id: 157335
accession number: 1994.199
share license status: Other
url: https://clevelandart.org/art/1994.199
updated: 2021-03-27 12:16:22.208000
Carved Vessel, 1994. Nancy Youngblood Lugo (American, 1955-). Unglazed, reduction-fired pottery; overall: 15 x 23.1 cm (5 7/8 x 9 1/8 in.). The Cleveland Museum of Art, James Albert and Mary Gardiner Ford Memorial Fund 1994.199
title: Carved Vessel
title in original language:
series:
series in original language:
creation date: 1994
creation date earliest: 1994
creation date latest: 1994
current location: 231 Native North American
creditline: James Albert and Mary Gardiner Ford Memorial Fund
copyright:
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culture: America, North American Indian, Santa Clara Pueblo, 20th century
technique: unglazed, reduction-fired pottery
department: Art of the Americas
collection: AA - Native North America
type: Ceramic
find spot:
catalogue raisonne:
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CREATORS
* Nancy Youngblood Lugo (American, 1955-) - artist
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measurements: Overall: 15 x 23.1 cm (5 7/8 x 9 1/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art
opening date: 2006-06-09T00:00:00
The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).
title: Art of the American Indians: The Thaw Collection
opening date: 2010-03-07T00:00:00
Art of the American Indians: The Thaw Collection. The Cleveland Museum of Art (March 7-May 30, 2010).
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LEGACY EXHIBITIONS
* MOCA Cleveland (6/9/2006 - 8/20/2006): "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", no. 138, p. 124, repr. p. 90.
CMA 2010: "Art of the American Indians: The Thaw Collection" March 7 - May 30, 2010
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PROVENANCE
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fun fact:
digital description:
wall description:
The museum commissioned this vessel from Nancy Youngblood, who descends from generations of female potters of the Santa Clara Pueblo. She aims to perpetuate the traditional ceramic forms and methods of her forebearers. Thus, the vessel's shape echoes the pueblo's typical gourd-shaped ceramics, but its 32 hand-carved ribs are Youngblood's distinctive artistic signature.
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, “New Acquisitions Enter the Cleveland Museum of Art’s Permanent Collection,” February 14, 1995, Cleveland Museum of Art Archives.
page number:
url: https://archive.org/details/cmapr3939/page/n1
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IMAGES