{
    "data": {
        "id": 156865,
        "accession_number": "1992.77.1",
        "share_license_status": "CC0",
        "tombstone": "Minamoto no Nakakuni Visits Lady Kog\u014d (\u6e90\u4ef2\u56fd\u8a2a\u5c0f\u7763\u5c40\u56f3), late 1600s. Kiyohara Yukinobu (Japanese, 1643\u20131682). One of a triptych of hanging scrolls; ink and color on silk; painting only: 95 x 41 cm (37 3/8 x 16 1/8 in.); including mounting: 180 x 59.4 cm (70 7/8 x 23 3/8 in.). The Cleveland Museum of Art, Bequest of Harley C. Lee and Elizabeth K. Lee, 1992.77.1",
        "current_location": null,
        "title": "Minamoto no Nakakuni Visits Lady Kog\u014d",
        "title_in_original_language": "\u6e90\u4ef2\u56fd\u8a2a\u5c0f\u7763\u5c40\u56f3",
        "creation_date": "late 1600s",
        "creation_date_earliest": 1670,
        "creation_date_latest": 1682,
        "artists_tags": [
            "female"
        ],
        "culture": [
            "Japan, Edo period (1615\u20131868)"
        ],
        "technique": "One of a triptych of hanging scrolls; ink and color on silk",
        "support_materials": [],
        "department": "Japanese Art",
        "collection": "ASIAN - Hanging scroll",
        "type": "Painting",
        "measurements": "Painting only: 95 x 41 cm (37 3/8 x 16 1/8 in.); Including mounting: 180 x 59.4 cm (70 7/8 x 23 3/8 in.)",
        "dimensions": {
            "painting only": {
                "height": 0.95,
                "height_inch": 37,
                "height_inch_fraction": 0.375,
                "width": 0.41,
                "width_inch": 16,
                "width_inch_fraction": 0.125
            },
            "including mounting": {
                "height": 1.8,
                "height_inch": 70,
                "height_inch_fraction": 0.875,
                "width": 0.594,
                "width_inch": 23,
                "width_inch_fraction": 0.375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "\u6b3e\u8a18\u300c\u6e05\u539f\u6c0f\u5973\u96ea\u4fe1\u7b46\u300d/\u300c\u6e05\u539f\u5973\u300d\u6731\u6587\u516b\u89d2\u5370",
                "inscription_translation": "Brushed by the woman Yukinobu of the surname Kiyohara/ sealed: the woman Kiyohara (eight-pointed, red)",
                "inscription_remark": null,
                "sortorder": 1
            }
        ],
        "exhibitions": {
            "current": [],
            "legacy": [
                {
                    "description": "<em>Main Asian Rotation (Gallery 121)</em>. The Cleveland Museum of Art, Cleveland, OH (March 10-July 16, 2003).",
                    "opening_date": "2003-03-10T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Harley Lee, Cleveland, OH, bequest to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": null,
                "date": "?\u20131992",
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1992\u2013",
                "sortorder": 2
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "This central painting from a triptych presents an episode from <em>The Tale of the Heike</em> in which Minamoto no Nakakuni is sent by the emperor to look for Lady Kog\u014d.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Kiyohara Yukinobu was one of Japan's earliest and most talented female painters. Kiyohara preferred Japanese style painting techniques and subjects. Her work depicts the scenery and history of her native land. In addition to the tonalities of ink, she applied a delicate range of colors. These help identify the seasons, an important theme in Japanese life and culture.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60476940"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1992.77.1-minamoto-no-nakakuni"
            ]
        },
        "citations": [
            {
                "citation": "Turner, Evan H. \u201cThe Year in Review for 1992.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 80, no. 2 (February 1993): 38\u201379.",
                "page_number": "Mentioned: p. 78",
                "url": "http://www.jstor.org/stable/25161388"
            }
        ],
        "url": "https://clevelandart.org/art/1992.77.1",
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        "creditline": "Bequest of Harley C. Lee and Elizabeth K. Lee",
        "image_credit": null,
        "sketchfab_id": null,
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        "gallery_donor_text": null,
        "athena_id": 156865,
        "creators": [
            {
                "id": 35707,
                "description": "Kiyohara Yukinobu (Japanese, 1643\u20131682)",
                "extent": null,
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                "role": "artist",
                "biography": "Kiyohara Yukinobu (\u6e05\u539f \u96ea\u4fe1, 1643\u20131682) was a Japanese painter and one of the foremost women identified with the Kan\u014d school.",
                "name_in_original_language": "\u6e05\u539f \u96ea\u4fe1",
                "birth_year": "1643",
                "death_year": "1682",
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        "legal_status": "accessioned",
        "accession_date": "1992-05-18T00:00:00",
        "sortable_date": 1670,
        "date_added_to_oa": null,
        "date_text": "late 1600s",
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        "cover_accession_number": "1992.77",
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [
            "The Poetess Kogo"
        ],
        "is_highlight": false,
        "updated_at": "2026-05-29 08:09:45.823000"
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}