{
    "data": {
        "id": 157076,
        "accession_number": "1993.211",
        "share_license_status": "Copyrighted",
        "tombstone": "Mills, c. 1937. Salvatore Pinto (American, 1905\u20131966). Wood engraving. The Cleveland Museum of Art, John L. Severance Fund, 1993.211",
        "current_location": null,
        "title": "Mills",
        "creation_date": "c. 1937",
        "creation_date_earliest": 1932,
        "creation_date_latest": 1942,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "America"
        ],
        "technique": "wood engraving",
        "support_materials": [],
        "department": "Prints",
        "collection": "PR - Wood engraving",
        "type": "Print",
        "dimensions": {},
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 184690,
                    "title": "Against the Grain: Woodcuts from the Collection",
                    "description": "<i>Against the Grain: Woodcuts from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 17-November 9, 2003).",
                    "opening_date": "2003-08-17T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "Wood engraving, which had been used extensively during the 19th century for book and magazine illustration, was revived in the 1930s. Pinto was a master of the technique, creating a rich, luminous field of contrasting textures and rhythms. <em>Mills </em>conveys the artist's fascination with the interlocking patterns and tactile surfaces associated with the complex architectural structures of a growing industrialized society.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79947336"
            ],
            "internet_archive": []
        },
        "citations": [
            {
                "citation": "\u201c1993 Annual Report.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 81, no. 6 (July 1994): 143\u2013218.",
                "page_number": "Mentioned: p. 167",
                "url": "http://www.jstor.org/stable/25161457"
            }
        ],
        "url": "https://clevelandart.org/art/1993.211",
        "images": {},
        "alternate_images": [],
        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 157076,
        "creators": [
            {
                "id": 4474,
                "description": "Salvatore Pinto (American, 1905\u20131966)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1905",
                "death_year": "1966",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1993-12-06T00:00:00",
        "sortable_date": 1932,
        "date_added_to_oa": null,
        "date_text": "c. 1937",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-01 06:51:45.960000"
    }
}