id: 157210 accession number: 1993.94 share license status: CC0 url: https://clevelandart.org/art/1993.94 updated: 2025-02-09 04:57:36.347000 View of Aswan - Along the Nile, c. 1870s - 1880s. Antonio Beato (British, c. 1825–1903). Albumen print from wet collodion negative; image: 20.1 x 24 cm (7 15/16 x 9 7/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Gift of Virginia M. Zabriskie 1993.94 title: View of Aswan - Along the Nile title in original language: series: series in original language: creation date: c. 1870s - 1880s creation date earliest: 1870 creation date latest: 1889 current location: creditline: Gift of Virginia M. Zabriskie copyright: --- culture: England, 19th century technique: albumen print from wet collodion negative department: Photography collection: Photography type: Photograph find spot: catalogue raisonne: --- CREATORS * Antonio Beato (British, c. 1825–1903) - artist Antonio Beato British?, b. Greece, 1834-1903 Antonio Beato, along with his brother Felice (who also became a photographer) and sister Maria Matilde (who later married Scottish photographer James Robertson), was raised in Venice. During their lives, great confusion existed about the two brothers. One often was mistaken for the other, or the two sometimes were thought to be a single person. The confusion persists even today. Antonio worked largely in Egypt (where, French being the dominant language at the time, he was also known as Antoine), establishing studios first in Cairo (1862) and later in Luxor (after 1870). In the early 1850s, however, he may have begun his career with Felice and Robertson in Malta. Antonio Beato focused his attention on producing prolific views of Egypt in all formats -- large prints in several sizes, and smaller cartes-de-visite and stereographs. His work often was purchased by European and American travelers seeking mementos of their time in North Africa and the Middle East. T.W.F. --- measurements: Image: 20.1 x 24 cm (7 15/16 x 9 7/16 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in pencil on verso: "Assouan"; "47/vue d'assouan/le bord du Nil"; "AB-5302-Z" translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS “1993 Annual Report.” The Bulletin of the Cleveland Museum of Art 81, no. 6 (July 1994): 143–218. page number: Mentioned: p. 161 url: http://www.jstor.org/stable/25161457 Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. page number: Reproduced: P. 95 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1993.94/1993.94_web.jpg print: https://openaccess-cdn.clevelandart.org/1993.94/1993.94_print.jpg full: https://openaccess-cdn.clevelandart.org/1993.94/1993.94_full.tif