishers of topographical views and of reproductions of works of art. In the latter effort, their importance was in part due to Gaston's success with the orthochromatic process, in which photographic reproductions retained a tonal range very close to that of the original work of art. Braun et Cie. were the official photographers to Napoléon III and Pope Pius IX. Their reproductions of works in the Louvre, the Sistine Chapel, and many other subjects in architecture, sculpture, painting, and drawing, sometimes using the more permanent carbon or Woodburytype processes, were offered in all sizes and formats, and became the standard in their field. The number of negatives taken by the Brauns or their operators was variously estimated in 1870 to be between 4,000 and 8,000. The Brauns were members of the Société française de photographie. Both were awarded the French Legion of Honor-Adolphe in 1860, and Gaston in 1892. T.W.F.
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measurements: Image: 19.7 x 24.8 cm (7 3/4 x 9 3/4 in.); Framed: 53.7 x 64.1 cm (21 1/8 x 25 1/4 in.); Matted: 50.8 x 61 cm (20 x 24 in.)
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inscriptions:
inscription: Written in black marker on verso: "P-33-83"; in pencil: "WO [rest torn off] / 3.00"
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remark:
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CURRENT EXHIBITIONS
title: Legacy of Light: Seven Masters in Depth
opening date: 1996-11-20T05:00:00
Legacy of Light: Seven Masters in Depth. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20-February 2, 1996).
title: Image and Enterprise: The Photographs of Adolphe Braun
opening date: 2000-02-04T05:00:00
Image and Enterprise: The Photographs of Adolphe Braun. Rhode Island School of Design (February 4-April 22, 2000); The Cleveland Museum of Art, Cleveland, OH (June 18-August 27, 2000).
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LEGACY EXHIBITIONS
* {'description': 'CMA, May 19 - September 6, 1992: "Nineteenth Century Views of Egypt," no exhibition catalogue.', 'opening_date': '1992-05-19T00:00:00'}
* {'description': '"1992 Annual Report," CMA Bulletin, 80 (July 1993), repr. p. 219.', 'opening_date': '1993-07-01T00:00:00'}
* {'description': 'CMA, November 20,1996 - February 2, 1997: "Legacy of Light: Seven Masters in Depth."', 'opening_date': '1997-02-02T00:00:00'}
* {'description': 'Providence, RI: Museum of Art, Rhode Island School of Design (2/4/00 - 4/22/00); CMA (6/18/00 - 8/27/2000). "Image and Enterprise: The Photographs of Adolphe Braun" cat. no. 86, p. 151.', 'opening_date': '2000-02-04T00:00:00'}
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PROVENANCE
Bates and Isabel Lowry
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RELATED WORKS
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CITATIONS
Turner, Evan H. "The Year in Review for 1992." The Bulletin of the Cleveland Museum of Art 80, no. 2 (1993): 38-79.
page number: Mentioned: p. 46, 68
url: https://www.jstor.org/stable/25161388
"1992 Annual Report." The Bulletin of the Cleveland Museum of Art 80, no. 6 (1993): 215-95.
page number: Reproduced: p. 219
url: https://www.jstor.org/stable/25161418
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 111
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1992.244/1992.244_web.jpg
print: https://openaccess-cdn.clevelandart.org/1992.244/1992.244_print.jpg
full: https://openaccess-cdn.clevelandart.org/1992.244/1992.244_full.tif