id: 157324
accession number: 1994.19
share license status: CC0
url: https://clevelandart.org/art/1994.19
updated: 2024-03-26 02:00:18.821000
Daniel Maclise (1806-1870), 1857. William Lake Price (British, 1810–1896). Albumen print from wet collodion negative; image: 28.1 x 24.5 cm (11 1/16 x 9 5/8 in.); matted: 55.9 x 45.7 cm (22 x 18 in.). The Cleveland Museum of Art, James Parmelee Fund 1994.19
title: Daniel Maclise (1806-1870)
title in original language:
series:
series in original language:
creation date: 1857
creation date earliest: 1857
creation date latest: 1857
current location:
creditline: James Parmelee Fund
copyright:
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culture: England, 19th century
technique: albumen print from wet collodion negative
department: Photography
collection: Photography
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* William Lake Price (British, 1810–1896) - artist
William Lake Price British, 1810-1896
William Lake Price was trained as an architectural and topographical artist in the studio of Augustus Charles Pugin. Price's work, exhibited at the Royal Academy between 1828-32 and at the Old Watercolour Society between 1828-52, consisted primarily of antiquarian, portrait, and topographical views, including the stately interiors, historical subjects, and genre scenes typical of the era. Turning to photography in the mid-1850s, Price espoused the same sensibility that had served him in painting. He joined the Photographic Society in London and submitted as his first entry in the annual Photographic Album for the Year 1855 the sort of genre scene that would ensure his popularity for some time. In 1858 he published a collection of portraits entitled Portraits of Eminent British Artists.
Price, like Oscar G. Rejlander and Henry Peach Robinson, advocated an approach to photography associated with the fine arts. All used methods of composite or combination printing, in which scenes were composed in studies and sketches, and then assembled by combining a variety of individual prints. The resulting composition was rephotographed as the final work. Price wrote extensively on this process and other technical subjects in photography, publishing A Manual of Photographic Manipulation: Treating of the Practice of the Art and Its Various Applications to Nature (1858). His photograph Don Quixote and a series on Robinson Crusoe reveal the sentimental nature of his most popular works. T.W.F.
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measurements: Image: 28.1 x 24.5 cm (11 1/16 x 9 5/8 in.); Matted: 55.9 x 45.7 cm (22 x 18 in.)
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inscriptions:
inscription: Written in black ink on recto: "Danl. Maclise"; in pencil: "a 5300"; "0-"; in pencil on verso: "(i40)"; "15"
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remark:
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CURRENT EXHIBITIONS
title: Recent Acquisitions: Prints, Drawings, Photographs
opening date: 1994-09-13T04:00:00
Recent Acquisitions: Prints, Drawings, Photographs. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 13-November 27, 1994).
title: Legacy of Light: Master Photographs from the Cleveland Museum of Art
opening date: 1996-11-24T05:00:00
Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997).
title: Artists Photographing Artists
opening date: 2001-10-13T00:00:00
Artists Photographing Artists. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 13, 2001-February 27, 2002).
title: Cheating Death: Portrait Photography’s First Half Century
opening date: 2016-10-22T04:00:00
Cheating Death: Portrait Photography’s First Half Century. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).
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LEGACY EXHIBITIONS
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PROVENANCE
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 269
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1994.19/1994.19_web.jpg
print: https://openaccess-cdn.clevelandart.org/1994.19/1994.19_print.jpg
full: https://openaccess-cdn.clevelandart.org/1994.19/1994.19_full.tif