{
"data": {
"id": 156629,
"accession_number": "1992.328",
"share_license_status": "Copyrighted",
"tombstone": "Harbor Traffic, San Pedro, 1929. Karl F. Struss (American, 1886\u20131981). Gelatin silver print, silver bromide; image: 32.9 x 26 cm (12 15/16 x 10 1/4 in.); paper: 34.4 x 27.4 cm (13 9/16 x 10 13/16 in.); matted: 55.9 x 45.7 cm (22 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund, 1992.328. \u00a9 Karl Struss",
"current_location": null,
"title": "Harbor Traffic, San Pedro",
"creation_date": "1929",
"creation_date_earliest": 1929,
"creation_date_latest": 1929,
"artists_tags": [
"male"
],
"culture": [
"America"
],
"technique": "gelatin silver print, silver bromide",
"support_materials": [],
"department": "Photography",
"collection": "PH - American 1900-1950",
"type": "Photograph",
"measurements": "Image: 32.9 x 26 cm (12 15/16 x 10 1/4 in.); Paper: 34.4 x 27.4 cm (13 9/16 x 10 13/16 in.); Matted: 55.9 x 45.7 cm (22 x 18 in.)",
"dimensions": {
"image": {
"height": 0.329,
"height_inch": 12,
"height_inch_fraction": 0.9375,
"width": 0.26,
"width_inch": 10,
"width_inch_fraction": 0.25
},
"paper": {
"height": 0.344,
"height_inch": 13,
"height_inch_fraction": 0.5625,
"width": 0.274,
"width_inch": 10,
"width_inch_fraction": 0.8125
},
"matted": {
"height": 0.559,
"height_inch": 22,
"height_inch_fraction": 0.0,
"width": 0.457,
"width_inch": 18,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": "\u00a9 Karl Struss",
"inscriptions": [
{
"inscription": "Written in pencil on recto: \"Karl Struss [signed]\"; in pencil on verso: \"#3\"; \"10\"; \"Harbor Traffic. / San Pedro / not to be reproduced\"\r\n",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 311552,
"title": "Selected Acquisitions",
"description": "Selected Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 9-April 11, 1993).",
"opening_date": "1993-02-09T05:00:00"
}
],
"legacy": [
{
"description": "CMA, January 28 - March 15, 1992: \"Selected Acquisitions,\" CMA Bulletin, 80 (February 1993), p. 69, no. 127.",
"opening_date": "1992-01-28T00:00:00"
}
]
},
"provenance": [
{
"description": "Craig Rhea (the artist's grandson)",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
},
{
"description": "Craig Rhea (the artist's grandson)",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79946243"
],
"internet_archive": []
},
"citations": [
{
"citation": "Turner, Evan H. \u201cThe Year in Review for 1992.\u201d The Bulletin of the Cleveland Museum of Art 80, no. 2 (February 1993): 38\u201379.",
"page_number": "Mentioned: p. 69",
"url": "http://www.jstor.org/stable/25161388"
},
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 347",
"url": ""
}
],
"url": "https://clevelandart.org/art/1992.328",
"images": {},
"alternate_images": [],
"creditline": "John L. Severance Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 156629,
"creators": [
{
"id": 970,
"description": "Karl F. Struss (American, 1886\u20131981)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Karl F. Struss American, 1886-1981\r\n\r\nBorn and raised in New York City, Karl Fischer Struss was an important early pictorialist and a cofounder of the Pictorial Photographers of America. He was also a member of the Photo-Secession, publishing his works in Camera Work (April 1912), and a photographer for publications such as Vogue, Vanity Fair, and Harper's Bazaar.\r\n\tA student of Clarence H. White, Struss was influenced by both White and Alvin Langdon Coburn. He developed his own style, however, an elegant synthesis of random qualities with formal composition. Struss experimented with various technical processes. He developed multiple platinum printing to enhance the depth of shadows and in 1909 designed the Struss Pictorial lens, which entered commercial production in 1915.\r\n\tShortly after the First World War, Struss moved to Hollywood, where he became a successful cinematographer. He worked first for Cecil B. De Mille and later freelanced for both independent and major studios until his retirement in 1970. Among his film credits are Ben Hur (1926), Dr. Jekyll and Mr. Hyde (1932), and the Chaplin classics The Great Dictator (1940) and Limelight (1952). In 1928 Struss received an Academy Award for his work on De Mille's film Sunrise. T.W.F.",
"name_in_original_language": null,
"birth_year": "1886",
"death_year": "1981",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1993-02-17T00:00:00",
"sortable_date": 1929,
"date_added_to_oa": null,
"date_text": "1929",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-03 14:22:41.269000"
}
}