id:			156611
accession number:	1992.311
share license status:	CC0
url:			https://clevelandart.org/art/1992.311
updated:		2025-02-09 04:51:54.912000

Old London: St. Bartholomews: The Green Churchyard on the Site of the Old South Transept, 1877. Alfred H. Bool (British), The Society for Photographing the Relics of Old London, and John Bool (British). Carbon print; image: 23.7 x 18.3 cm (9 5/16 x 7 3/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Gift of Russ Anderson 1992.311

title:				St. Bartholomews: The Green Churchyard on the Site of the Old South Transept
title in original language:	
series:				Old London
series in original language:	
creation date:			1877
creation date earliest:		1877
creation date latest:		1877
current location:		
creditline:			Gift of Russ Anderson
copyright:			

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culture:	England, 19th century
technique:	carbon print
department:	Photography
collection:	PH - British 19th Century
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Alfred H. Bool (British)  - artist
Alfred H. Bool British, active 1870-1878; and John Bool British, active 1870-1908

Alfred Bool and his son John, principals of the London photography firm A. & J. Bool, are best known for their work for the Society for Photographing Relics of Old London. Along with the father-and-son team of Henry and T. J. Dixon, they were responsible for the society's photographic publication-numbering 124 images of historic architecture, often with commentary-which was produced in fascicles from 1875-86. The Bools produced only the first 24, photographed between 1875 and 1878. Throughout the 1870s they participated in the annual exhibitions of the Photographic Society of Great Britain. T.W.F.
* The Society for Photographing the Relics of Old London  - publisher

* John Bool (British)  - artist
Alfred H. Bool British, active 1870-1878; and John Bool British, active 1870-1908

Alfred Bool and his son John, principals of the London photography firm A. & J. Bool, are best known for their work for the Society for Photographing Relics of Old London. Along with the father-and-son team of Henry and T. J. Dixon, they were responsible for the society's photographic publication-numbering 124 images of historic architecture, often with commentary-which was produced in fascicles from 1875-86. The Bools produced only the first 24, photographed between 1875 and 1878. Throughout the 1870s they participated in the annual exhibitions of the Photographic Society of Great Britain. T.W.F.
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measurements: Image: 23.7 x 18.3 cm (9 5/16 x 7 3/16 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Russ Anderson, Perspective Fine Art, Soquel, CA
	date: 
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: February 17, 1993
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:

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RELATED WORKS

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CITATIONS

	Turner, Evan H. “The Year in Review for 1992.” <em>The Bulletin of the Cleveland Museum of Art</em> 80, no. 2 (February 1993): 38–79.
	page number: 	Mentioned: p. 68
	url:		http://www.jstor.org/stable/25161388

	Cleveland Museum of Art, Tom E Hinson. <em>Catalogue of Photography</em>. Cleveland, OH: Cleveland Museum of Art, 1996.
	page number: 	Reproduced: P. 100
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1992.311/1992.311_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1992.311/1992.311_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1992.311/1992.311_full.tif