id: 157322
accession number: 1994.188
share license status: Copyrighted
url: https://clevelandart.org/art/1994.188
updated: 2024-03-26 02:00:18.810000
Untitled, c. 1926. Albert Renger-Patzsch (German, 1897–1968). Gelatin silver print; image: 17.2 x 23 cm (6 3/4 x 9 1/16 in.); paper: 17.3 x 23.2 cm (6 13/16 x 9 1/8 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund 1994.188 © 2013 Albert Renger-Ptzsch Archiv / Ann u. Jürgen Wilde, Zülpich / Artists Rights Society (ARS), New York
title: Untitled
title in original language:
series:
series in original language:
creation date: c. 1926
creation date earliest: 1921
creation date latest: 1931
current location:
creditline: John L. Severance Fund
copyright: © 2013 Albert Renger-Ptzsch Archiv / Ann u. Jürgen Wilde, Zülpich / Artists Rights Society (ARS), New York
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culture: Germany, 20th century
technique: gelatin silver print
department: Photography
collection: PH - German 20th Century
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Albert Renger-Patzsch (German, 1897–1968) - artist
Albert Renger-Patzsch German, 1897-1966
Albert Renger-Patzsch (born in Würzburg) was a pioneering and influential proponent of the Neue Sachlichkeit (New Objectivity or New Realism) in photography beginning in the 1920s. The son of an enthusiastic amateur photographer, Renger-Patzsch began taking photographs in his youth. Following studies in Dresden and service in the German army, he worked as director of the Folkwang Photographic Archives in Hagen for three years (1922-25), then established himself as a freelance photographer in Bad Harzburg and published his first book, Das Chorgestühl von Cappenberg (The Choir Stalls of Cappenberg, 1925).
Three years later Renger-Patzsch moved to Essen, where he continued his freelance work and published Die Welt ist Schön (The World Is Beautiful), his well-known book containing 100 clear, precise photographs of plant and animal forms, landscape, architecture, and other manufactured objects, often in extreme closeup views. Through the pictures in Die Welt ist Schön, Renger-Patzsch expressed his belief in straight photography and the ability of the camera to clearly and realistically portray the physical world. In the late 1920s and early 1930s, he continued to produce illustrated books, publishing monographs on Lubeck, Dresden, Hamburg, and the Essen Cathedral. He also taught for two semesters at the Folkwangschule in Essen (1933-34). In 1944 Renger-Patzsch lost thousands of his negatives when his studio was destroyed in an air raid during World War II. Around this time he moved to Wamel bei Soest and began focusing on landscape photography.
Throughout his career Renger-Patzsch took part in a number of exhibitions, including the 1929 Film und Foto show of avant-garde photography and film in Stuttgart. In 1957 he was awarded the David Octavius Hill Medal by the Society of German Photographers for his contributions to the medium and in 1960 received the German Society for Photography Culture Prize. M.M.
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measurements: Image: 17.2 x 23 cm (6 3/4 x 9 1/16 in.); Paper: 17.3 x 23.2 cm (6 13/16 x 9 1/8 in.); Matted: 35.6 x 45.7 cm (14 x 18 in.)
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inscriptions:
inscription: Written on verso: "ARP 19150"; [the artist's monogram]; "R.P.88172 [crossed out]"
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CURRENT EXHIBITIONS
title: Industry and Photography: Selections from the Permanent Collection
opening date: 1997-11-16T00:00:00
Industry and Photography: Selections from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1997-March 1, 1998).
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LEGACY EXHIBITIONS
* {'description': 'CMA, September 13 - November 27, 1994: "Recent Acquisitions: Prints, Drawings, Photographs," no exhibition catalogue.', 'opening_date': '1994-09-13T00:00:00'}
* {'description': 'Cleveland, Ohio: The Cleveland Museum of Art; 11/16/97 - 3/1/98. "Industry and Photography: Selections from the Permanent Collection."', 'opening_date': '1997-11-16T00:00:00'}
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PROVENANCE
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 273
url:
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IMAGES