id: 156953 accession number: 1993.113 share license status: Copyrighted url: https://clevelandart.org/art/1993.113 updated: 2022-03-12 10:01:00.479000 Vase, c. 1925. Tiffany Studios (American, New York, 1902–1932). Favrile glass; overall: 27.3 x 14.8 cm (10 3/4 x 5 13/16 in.). The Cleveland Museum of Art, Gift of the Trenkamp family in memory of Elizabeth Trenkamp 1993.113 title: Vase title in original language: series: series in original language: creation date: c. 1925 creation date earliest: 1920 creation date latest: 1930 current location: creditline: Gift of the Trenkamp family in memory of Elizabeth Trenkamp copyright: --- culture: America, New York, 20th century technique: favrile glass department: Decorative Art and Design collection: Decorative Arts type: Glass find spot: catalogue raisonne: --- CREATORS * Tiffany Studios (American, New York, 1902–1932) - maker American jewelry and glass manufactory, 1902-1932 --- measurements: Overall: 27.3 x 14.8 cm (10 3/4 x 5 13/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: Vases in the shapes of exotic floral forms were among the most popular of Louis Comfort Tiffany's designs in glass. digital description: When Louis Comfort Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were finally realized in the development of Favrile glass, a term he created to imply “handmade.” Largely through his marketing ability, Favrile glass became America’s greatest contribution to the Art Nouveau style. His works were exhibited at international expositions; at galleries in major European cities, where his creations were bought by many museums; and in his store in Manhattan, known as the Tiffany Glass and Decorating Co., later Tiffany Studios. From the outset, Tiffany used Favrile glass in mosaic panels, stained glass windows, and his artistic line of table and floor lamps. wall description: When Louis Comfort Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were finally realized in the development of Favrile glass, a term he created to imply “handmade.” Largely through his marketing ability, Favrile glass became America’s greatest contribution to the Art Nouveau style. His works were exhibited at international expositions; at galleries in major European cities, where his creations were bought by many museums; and in his store in Manhattan, known as the Tiffany Glass and Decorating Co., later Tiffany Studios. From the outset, Tiffany used Favrile glass in mosaic panels, stained glass windows, and his artistic line of table and floor lamps. --- RELATED WORKS --- CITATIONS --- IMAGES