id:			156751
accession number:	1992.349.2
share license status:	CC0
url:			https://clevelandart.org/art/1992.349.2
updated:		2023-08-26 11:09:38.440000

Pair of Boots, 1000 – 1125. China, Northern, Liao dynasty (907-1125). Compound twill, silk; tapestry, silk and gold; tabby, silk; gauze, silk; silk batting; leather; overall: 32.8 x 25 cm (12 15/16 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1992.349.2

title:				Pair of Boots
title in original language:	
series:				
series in original language:	
creation date:			1000 – 1125
creation date earliest:		1000
creation date latest:		1125
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	China, Northern, Liao dynasty (907-1125)
technique:	compound twill, silk; tapestry, silk and gold; tabby, silk; gauze, silk; silk batting; leather
department:	Textiles
collection:	Textiles
type:		Garment
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 32.8 x 25 cm (12 15/16 x 9 13/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		When Silk Was Gold: Central Asian & Chinese Textiles from the Cleveland and Metropolitan Museums of Art
	opening date:   1997-10-19T00:00:00
	<i>When Silk Was Gold: Central Asian & Chinese Textiles from the Cleveland and Metropolitan Museums of Art</i>. The Cleveland Museum of Art, Cleveland, OH (October 26, 1997-January 4, 1998); The Cleveland Museum of Art, Cleveland, OH (October 26, 1997-January 4, 1998); The Metropolitan Museum of Art (organizer) (March 2-May 17, 1998); The Metropolitan Museum of Art (organizer) (March 2-May 17, 1998).

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LEGACY EXHIBITIONS

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PROVENANCE

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fun fact:


digital description:


wall description:
The fabric and tailoring of garments have always defined social status. For these boots, different outer fabrics were used: a patterned silk for the leg portion, and tapestry (<em>kesi</em>) for the foot. Since both were considered luxury fabrics, they were pieced together from remnants too precious to discard. Consequently, the silk pattern was not used in relation to the form of the boot. By contrast, these boots would have been made for a court official, not a member of the imperial family. The patterned silk was woven with geese flanking a vase of flowers on a stand and surrounded by cloud scrolls. The Chinese motif of flowers arranged in a vase was adopted by the Liao during the 11th century and indicates an 11th- or early 12th-century date for the boots.
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RELATED WORKS

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CITATIONS

	Watt, James C. Y, Anne E Wardwell, Anne E Wardwell, Morris Rossabi, Cleveland Museum of Art, Metropolitan Museum of Art (New York, N.Y.), Morris Rossabi, Cleveland Museum of Art, and Metropolitan Museum of Art (New York, N.Y.). <em>When Silk Was Gold: Central Asian and Chinese Textiles</em>. New York: Metropolitan Museum of Art in cooperation with the Cleveland Museum of Art, 1997.
	page number: 	Mentioned and reproduced: P. 46-48, no. 10
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1992.349.2/1992.349.2_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1992.349.2/1992.349.2_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1992.349.2/1992.349.2_full.tif