id:			156636
accession number:	1992.334
share license status:	Copyrighted
url:			https://clevelandart.org/art/1992.334
updated:		2024-03-26 02:00:15.162000

Robinson Jeffers (with Pipe), 1933. Edward Weston (American, 1886–1958). Vintage gelatin silver print; image: 23.6 x 18.6 cm (9 5/16 x 7 5/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Bequest of Lockwood Thompson 1992.334 ©  Center for Creative Photography, Arizona Board of Regents / Artists Rights Society (ARS), New York

title:				Robinson Jeffers (with Pipe)
title in original language:	
series:				
series in original language:	
creation date:			1933
creation date earliest:		1933
creation date latest:		1933
current location:		
creditline:			Bequest of Lockwood Thompson
copyright:			©  Center for Creative Photography, Arizona Board of Regents / Artists Rights Society (ARS), New York

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culture:	America, 20th century
technique:	Vintage gelatin silver print
department:	Photography
collection:	PH - American 1900-1950
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Edward Weston (American, 1886–1958)  - artist
Edward Weston American, 1886-1958 Edward Weston was one of the most influential proponents of straight photography in America. Born in Highland Park, Illinois, he made his first photographs in 1902 with a Kodak camera given to him by his father. Four years later he settled in California, supporting himself as a portrait photographer. After attending the Illinois College of Photography, he opened a studio in Tropico (now Glendale), California, in 1911. Initially, Weston made photographs in the soft-focus pictorial style. In the early 1920s, however, his work began to become more sharply focused, with a greater emphasis on form and composition. Among the earliest examples of this new approach are his 1922 photographs of the Armco steel mill in Middletown, Ohio. Over the next few years he continued to experiment with this new style, working in Mexico and then San Francisco. A master of lighting and composition, Weston began a series of closeup studies of shells and vegetables in 1927, creating the clearly focused, detailed images for which he became famous. In 1932 Weston joined Ansel Adams, Willard Van Dyke, Imogen Cunningham, and others in founding Group f/64, which advocated straight, unmanipulated photography. Five years later he received the first fellowship awarded to a photographer by the John Simon Guggenheim Memorial Foundation. The fellowship was renewed in 1938 and allowed Weston to travel and photograph throughout California and the western United States. Working slowly and methodically with large-format cameras, Weston continued to produce sharply focused contact prints until 1948, when Parkinson's disease forced him to give up photography. In subsequent years Weston's sons, Brett and Cole, worked under his supervision to make prints from his negatives. M.M.
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measurements: Image: 23.6 x 18.6 cm (9 5/16 x 7 5/16 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)
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support materials:


inscriptions:

	inscription:	Written in pencil on recto of mount: "Edward Weston [signed] 1933'; written in ink by Jeffers to Lockwood Thompson: "Inscribed for Lockwood Thompson, / with particular pleasure in remembering his visit here. / Sincerely, Robinson Jeffers. / Tor House, Carmel, California. / November 1933"; in pencil on verso: "Z 496-E / 189 [8?]as is"
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Lockwood Thompson
	date: 
	footnotes: 	
	citations: 	


	Robinson Jeffers, Carmel, CA
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	footnotes: 	
	citations: 	


	Robinson Jeffers, Carmel, CA; Lockwood Thompson
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RELATED WORKS

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CITATIONS

	Cleveland Museum of Art, Tom E Hinson. <em>Catalogue of Photography</em>. Cleveland, OH: Cleveland Museum of Art, 1996.
	page number: 	Reproduced: P. 375
	url:		

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IMAGES